everyone knows the commodore 64, or c64, or "bread box", of course.
the single most sold unit in computer history, to this day.the "sequel" computer by the commodore company might be lesser known, sadly.
the commodore amiga is a bit of a glitch in the timeline of computers.
when it was engineered in the 80s, it was way ahead of its competition.
4096 colors at once, build-in parallax scrolling, a GUI that looked (and worked) better than microsoft windows, multimedia abilities...
Hardsequencer - Magic Flight
A techno-trance tune created on an amiga by German producer Hardsequencer
but in its homeland, usa, the computer remained obscure. a lot of people blame the (mis) management at commodore, a company that seemingly was in perpetual decay even back then. rumor is that one of the engineers even left a message of "we build it - they f**ed it up" somewhere in the circuits of the first amiga models.
Christoph De Babalon - Babylon 90210
Scary jungle by Christiph de Babalon
while it did not get much traction in america, it became a big, big hit in europe, particularly in countries like uk, germany, france...
most people now remember the amiga for the games that were made for it, or were ported and re-designed for it. because a lot of now-classic games either saw their debut on their amiga, or did shine the brightest on that system. lemmings, the early lucas art adventures, populous, rick dangerous, the turricans...
Taciturne - Mourning
Taciturne's "ambient gabber" track
and that was it. slam the kid on the coffin now, kid!
but hey! not so fast. did we not mention multimedia capabilities?
and indeed, the amiga had a huge and lasting influence that went way beyond playing video games at home with your friends.
it was a major player in creating and shaping the various rave, techno, hardcore scenes that swept over europe in the early-too-late 90s...
Cybermouse - My Dorectives
Dark techno On hamburg cult label fischkopf
the c64 was legendary because unlike other system of its time, the company did not pack a generic "beeper" type sound chip into its system. they designed the SID chip, which a lot of people consider to be a real synthesizer.
the commodore company kind of repeated this trick with the amiga. they did not give it another soundchip that generated simple sine, saw, square waves... instead they designed a real, miniature "sampler" chip for the amiga. this sound chip was called Paula, after one of the girlfriends of the engineers.
just like a real sampler, it could trigger and play pre-recorded sound snippets and samples at various speeds and pitches, and do a few basic effects on that.
it was limited to 4 channels, but clever composers could bypass that restriction easily (for example, if you sampled one drum loop, with 7 different types of percussion, it would still take up only one channel).
bitrate was often not so good either, even though a friend of mine insists that the "lofi" sound quality of most amiga tunes were not the result of tech restrictions, but the lazyness of the composers.
Static Tremor - Resistance
The Heutling brothers were known to produce high quality amiga hardcore.
despite these visible (or audible) flaws, the amiga had many pros and advantages as a sound machine:
it was very cheap, at least compared to high standard, "industry" equipment
you had more memory and therefore you could use much longer samples and sounds, compared to "real" samplers in the same price range. this means you could have long string sounds, vocal passages, etc.
it was inside a computer! coders could create programs for it, that used the chip / sampler in any way they wanted.
no need to hassle with getting a sequencer for your hardware sampler, setting up midi, wires, fx, gear (which would have been super expensive as well).
it was all inside one box, back in the mid 80s already.
Neophyte - Execute (Live at Thunderdome)
Oldschool amiga hardcore
the amiga did not make it in pop, or any genre like that. but the techno and rave producers started to flock to that computer.
maybe because the early techno scene attracted a lot of "outsider" artists with zero budget and industry connection, so an affordable computer-sampler system with "overpowered" abilities had quite the appeal.
the first wave of producers that used the amiga in a massive way were the acid house crazed ravers in the UK scene. a lot of classic breakbeat, and later, jungle tunes were made on the amiga.
amigas were used in "mainland europe" too, though, and there are some classic techno and trance tracks made on an amiga.
to this day, not all producers gave full disclosure of their amiga use. the amiga still had the ring of being "lofi" to it, so artists that wanted to be seen as more credible might not have admitted of using one.
that means there are probably still a lot of records out there that there were made on amiga, but without anyone knowing that this was actually the case.
Amiga Shock Force - Shoot em Breax
Metal-jungle by the shock force
amiga music did shine it's brightest light in the "dangerous" hardcore techno and gabber-house underground.
there were countless of hardcore classics that were produced on an amiga. there were whole hardcore groups that exclusively used an amiga for their music, like nasenbluten or the amiga shock force (nomen est omen, eh?). there were labels, like bloody fist records from australia, that to 90% released amiga produced hardcore music.
Nasenbluten - Machete
One of the amiga-gabber classics
other labels, especially in the netherlands and germany, used some more or less clever tricks to mask (and hide) the lofi sound of the amiga: by wholesale slamming reverb and EQ boosts on the entire track!
and this was not a niche thing! DJs played amiga music next to "regular" tracks in their sets, and sometimes amiga produced music even made it to the national charts.
Hardsequencer - Broadcast (live at mayday)
More rave madness by hardsequencer (the first 5 minutes)
i find it funny that some remember the amiga as the machine where they played cutesy pixel platformers in their cozy bedrooms, while on that same night, 20,000 crazed ravers went wild to amiga-produced hardcore tracks on a gabber festival 100s of kilometres away.
it's hard to speculate, but I could imagine that, at least in the beginning, 5-10% of hardcore records were actually produced on an amiga.
these amiga tracks and bands then influenced other producers, and they then influenced even more producers...
so the amiga had a huge impact in that scene.
Ec8or - I Dont wanna be a part of this (live in japan)
"Digital hardcore" made on amiga
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