Sunday, November 1, 2026

10 weird and very hardcore electronic music videos that got aired by Music Television in the 90s

Does music television still exist? I heard they pulled the plug on the MTV in Europe, but somehow, broadcasts are still coming through, and last time I checked, weird dating formats were being sent through the aether... yikes!

But even before this "final end", music television changed a lot, and at some point after the millenium, the "music" part of television was slowly but surely replaced with cheesy crap, comedy shows (some of them quite cool actually - does anyone remember "crank yankers" or "drawn together"?), and the abovementioned dating shows (and at least in the UK version of MTV this apparently included a "naked" dating serial! yikes!).

Things were quite different in the 80s and 90s of course, and I was a teenager in 90s Germany, and MTV (and other music stations) came to us over the cable TV (and satellite for the richer kids...).
And, surprisingly, back then, in that decade, they had plenty of cool shows like "Alternative Nation", "Into the pit" (for headbangers who were still tuned to the channel after the ballroom), MTV's Party Zone (Techno / Electronica / Hardcore) or MTV's Chill Out Zone.
Especially the chill out zone was a true gem. Because, despite the "chilled" name, this was not just for ambient and "armchair techno", but usually the part where the real true electronic underground of the 90s found its place... I am talking stuff like Aphex Twin, Zhark Recordings, Alec Empire, Biochip C... or Air Liquide and Mouse on Mars.
Party Zone was more the rave party type thing... but they had exceptions to the rule, too, and, for example, Alec Empire hosted a "Digital Hardcore special" there, and this was the first time I listened to really, really Hardcore Techno music... (which ended up changing my entire life trajectory by inspiring me to become a DJ and producer myself... but please, dear readers, this is a vastly and entirely different story...!).

On with the show, I dearly remember many Friday and Saturday nights in the mid to late 90s, coming home from dirty nasty squat parties with gabber-skinheads and zany manic ravers in the mosh pit, feeling completely burned and trashed, but good on the inside, sinking into the couch in my parent's living room, and then tuning to these weird ambient and electronic music video shows on TV... ah, memories!

So, now let us get to the goods. Here is my idea of 5 of the best "underground" videos that found airplay on Music Television in that 1990s decade.

1. Atari Teenage Riot - Speed 

Do you like Fast & The Furious? With Vin Diesel? And Paul Walker (Rip). I always thought the movie was kinda cool, and "Speed" was in Tokyo Drift, when the first "Drift" happens, in that Tokyo high rise... very fitting, imho!
The song itself was nearly 10 years older than the movie, though, and this is the very cool music video to it.


2. The Prodigy - Voodoo People 

In the 90s, of course, every guy was into the "b*tch" video by The Prodigy, because of the tarantino-like happenings that go on in the aforementioned video... but i always prefered this one.
It's also the prodigy at their hardest, metal guitars, super fast beats, super deep bass... let's get ready to rumble!
But be careful with that voodoo magic, Eugene!


3. Aphex Twin - Come to Daddy 

Uhhh yeah... Aphex Twin was always kind of a fusion of really Hardcore beats, but also very cerebral music... and this leans to the left side of this equation, because it is fudging Hardcore! "Metal" sounds, super fast beats, zombies that seemingly desire to eat up grandmas and scare dogs in the streets after spawn... it's all here.
The music video was made by a very famous director, too!


4. LFO - Tied Up 

I heard that, at a later date, there was some cheesy pop band called "lite funky ones" aka LFO, too, but that is not what I am talking about... the original LFO were the inventors of "bleep techno" and, correct me, but I think they were around in the 80s already.
"Tied Up" was a later release on Warp records by them, and there is a strange remix on it.
It had gabber kicks, but in an industrial rhythms, lots of weird breathing and noise...
The music video is just as "Hardcore", and with a title like "Tied up", you might be able to guess the overall topic of the video...
It's a sight to behold!


5. Orbital - The Box 

Orbital is another group of veteran UK ravers and "the box" is just... weird.
I think it is one of the videos with the heaviest rotation ever on MTV, at least amongst the videos aired after 8 PM. My brain is wired with memories of the video, the alien man/woman standing still in a confusing world of humans, images, colors and shapes, timelapse... and me feeling very similar to them, at that time, too.


6. Moby - That's When I reach for my Revolver 

Sheena, of course, was a punk rocker, at least according to the Ramones (sorry for this bad joke / pun at the beginning of this text). But you know who else was a punk rocker? Moby! He was a HC punk, then he became a HC raver, and then he became an electro heart-throb for middle aged men and women, with his singles like "why does my heart feel so bad?".
But this video was made when he had a short relapse into his punk rock days. A quite good alternative rock song of the 90s (maybe a bit like pumpkins or foo fighters). the video feels quite bleak and pessimistic... and I think it fits to the mood of "generation x".


7. Alec Empire - The Report 

Alec Empire is a member of Digital Hardcore band "Atari Teenage Riot", and this music video is the complete opposite of all the screaming and shouting, violent music and aggression... or is it, really?
Actually, it's not "really" a music video, it's a short movie that Digital Harcore Recordings did in the 90s. Directed by Philip Virus, who later became an acclaimed movie director...
The story is about a woman, she walks home from a funeral, her boyfriend just had died... and then she discovers strange documents... the government seems to be involved, there is surveillance, drug induced mental illness, borderline psy-chosis... a conspiracy...

The video, to me, encapsulates the whole "feeling" of the 90s, the paranoia, the helplessness, the inner scream for resistance, the desire to rise up and see through the illusions, the lie of reality...
In my opinion, this "feeling" can be found in other 90s movies too, like "dark city", "fight club", "strange days" or "the matrix"... but maybe this short movie does it even better!
There are actually two versions of it around, one where the lines related to the supposed "government" involvement in the video are blurred out and replaced with similar ones, that are a bit more ambiguous and vague... which, imho, adds to the paranoia... once more.

The music itself is electronica and dark ambient, or could maybe considered to be a kind of "digital musique concrete"... and one of the best things alec ever composed!


8. Human Resource - Dominator 

"Dominator" was an early techno and house track, that also got popular in the gabber scene... it is the origin of the so called "hoover" sound in rave, a very messed up, "screeching" juno synth patch...
and the video... uh oh...
are we trapped in the z-th dimension now? it's just flickering lights, polygons, pixel graphics... occasionally a female face floats by... what where they thinking, when they made this video?
by the looks of it, i think a commodore 64 or amiga computer might have been involved... which makes all this, even more cool!


9. Ec8or - C*caine Ducks 

Talking about Amigas... Patric was a "thunderdome"-approved gabber producer from cologne, gina was involved in indie and retro 60s rock bands, both of these german teenagers met in berlin, started a band, and who would have thought, MTV actually aired one of their videos later!
The entire "song" is produced on Amiga 500, an infamous 16 bit computer by the commodore company... the style of the song is early breakcore, mixed with a bit of the punk rock... and in this very lofi, "self shot" music video, the amiga computer actually gets trashed and stomped to pieces. that poor amiga!


10. The prodigy - out of space 

The Prodigy were not always those "twisted firestarters" ("oh-weee oh-weee oh-weee oh!")
They made some "happy hardcore" breakbeat rave stuff, too! At the early days of their career.
The video is crazy and upbeat, too...
I especially like the "dance off", between a UK raver and some kind of nuclear alien... duck man?
Or maybe it's just another raver.


So, on this high and happy note, let us end the text.
Do you know videos like this, from the 90s, too?
Please let me know! Asap!

Note: No AI has been used when writing this text.

https://thehardcoreoverdogs.blogspot.com/

Saturday, October 31, 2026

Review: NNS Classics N.2 (No New Style Records)


New 12" vinyl that is out on No New Style from Italy.
According to the text: "This is our new album, the second chapter of a collection of the best tracks EVER released on No New Style Records."
So, only the best stuff found its way too the wax and, yeah, these tracks are really banging.
No New Style was one of the first labels to push the Early Hardcore revival, to push it really hard; and it's quite funny, there are lots and lots of "next gen" and other labels these days, and, sure, these are nice, but No New Style is still harder than most!

https://nonewstyle.bandcamp.com/album/nns-classics-n-2

Thursday, October 29, 2026

This year's Halloween, don't miss The Evil Techno Mixmarathon!


Hi Friends,
There is a special treat (or trick?) for Halloween this year!
"Resonance Techno proudly presents The Evil Techno Mixmarathon event"
The Gabber Elder members Low Entropy GabberGirl and Nikaj are there, and they get joined by Garrison9 and DJ Brainscan.

What to expect... ? Well, what do you think?
Evil and dark Techno in all incarnations, including some spooky Techno-id Hardcore!

So, bring out your ghosts and let the brooms and witches in, because for this Halloween, we are going down on the Halloween Techno dancefloor!

Only online, at https://youtu.be/IqBqmXSC-p4

3 PM UK Time or 4 PM Main European Time... and then going for 7 1/2 hours, way into the night... wooo!

https://www.youtube.com/watch?v=IqBqmXSC-p4

Wednesday, October 28, 2026

19 Latin language and latin influenced Hardcore, Techno, and Gabber House tracks from the 1990s rave era

Gabber and Hardcore were not just inside Rotterdam, of course. Even back in the 90s, the scene was already a global movement. There was Hardcore from the USA, UK, Germany, France, Italy, even Russia...
Yet, despite my research, I could not find much Hardcore releases in that era, that *actually* comes from countries like Spain, or from South America, etc...
But, there definitely was a scene in those parts of the world, too!

And, there had been a lot of latin country related tracks, or those with latin language samples... even if the producers, in many cases, came from other countries...

And that is what we are gonna look at, here!

01. Ramirez - El Gallinero (Axis Remix)
https://www.youtube.com/watch?v=eZVgF5823fU
The classic "early Gabber" track by Ramirez!

02. Final Analyzis - El Punto Final (Power Mix) (1992)
https://www.youtube.com/watch?v=8PUXVaCM-tQ
Another "Thunderdome" classic!

03. Bardot - Viva La Revolution!
Long live the (gabber) revolution... indeed.
https://www.youtube.com/watch?v=zivhbbYfpE0


04. Charly Lownoise & Mental Theo - Descontrolla
"Ey amigo!"... maybe one of the best Charly & Theo Gabber tracks?
https://www.youtube.com/watch?v=orisq994UEU

05. DJ Waxweazle - La Onda (Blood In, Blood Out Mix) (1996)
Heavily samples the latin gangster movie "Blood in Blood out"... so cool!
https://www.discogs.com/release/15017-DJ-Waxweazle-Special-Birthday-Edition

06. Kuadra - La Onda (La Onda del Einstein)
Mid-Tempo Old-school hit!
https://www.youtube.com/watch?v=uaoYR5jC7TU


07. Undercover Anarchist - Yo Te Quiero
A very good one by an alias of DJ Ruffneck.
https://www.youtube.com/watch?v=3YC28_1wjhk

08. Eradicator - Brujeria
Evil magic underground speedcore.
https://www.youtube.com/watch?v=xlfl4gXjzaU

09. Padre Terra - El Diabolo
Techno-acid with a bit of an hardcore edge...
https://www.youtube.com/watch?v=nnH_tlQUw4A

10. T-Bone Castro - Urban Partyzan (Hot from Havana) (1992)
https://www.youtube.com/watch?v=_y0OWNd_V0E
Actually an alias by Marc Acardipane himself!

11. Ramirez - Terapia (Hocus Terapiocus) (1993)
And another one by Ramirez.
https://www.youtube.com/watch?v=PqPK03rGr98


12. El Bruto - El Bruto (1994)
Another Gabber banger from Rave Records.
https://www.youtube.com/watch?v=tBejTXwcrfI

13. Reyes - Soy Innocente (1993)
Very "rave-y" gabber track from KNOR Records.
https://www.youtube.com/watch?v=niEBvn-dGJI

14. Re-Charge - C+caina
Gabber track from the late 90s, before "new style" took over.
https://www.youtube.com/watch?v=_aswaByrL0A

15. Division Barcelona - El Hombre Máquina
Interesting obscure track... discogs lists this as "Makina" genre, but, with several hundred bpms in the middle part, I guess this is very hardcore, indeed!
https://www.youtube.com/watch?v=AzOkCmVfdx4

16. Terra Wan - De P+ta Madre (Spanish Mix)
"Techno" classic that is on the harder side of music.
https://www.youtube.com/watch?v=MBLUK8kmezY

17. Hardcore Trance - Hiro De Puta (1993)
Like in between late 80s techno and early 90s hardcore!
https://www.youtube.com/watch?v=2K2AsEpCDHE

18. The Speed Freak - El Hombre Máquina
https://www.youtube.com/watch?v=xYTlwzI-mzs
We already had a track with this name in the list... but this one is quite different!

19. The Bellini Bros - Samba De Janero
The inventor of Hardcore, Marc Acardipane, ends this list with this party smasher from 1997.
https://www.youtube.com/watch?v=9056JD6WGjk

Saturday, October 24, 2026

DJ Asylum releases Basic Survival Skills EP


DJ Asylum, who is one of The Gabber Elders, and also known for the HCBXCast on youtube, now has a brand new EP out on the Scotland-based label "Full Vitriol Recordings".
Do you like the happy sounds and mellow beats in the nex-gen gabber releases that are flooding the market right now?
Well, this is the total opposite to this! Clearly influenced by speedcore / noisecore labels like old Industrial Strength, Napalm, Fischkopf... and Scotland's own Storm Records.
Very cool release, very hard, I especially like the addition of hard acid... in between the machinery and ruckus of sounds!
One for the real hard-heads!

Thursday, October 22, 2026

Countdown to 2027 - The Gabber Elders pay respect to Planet Core Production


Countdown to 2027 - The Gabber Elders pay respect to Planet Core Production
Planet Core Productions Tribute by The Gabber Elders

We are The Gabber Elders and we want to pay respect and tribute to a group of even bigger elders, that came before us.
We are talking about PCP aka Planet Core Productions of course.
The label that invented Hardcore Techno, Doomcore... helped to set the foundation for Gabber, Breakcore, Speedcore...
Intrigued people like Aphex Twin or Moby. Plus it gave rise to the biggest international Techno hit ever - "Maria (I like it loud)" by Scooter and the PCP crew (yes, the track is "cheesy" - but cool!)
So yeah, respect is duly deserved here.

And to pay respect, we are gonna do a series of mix sets. PCP only.
And these will not only focus on the "well known" tracks!
So be ready for some surprises. We might do some other surprise features, too.

All this will be our hardcore and techno... Countdown to 2027!
Thus, not everything will be released at once, but we will be dropping mixes and stuff occasionally, to 2027 and beyond!

Maybe you are also interested in this book:
https://pcplegendsintheirlife.blogspot.com/ (all releases on all PCP sub-labels listed, rated, and short-reviewed)
https://archive.org/details/pcp-legends-in-their-life-the-unofficial-planet-core-productions-book/
(The Unofficial PCP Book)

The Gabber Elders are:

GabberGirl https://thegabberelders.com/
Low Entropy https://lowentropyproducer.blogspot.com/
DJ Asylum https://www.youtube.com/@hcbx666
Nikaj https://nikajs.bandcamp.com/


And here is the first mix in this series.

Scotland's DJ Asylum pays tribute to one of the hardest, best, and also one of the best known sublabels of PCP: Kotzaak Unltd.
(Read more about the label here https://pcplegendsintheirlife.blogspot.com/2024/07/kotzaak-unltd.html)

DJ Asylum - Kotzaak Mix

1. Stickhead & Don Demon - Conquer The World
2. Stickhead - Don't Play With Fire
3. Stickhead - Check This Mutha Down
4. Stickhead - Frankfurt Hools No.1
5. Stickhead & Don Demon - Demonhead
6. Bold Bob - Dive Into Steel
7. Stickhead - Meat Grind
8. Leathernecks - At War (Remix)
9. The Kotzaak Klan - Bang Your Fuckin Head
10. Stickhead - Getting Crazy
11. Stickhead - Piss On Your Grave
12. Dogge Team - Pitbull Power (Song For My Dog)
13. Jack Lucifer - Endless Horrors
14. The Kotzaak Klan - Powerstation Kotzaak
15. Dogge Team - We Came To Hool
16. Stickhead - Get In Gear (Remix)
17. Jack Lucifer - 96 Knights (To The Death Mix)

https://youtu.be/v5itvDjt2kg

Friday, October 16, 2026

Review: Vdd Energise - Ride Operator (Aneurysm Recordings 07)

Did I mention it before...? Aneurysm Recordings is one of the best new labels for "old" style 90s hardcore in the moment... or, more exactly, it's timeless
And these tracks on here have a timeless quality, too. The promo text tells us about "archives", and at least one of the tracks seems to have been released already... but the sound is still fresh af, and they could just have been produced in our very modern times.

Vdd Energise is an interesting figure to himself; he appears more on the fringe of the 90s techno and hardcore scene. His releases are quite classic, though (including an ep on the drop bass sub label 666).
And, most noteworthy, he has a truly unique style, that noone else really does.
Very hard, analogue, industrial techno and hardcore... maybe slightly comparable to some of the harder unit moebius or the hague stuff, or even the few hardcore detroit techno tracks...

But, in the tracks, classical strings, "opera" samples, and other avantgarde sound manipulation peaks through, too!

https://aneurysmrecordings.bandcamp.com/album/vdd-energise-ride-operator-e-p

And here is an unboxing video to it!



Monday, October 5, 2026

The (Short) History of Heavy Metal and (Hard) Techno Beats

In the 90s, at least in Europe, there were essentially two camps: You were for rock, metal, alternative rock, punk... guitar driven music like that... or into techno, rave, trance, house, gabber... the synthetics stuff!
(oh yeah there were also a few other camps, like those that listened to boy/girl-bands. but let's not talk about that here).


The "cool" rock crowd detested the silly ravers. Rock was seen as organic, raw, wild... the rave crowd, on the other hand, put down rock as being outdated, for dads, a genre that had run out of ideas... and so on.

This might seem weird if you look at it from this day. But the 90s were a time when even regular synths in "rock bands" were a rare, rare thing (at least i did not hear one in the famous songs by nirvana, soundgarden, smashing pumpkins). "no more ***ing rock and roll" on the other hand, was a slogan in the german techno scene of the very early 90s.


okay, we did the intro, now let's get down to the beans. rock and purely electronic or dance based music seems to have a bit of a troubled relationship, but that's not true.
the fusion of rock and computer generated drums probably reaches back as far as the 60s and 70s, if you dive into the whole krautrock thing.

after that, in the post punk movement, we find some fragments of it already. i mean, at the core, "blue monday" or temptation by new order already had rock guitars on electronic dance beats... right?


but the jingle jangle guitars of post punk is not really what we are looking for.

the industrial / goth scene is already closer to the good stuff in the 80s.
and we should give a (very big) nod to cybotron and the early detroit scene,


but now, let's get to the 90s, and take a look at the... real thing.

from very early in, techno producers seems to have been interested in using metal guitars for their tracks.


Rarely by employing real guitar players (but that happened, too!).
The guitar sounds usually came out of the sampler.
There were shock / mock tracks in the house / techno scene.
But after that, genres like house and trance almost never used guitars anymore.
Metal went into the darker and harder forms of... "dance".
First, into the breakbeat stuff in UK... or rather, the projects that grew out of that.
The Prodigy was one of the first "dance-y" electronic projects that was loved by the rock crowd, too.




Then we had weird glitches... like when "purely electronic" DJ Moby suddenly released a purely punk rock album...

Let's leave Europe for a while and cross over the pond. The Americans had Industrial Metal. While this was more or less a fusion of metal and electronics... tracks with electronic drums in dance rhythms were kind of rare... or i just don't know them.
Yet, there was some wicked stuff, too.


Apart from the breakbeat, rave stuff... especially in Hardcore and Techno, Gabber and Speedcore, did metal guitars become very popular.
Fast metal riffs were one of the defining things of early hardcore techno.
The very first "real gabber" track, alles naar de kl*te by euromasters, is build around a riff nicked straight from sepultura.


Gabber DJs seemed to be very fond of sampling thrash metal riffs, Death Metal, too, of course, and grindcore. Black Metal was rare, and 70s stuff or glam / power metal were a no-go... more or less!

Eventually, Earache caught notion of that devolpment, and started to collaborate with hardcore techno labels on their releases... which led to album releases by industrial strength and ultraviolence... or entire projects like "hellspawn"!


Fear Factory also had their very Techno / Gabber remix EP.

Rumor is that Rick Rubin himself tried to get the european Gabber DJs to join his labels and start some projects...
But seems he was stopped by the big dutch labels... maybe they were afraid to lose market share...?


On the most extreme end of things there was "digital hardcore" or bands like the berzerker.
Digital Hardcore was... well just insane.
And Berzerker a death metal / grindcore band... with real vocalists, guitars and all... running on (purely electronic) speedcore techno beats!

This is a quite infernal end, to something that started so harmless, in the days of dazed krautrock...
But so, dear reader, it was written.

Do you know bands or artists that use both metal guitars and rave sounds? Let me know! 

Sunday, October 4, 2026

Germany's most bizarre electronic export: looking at the strange world of Mille Plateaux

Force Inc was a label by Achim Szepanski. It gave a very unique and intellectual spin on Techno music.
In the 90s, Mille Plateaux was kinda seen as a sublabel to Force Inc, even though it was more like a collaboration between two labels. If I remember this correctly!
And if Force Inc was already weird... well, what was Mille Plateaux then?

If we go to discogs, the description reads:

"Mille Plateaux is a Germany label for experimental electronic music and electronic arts.
Genres like Clickhop, Glitch, Clicks & Cuts, Minimal etc. were largely influenced (and named) if not formed by the label."

everything understood and clear? So, next time you are rocking out to some clicks (or cuts) in the clubs, remember that this "Germany Label" actually started it all!
But in all sincerity, this label really had some weird & wonderful music on it.
Some of it maybe might be put under the ambient, intelligent electronica, "armchair techno" umbrella of the 1990s scene in Germany... but at the outermost fringe of it, because it was even more "out there"!


as we read on on discogs, we learn that:

"The name "Mille Plateaux" (A Thousand Plateaus) initially stemmed from a concept and same-titled principal work co-authored by Gilles Deleuze and Felix Guattari, French psychoanalyst and philosopher respectively. The former gave his approval of the use of "Mille Plateaux" to the original label founder."

I won't pretend that I read or understood deleuze and his thousand plateaus. I was violently "anti-PoMo" in the 90s...

and now, let's cut the intro short, and explain the label by looking at some of its best releases directly...

So here are 5 or more reviews of some very interesting records on mille plateaux.

Alec Empire - Low On Ice (The Iceland Sessions) (Mille Plateaux - MP CD 18)


The story to the production of this album is as insane as its sound itself.
It goes like this: Alec Empire or Atari Teenage Riot were booked at a music festival in iceland. That literally took place in a landscape of snow and ice. I think the artists needed to be helicopter-lifted to get to that place. (check the music video to it)
The crew and everyone else had some tents, to protect them a bit from the snow and the cold.
So, while chilling in his tent, probably after or before his gig, alec popped out some of the very sparse and minimal gear he brought for the performance... started to jam away, and the result of that is the very album we are listening right now!
i mean, he essentially produced an entire album under minimal conditions during some breaks in between... as if producing was as easy as taking a walk in the morning!
quite impressive, eh?
and it's even more extreme, because the entire material would have fit on *three albums*!
which have been released almost 25 years later.

i think this story gives a better description of the music than "genre terms"... but let us just say that dark ambient tones, slow breakbeats, a general, doomed dub mood, is present.

Hanayo In Panacea - Hanayo In Panacea (Mille Plateaux - MP 56 CD)

Who doesn't like Panacea?
Well, to be honest, *I* often wasn't too plussed about some of the hard step drum and bass he did... (sorry!) as I was more a fan of harder edge artist like patric c or bomb 20.
hanayo has always been cool.
and, wonder oh wonder, this album and collab is not a mix of both artist's respective style, and does not meet "in the middle".
instead it's an almost gabba-breakcore styled album, with distorted bass drums, all kinds of noise. while hanayo's haunting voice floats above the beats, and dark strings and pads make an appearance...
other tracks are more ambient / idm like.
well done!

R.I.C. - Distance (Mille Plateaux CD 5)


Who is the artist with the most extreme span of genres, or the most distance (pun intended!) between them?
Martin Damm is a contender for this. He is apt at producing speedcore and terrorcore techno, and fans love him for that. Sometimes high above 200 bpm, or even 1000 bpm.
And then he also did this!
Sweet neat fluffy little cloud like ambient electronica, dub, a bit of idm...
Like the unknown, cutesy third twin of the aphex.
Even Tangerine Dream like "Berlin School" synth melo sequences run across some tracks!

Alec Empire - Limited Editions 1990-94 (Mille Plateaux - MP CD 2)

Back in the 90s, I asked a friend for a recommendation of good mille plateaux releases (or was it a recommendation of alec empire releases?) and he suggested this. i found this "odd", because he was more the experimental type and i was looking into the future, so a release of "older" material, related to the "techno" label "force inc", seemed curious.
but he was right. this is one of the best AE and MP releases.
it's hard to pinpoint *exactly* what makes it so great.
i think it's because it's very cerebral, avantgarde, experimental electronic, and very groovy, funky dance (and yes, partly techno) music at the same time.
as if stockhausen was a b boy, or the 808 state had a doctor degree in outer space-ology.

there is also a "civilization virus" on it, an epic piece. it was the soundtrack to a short movie. and that short movie was actually the master thesis for video director phillip virus. who later directed a feature on grunge band "dinosaur jr"!


Terre Thaemlitz - Die Roboter Rubato (MP 034 CD)

Can you believe this? Friends highly recommended this album to me, back in the 90s.
But I did not listen to it! - till yesterday.
Because these "Piano interpretations of Kraftwerk titles. Recorded at Meow, New York, April-July 1996."... seemed like old socks to me.
It was the 90s (like they say in the movies), and kraftwerk felt 70s, and moody piano music even older fashioned. plus the whole thing smelled of "hipster" stuff.

But now I listened to it, and it's really good! great stuff!
my favorite is "computerwelt", a super sad and moody (yes) re-interpretation of kraftwerk's computer world.

Steel - Steel (Mille Plateaux - MP CD 16)


Most people probably know Martin Damm as The Speed Freak, an aka he used to produce a lot (and really a lot!) of gabber and early hardcore, and later "frenchcore". And yeah... he is one of the best in that genre (or rather, those genres). But when it comes to *my* very personal favorite releases by him, i would put this one in the top 3.
This is unlike everything he ever did. or any other artist ever did. a solitary release.
it's like... industrial, dark ambient... also noise. but in a very unusual way, quite digital, with lots of samples... and all tracks blend into each other, it's one seamless, 1-hour track. (a bit of jungle, idm, rave can be found on here too, btw)
kinda like these euro-disco or pop long play megamix CDs of the 80s / 90s. but not disco, a dark, vile, nasty industrial mega mix!

track titles like "Feverish Dream" or "Obituary" or "Soundtrack For S*x With Aliens" show some of the vibes of these tracks. And yeah, the entire album really feels like a fever dream, or an OST to an unknown horror flick.

Friday, October 2, 2026

My personal Bandcamp Friday coverage (for October)

Hi everyone!
This month, like every month... no wait, not like any month! Because there is a Bandcamp Friday, and we cover it again!
So here are some good releases to check out.

Crepuscular - Vertebrated Involution

Crepuscular is an industrial / noise artist from Argentina. What's cool with his music is that it does not just "drone on" (like a lot of industrial type artists), there is a feeling of real structure, vision, progression... in the tracks.
the info text says:

"Original tracks from 2016 - 2020
[...]
The architecture of deception built upon constant regression."

and that fits the glove, i'd say. as there is a constant feel of oppression and gloom in these soundscapes.
darkness... but nice!

https://crepuscular.bandcamp.com/album/vertebrated-involution

Night in Athens - Requiem Mécanique

As a teen, I wasn't really into goth, but I grew on me, and today, some of the most interesting (and some of the darkest) music projects are connected to goth.

Or is this even goth? Sorry, but I can see Detroit ca. 1985 or even Kraftwerk mutate into these sounds... pristine electric beats, and almost "vintage" synth sounds linger on.

Oh yeah, N.I.A. is one of my fav new artists.

https://nightinathens.bandcamp.com/track/requiem-me-canique

Xerxes the Dark - Of a Dead World

Xerxes the Dark is a Dark Ambient and Industrial Noise artist in the city of Tehran in Iran - how cool is that?

And most definitely one of my prefered Dark Ambient producers.

The descriptions reads:

"the album reflects the artist’s profound anxieties and existential dread regarding the uncertain, bleak future of both Iran and the wider world."

And I guess that's the truth.

https://xerxesthedark.bandcamp.com/album/of-a-dead-world

Timecop1983 - Night Drive (Instrumental Edition)

From what I know, TC83 is one of the more widely known (and earliest) synthwave producers.

And that's what you get here! Music that makes you feel like a Crockett or Tubbs, driving down ocean drive, while some shady deal goes wrong and the shadows are on your tail already... and the camera eye pans on the atlantic ocean at night while the credits roll, and so do the tracks on this album roll!

https://timeslaves.bandcamp.com/album/night-drive-instrumental-edition

Nox Arcana - Darkfall, Vol. 5

Nox Arcana apparently means "secrets of the night" or "nightly secrets" (or "mysteries" ? )
I never quite understood what they are (another mystery!), but it seems they do soundtracks for all kinds of movies, books, comics. Just that these do not exist!

There is an album for a pirate themed story, for example, or an edgar allen poe-alike. Or about witches and sorcerers. But literally just the tracks, there is no real pirate movie or horror novel attached to it.
It's an interesting concept for sure, to make these "fictional soundtrack" albums! And their sound feels *very* cinematic, indeed.

So, you see, there is a dark theme to their releases, and this goes for this new "darkfall" volume, too.

https://noxarcana.bandcamp.com/album/darkfall-vol-5

Dead Astronauts - Shallow Grave

I am a huge synthwave fan since day one (well, actually, since the 80s, when the original new wave sound was around).
But, at least in my opinion, over the years, synthwave became more mediocre and a lot of releases were put out that were mediocre, and all sounded the same.

The Dead Astronauts always stood out for me, and their past single "b-side" is one of my favorite songs of all time (not just in synthwave!).
so i was more than happy when this new album was announced.
and, my verdict is: it's rocking!

https://deadastronauts.bandcamp.com/album/shallow-grave

S*x Dream - Dry Ice

Despite the band name, S*x Dream is not too NSFW. They're a lofi punk band, and I do not know much about them.
But, by the look of their videos, and the sound of their... well, sounds, they seem to be a group of three friends who just formed a band to have fun, and not having a care in the world. And being a bit silly and snotty at it, at the same time.
That there is both a "punky" and "dreamy" mix of the same song on the eponymous release might prove that point.

https://sexxdream.bandcamp.com/album/dry-ice

Tuesday, September 29, 2026

Gabber Health Campaign: Part 1 - Gabber Cooking


We kick off the Gabber Health Campaign with Gabber Cooking.
Gabbers and Ravers in general are at risk of bad health. Of course, everyone needs to take care of their health, but we are part of a special risk group:

-endless nights of dancing and producing might take their toll
-some gabbers use and abuse substances
-a lot of us are lower class and healthy food is not easily available
-when you are young and raving, ya dont care about health. do you?
-other issues

Now, bodily health is often a very boring topic, and I do not want to bore you!
So, instead, there is one thing you can do that brings a lot of health benefits, and that is that you cook your own food.

There is hardly any wide spread substance worse in the world right now then fast food, delivered food, microwaved food, any other form of industrially pre-prepared food. if you look it up, most of the time the stuff you can buy at supermarkets or in restaurants is not even food anymore, it is made up out of coal, waste, strains of bacteria, and lots and lots of anorganic matter.

even the organic-vegan-tofu-eating crowd usually munches on lots of heavily processed food they bought somewhere, which is then not so organic at all.

so now to the fun part: cooking your own food is fun and easy, and even your grandparents knew how to do it.
you can find good recipes online.
if you cook your own meal, and want to do something for your health, it's important that the ingredients are not already totally processed. i.e. actual bell peppers, spices, aubergines, or whatever you want to eat. and not something that comes in a box, gets watered, and then ran through the microwave.

in order to spread the joy of cooking, here is a gabber track about the very topic.
maybe you even want to cook the food that is mentioned in the lyrics, but if you chop vegetables at 180 bpm, take care of your fingers, too!


Lyrics:

Welcome to another session of
Gabber Cooking

I slice the peppers I slice the peppers I slice the peppers
I peel the garlic I peel the garlic I slice the garlic
I add the spices I add the spices I add the Spices
I grate the cheese

I pre heat the oven
I slice the tomatoes
I stir the pot the pot the pot
I add the herbs the herbs the herbs

I boil the water boil the water
I cook the rice
I cut the onions
I fry the tofu I fry the tofu and the onions

I bang pots and pans

I eat it up I eat it up I eat it all up

and on the next day... I cook again!

Saturday, September 26, 2026

GabberGirl's Rave Report - Even Furthur Festival 2026


After a six-year hiatus, the legendary Even Furthur festival returned to Somewhere, Wisconsin the first weekend in September. Four days of fantastic electronic music, interesting activities, endless art, & freak flags flying.


Even Furthur 2026 featured a main stage, the Lumiadome (a geodesic dome light and sound show), three independent DIY music stages, a live ambient silent disco Yoga class, the Disco Chicken food truck, a Saturday night “rave cave”, and of course, Hardcore Breakfast. Crews traveled from all points in the Midwest to build their camps together, hanging psychedelic tapestries, blow-up aliens, and blacklight art on their tents and pop-ups, lining paths with glo sticks and phasing string lights. While Burning Man was going hard in the desert, the Midwesterners were having their own art and music fest, sans dust and nudity.



The early Furthurs marked the start of spring, and tended to be a mud fest. At some point, Furthur switched its timing to the end of summer with drier, hotter results. America’s Labor Day weekend usually presents Midwest weather at its finest, but it is the Midwest, so you never know. This Furthur tested the hardcore-ness of Midwesterners with extreme heat and humidity, and a bunch of aggravated stinging insects; apparently wasps and yellow jackets don’t jam with the bassy vibrations and frequencies of Furthur.


Since the start of Furthur, way back in 1994, and the first Even Furthur in 1995, Drop Bass Network record label head and festival promoter, Kurt Eckes, has been curating a well-rounded roster of electronic musicians and DJs, embracing fresh-faced young artists as well as the originators. One of the first promoters to regularly book female and LGBTQ+ performers, Kurt has maintained Even Furthur as an all-inclusive event; whatever your cuppa is, as long as it is respectful, you are welcome.


The first time my own DJ name GabberGirl appeared in print was on the 1996 Even Furthur flier. After an entire year of lugging around my crate of records to every party, begging every promoter to let me open or close or fill in the missing DJ’s slot, DJing mostly at 4 am for the sweepers, sleepers, and tweakers, someone finally took a chance on me. (Thanks Kurt!) All these years later, he still takes chances on new producers, new DJs; the next generation of electronic musicians are honored and elevated at this event.


Kurt also works closely with other rave crews throughout the Midwest, allowing side stages, and all sorts of shenanigans such as a fire dancers at the Techno Pagan effigy burn, an art-making station, and a traveling rave flier museum display. Collectives from Madison, Milwaukee, and LaCrosse hosted stages this year—when I had asked Kurt if I could host a small hardcore stage, he said that this year’s DIY stages were not about genres, but relationships. Strengthening ties throughout the Midwest; each scene might be small, but when celebrating together, the Midwest is *massive*.


Beyond the amazing performers booked by Drop Bass, the DIY stages book their own local talent, bringing a strong mix of different genres and styles, so there is music for everyone. Not just techno, not just house, not just drum n bass, but all of it, some trance, footwork/juke, dub, booty house, jungle, acid, and of course, HARDCORE. Even Furthur wouldn’t be Even Furthur without hardcore, and that tradition is still honored.


It was 2017 when Hardcore Breakfast was a regular feature added to the EF fest. Two hours of hardcore and gabber on a Saturday morning, served up with hot pancakes and cold shitty keg beer. The last two Hardcore Breakfasts were still being talked about years later—in 2018, Delta 9 (Chicago) found his way back to the stage, with local support from The Demix (Milwaukee) and in 2019, “the most famous unknown” Marc Acardipane (aka The Mover; Frankfurt, DE) was the star of the show, followed by Canadian vinyl precision mixmaster Fishead (Winnepeg). The first Hardcore Breakfast in ’17 featured Uptempo artist Tim Shopp. Other hardcore DJs featured in 2017, 2018 & 2019 on a variety of side stages and the main stage included Otto von Schirach, Bombardier, Mr. Bill, Piledriver, Elekid, Idiom, Flinx, WigWam, Julian Rivera, Gabber Jihad, Stunt Rock, Brentkore, and myself, GabberGirl. Also, the limited edition Even Furthur 2019 double-7” record set released by DBN featured a hardcore track by Baseck.


I spent some time doing detective work, trying to track down the origins of Hardcore Breakfast, and it is quite convoluted, starting in 1997 with pancakes being served at Even Furthur by the Solus Fuse crew and/or the MadLove crew, breakfast beer bongs by a different crew in ‘99, and the actual two words of Hardcore and Breakfast coming together for the first time in 1999 on a flier for a completely different Midwest electronic music fest, Rave’em & Bail-E 3.


The most recent Hardcore Breakfast was served at A Kult/Space 7 stage on Saturday morning, and started with scrambled eggs while Kilbourne scrambled feet on the dance floor. Someone had brought waffle mix instead of pancake mix! So, after some scrambling around, hotcakes dominated the last half of Kilbourne’s hardcore and gabber DJ set, along with fist shaking, boot stomping, and a very athletic Dan Doormouse dancing right in front of the stage for the two-hour set. Kilbourne wore a soccer jersey, her hair in a cute skater cut, and a secret smile the entirety of her set; it was obvious she was enjoying herself as much as we enjoyed her sweet mixing skills and the hardest set I have heard her play. One thing I can say about Drop Bass Network events is that all DJs bring not only their A-game to the decks, but also their hardest sets.


Besides Hardcore Breakfast’s Kilbourne, other hardcore DJ’s and producers featured at this past Even Furthur included Joey Berrios (spinning an old school vinyl set!), Bad Acid Cult, John F Ketamine (JFK), Dr. Kumm, and Softcore Mikey.

Friday, September 25, 2026

Review: Miro - Final Signal (Planet Phuture - PP.036)


A new life sign by Miro, or rather, a signal, a final signal (hopefully not!).
It's been 2 years since his last signal, as far as i can see, so this new sign of life was overdue.
The aka Miro is slammed big and fat on this release, but, oh surprise, it's not just the Miro style like Purple Moon or Blue Sun. I feel he put inspiration from his akas Steve Shit or Billy the Kid into these tracks, too.
So they are quite (quite!) dancefloor heavy. "10000 Freaks" could even be a new "bass machine", at least for me!

https://planetphuture.bandcamp.com/

Thursday, September 24, 2026

Off-Charts: Welcome to the Fall Equinox

The equinox is happening or has happened a few days ago, fall is here, or autumn... summer is ending or has ended... day and night are now equals again, there is light and dark, and neither one nor the other does overtake its opposite, they coexist in mutual alignment...

traditionally, the season to come was the one of the big fests, festivities, festivals... the age of harvest, the age of life, the age of love... the season of thunder and lightning and rainstorms... before winter and coldness approaches... where we reap what we have sown, in the past...

and this is what these off-charts are about!


1. legend b - end of season 
2. disintegrator - dark black ominous clouds
3. syndicate - grim reaper
4. reign - light & dark
5. frozen - the forest


6. rmb - river's edge
7. visage - fade to grey
8. john foxx - the garden
9. bunkor beats - mental atmosphere 
10. cocteau Twins - persephone


11. DJ gizmo - end of the beginning
12. mega'lo mania - time 
13. visage - fade to grey
14. zenith - flowers of intelligence
15. sorcerer - autumn


16. mouse - helloween
17. apple juice - raving together (SYN-R-G Mix)
18. jean michel jarre - equinoxe part 4
19. the nightraver - so 
20. angelo badalamenti - night life in twin peaks


21. the farm - all together now
22. enigma - the cross of changes 
23. damage inc. - turn around
24. jones & stephenson - the third rebirth
25. alien factory - all night until daylight

We're running a new feature: "Off-lists"

Paper fanzines were filled with charts; some DJs turned their charts into lists such as "10 favorite Dutch Gabber tracks".

Features in zines often also have additional lists such as "9 anime related Hardcore tracks".

We wanna build on both these currents; but, with these "Off-Lists" we will focus on themes and motifs that are more out-there, abstract, off-the-center. Exploring aspects and ideas that are rarely highlighted when people talk, think, or write about Hardcore (or Techno and other music)

Tuesday, September 22, 2026

Psychedelic audio and frequency research radio broadcast happening in Hackney, London at the date of the fall equinox

There is a broadcast on a London based radio station tomorrow, that will also deal with psychedelic audio research. And it is related to electronic music! As part of the Nkisi show.

Here is the official info text of the broadcast:


Low Entropy is a producer that spent decades on psychedelic audio and frequency research.
Similar to the scientific study of psychedelic substances, which began in the 1950s amongst the american neuroscientist community and quickly fizzled out after the "nixon-shock" in the early 70s, the primary goal of these studies is to research the psychedelic properties of sound, frequencies, music, harmonies, genres, and their abilities to put the human mind into a state of trance or "ecstasy", including deep meditative states.
Connected to this is the question of how these sonically induced states of trance could be used for healing mental issues or traumatic experiences, or generally improve a person's mental health.
Another field is the question of whether the psychedelic aspect of religious or shamanistic experiences, which is a constant in all human cultures and history, can be "accessed" through the use of special sounds and frequencies as well.

This continuous "mix set" is the result of a field study where Low Entropy put himself into states of deep trance during music production, then recorded these sounds while having an experience that could best be described as "being outside one's mind".

Space and time:

Nkisi

https://www.nts.live/
23.09.2026 22:00 Hackney Time
That's 23:00 German Time
5 PM New York Time (on the day before)
4 AM Tokyo Time

Tracklisting:

1. Slowcore Voodoo Priests - VooDoom
2. The Ancients of Pluto - Second Transmission (Titan Reflections)
3. The Hardcore Overdogs - Ritual of Rave (One-2-Three)
4. Low Entropy - Frequency Whales
5. Low Entropy - Tierra del Fuego (Heavy)
6. The Haunted League - Drone from Ganymede
7. Godfather Death - Drum Test (Model 8)
8. The Hardcore Overdogs - Anthem Part VII (Arena of Doom)
9. Fight for your Right - La Revolución del Sexo
10. Topp Dogg feat. Wolfvoice - Hakken with Wolves
11. Pluto Transit - Scorpio Nox
12. Low Entropy - Acidcore Pleasure Release
13. Meta-Morph - Musical Stairs


Update: Here is a recording of the broadcast:


Monday, September 21, 2026

The forgotten most important German Techno label: Force Inc. Music Works

I remember seeing a documentary on the 70s New York City punk scene, CBGBs that kind of thing, on TV.
One of the guys involved said: "those who do something first in music, the true pioneers, never get any fame, recognition, or money." (paraphrased)
And, yes, it seems this is true, more often than not.
And if we move from the New York City punk world to the Techno and Dance culture in the 90s, and to germany, more specifically, I know one project that fits the bill quite exactly.


I am talking about Force Inc Music Works here. The label was created by Achim Szepanski in the early 90s. I don't know much about him, but it seems the label was not so much seen as a commercial enterprise, but as a communist / socialist experiment. He was also influenced by Gilles Deleuze and post-modernism (More on this later).


This description might hint at the fact that the label occupied a place that was in the more intellectual / avantgarde territory of the Techno behemoth. It's maybe ironic (or post-ironic) that the label turned out to be hugely influential in creating some of the most "bodily", dancefloor-extremist genres of electronic music or techno in a wider sense: Hardcore-Gabber and Breakcore.
More on this later.

The alumni and maestri that found a host in this label, include Khan, who, amongst other things, did a collab project with Julee Cruise (from the twin peaks tv show!), or released a breakcore mash up album by alec empire and "elvis presley"... that also found its way into the museum of modern art.

khan is the brother of Cem Oral, who was well known as being one part of Air Liquides, these poster boys of "intelligent electronica" music in the 90s.
the other half happened to be ingmar koch. that guy also did some great acid and other stuff as Dr. Walker. and can claim to be the great grandnephew of the literal Friedrich Engels! (i guess the socialist connection runs deep?)


there is also Thomas Gerlach, who later hit the mainstream euro charts, and the worldwide dance charts. with his "DJ Tonka" project. also did some collabs with ian pooley: they had some real rave hits with their alias space cube. (and ian, of course, had excellent single releases).

i mentioned alec empire already. he also had the majority of his early releases on force inc and its sublabels.
a lot of the tracks he started digital hardcore recordings with, were tracks that, during inception, were still aimed at force inc.
(oh, if you don't know alec... front man of atari teenage riot. merzbow, trent reznor and bjork were his fanboys / girls).

and, because of this, the creation of the breakcore music genre, happened on force inc, too. with the release of "tötenposse rides out" by, can you guess it? alec empire in 1992.


now that we are finally in hardcore territory, the label had some really good early gabber tracks and releases... many times these were produced by martin damm aka the speed freak or biochip c. (damm himself later created labels with names like "napalm", "agent orange", or "speedcore records", so you might guess what to expect there. he also earned some gold certified record awards by the music industry, for his euro-house tunes.)


there was even a hardcore sublabel to force inc, called communism records (the connection runs deep, eh?).
some of the first ultra speedcore tracks of the 90s, with beats that went faster than 400 bpm, were (indirectly) connected to this label.

on a complete site note, do you know the famous "techoviking" meme? this was shot at an annual "techno" parade in berlin, called the ****parade, which still takes places in berlin, every year during summer.
and force inc was very substantial for getting this whole thing off the ground. by providing a float, DJs, and a very (very!) loud sound system at the first edition of this party parade. without the label, all this might never happened...

then, on the topic of subs... there was also "mille plateaux". which might be the one with the most lasting fame.
it's named after a concept by gilles deleuze apparently (see, thats one of the points where post modernism ties in).
how should i, how could i describe this label... ? there is not much techno about at all anymore... really experimental, strange / abstract stuff.

alec empire had his best ambient albums on there... yet there also idm, noize, industrial... well, listen for yourself!


i feel there is very little in the history books of techno and music on this label these days. those "who are in the know", might know it, but who else?
and if it is mentioned, this is more in the way of... "another label in the 90s that had some very very good releases". which is true to the point. but there is more to it, it's a label that changed entire genres and subgenres! that is interconnected in a huge network of artists and musicians, that went far beyond techno (or even electronics).

so, let us take a moment, to look back at it, and then keep it in mind.


The label on discogs:

https://www.discogs.com/label/269-Force-Inc-Music-Works
https://www.discogs.com/label/270-Mille-Plateaux
https://www.discogs.com/label/3844-Communism-Records
https://www.discogs.com/label/3845-Riot-Beats

Oh, and by the way: what are your favorite releases from the labels or the sublabels?

Saturday, September 19, 2026

Anthem Part III - now with a video

The Hardcore Techno Overdogs Anthem Part III Music Video #gabber #oldschool #darkcore #rave #wild

Good morning dogs and itches!

We got something very very exciting for you. And it is the new music video to The Hardcore Techno Overdogs Anthem part III.
The Hardcore Overdogs is a an electronic online magazine, an "E-Zine for great and / or underrated Hardcore Techno past and present!".
And this is its third anthem, to promote the mag.
Style is a bit like oldschool gabber, fast doomcore... dark hardcore and gabber beats!

So check... The Hardcore Overdogs!

https://www.youtube.com/shorts/4ywX9cIw1sI

Thursday, September 17, 2026

When Trance, House and Hardcore were still one thing... 11 reviews from Germany's obscure Techno past

People sometimes fail to realize that a lot of Techno genres that now seem to be very distinct and separate from each other, used to be part of one whole "Techno" movement, culture and scene.
I mean, yeah, there is not much crossover between styles like soulful house and terror-speedcore, or drum'n'bass and acid techno, right? Or IDM and the trance revival.

But, in the early 90s, DJs at a Techno party or rave, would start their set with house or downtempo maybe, then drop some acid and faster techno, maybe some breakbeat stuff from UK, one or two aphex twin tunes, only to end with 180+ bpm Hardcore and Gabber. Don't believe me? Check this set by DJ Marusha at the German Mayday 1994 rave, for example.

Of course, each Raver had their personal preference... some liked harder and darker some, some liked more light things... or maybe more funky tunes. Some probably detested 1-2 styles, totally.

But it was one big big youth movement in the end. We partied together, we danced together, we went into bliss, and then chilled out together. It was not like there were "trancers" on one side and "gabbers" on the other. or "housers" on one side and "acid heads". At least not yet!

And because of this, a lot of the early releases that came from the Techno movement, let's say 1988-1994 at least, were not really in one style, they had multiple styles on the vinyl. Maybe an ambient track as A1, then A2 and B1 is techno, and B2 is gabba. The same goes for artists and labels in that time.

And this means there are often releases, on labels that are more known for techno, trance, "dance", that are totally hardcore, or have 1 or 2 extreme hardcore track(s) on it, and noone would have expected that!

Something for the true diggers and train (track!) spotters.

Especially the early German scene is a true treasure trove for that.

And that's why I will now look at 11 releases... that are just like that!

Influid III - Ladyshaver Non-EP (Influence Recordings IR 023-12)

This release is quite the treat! It's on Influence Recordings, which was started by Talla 2XLC.
In the "music history" books, Talla is usually considered as one of the two original sources that came up with the term Techno. Detroit in USA on one hand, for their Underground Resistance etc type stuff. While a few years earlier, Talla invented the term Techno for dark, groovy electronic music (which at that time was still close to EBM, New Wave, etc).

Influid themselves were a duo that also released music using akas like Komakino and Final Fantasy. I think they even went into the charts with some of their hard trance stuff.

"We're Always Behind You" is a trancecore / ravecore classic. It is very, very, very good!
The flipside, "The Destroyer", might be even more interesting, though. The info says "1.2 Million BPM Mix". And thats what it is. Starts slow, then goes up to 1 million bpm and more.
It has been released in 1994 already, so i guess this one is one of the first true "ultra speedcore extratone" tracks.


Mutter, Es Geht Um Geschwindigkeit - Mutter, Es Geht Um Geschwindigkeit (IMR-Records - imr007cd)

Isn't this one of the best cover artworks for a release, ever?
I don't know a release date, but judging by the style, and as the label faltered in 1994, I guess it was somewhere in 1993-1994.

The style is very interesting, oldschool hardcore and gabber. very "german" in a sense, like c tank or mono tone a bit maybe... but also with elements of hardtrance and rave... really rough and groovy!

Distortion - Serious Things (Influence Recordings - IR 003-12)

Frantic Thigh is a contender for the first really fat gabber 909 kick in music history!
The other tracks are nice and evil techno.

God's Groove - Prayer Three / Four (Black Flame - 44110)

What an obscure and precious gem! Prayer Three reminds me of UK Trance around that year..
but the real banger is "Prayer Four". How to describe it? A bit like pailhead style EBM, ultrasonic, there's a gabber drum, basslines, metal guitars...
Almost reminds me of KLF's vision for the 'black album' (and this one is released on a label called black flame, after all).


I don't know much about this project, but this release is a killer.

Pleasure - We Are Not Saved (Labworks Germany - LAB 47)

DJ ESP makes an appearance on labworks. bad acid? no such thing, on this record. the killer track for me here is "flying open". one of the toughest techno drums ever!

Plutone - Dream Sequence (White Label - WL 107)

Whoa, mate! this is from 1992? definitely ahead of its time. noise and industrial elements, more like later speedcore or "industrial hardcore" productions. or like musique concrete, even.
still, some rave-y and trance elements make an appearance. which is a most welcome touch.

Baphomet - The Force (Trigger - TR 010)

duuude... this one is big! very big production, there is acid, lines, techno drums, choirs are singing... also has a phuture / doomcore feel, also a bit of psytrance and ebm maybe... wonderful!
makes me feel like i am listening to a techno ritual in a giant cave underneath
earth.


Son Of A Bitch - Polio 800 E.P. (Hellrazor Records - HR 001-12)

Hellrazor was started by Andy Düx, who was also involved in Overdrive Records, which already had a lot of Hardcore releases. But Hellrazor seems to be even one notch... more insane & hard.
This release is by Thomas Elers, who was a true Hardcore and Acid powerhouse in the early 90s, or maybe we can call this style "acid gabber".
The style itself reminds me a bit of e-de cologne (who actually samples some of elers tracks!), like, it's completely chaotic, and deranged sounds are flying at you from every side really.
Elers has a more analogue feel, of course.

Even for today's standards in Hardcore, Speedcore and Noize... this record is still damn tough!

Sorcerer - My Four Seasons E.P. (Hellrazor Records - HR 001-12)

if there is one artist who had a really (really!) interesting trajectory, it's oliver kirwa. He was a coder on the commodore 64 computer. he won a reader's contest for the german "happy computer" mag - he wrote the "video game of the month" for them!
he also did video game music for other games. and then he turned into a techno and gabber producer.

"sorcerer - summer" is well known from a lot of 90s gabber compilations. one of the first tracks with really really, fast speedcore beats. and generally, some of the hardest stuffs ever.
but the other tracks are gabber-great as well.
i am especially into "winter", which also has some trancecore / rave pads and sounds.

Parrot Torture - Parrot Torture E.P. (Communism Records - COM 1)

Wow! I never would have thought that Thomas P. Heckmann could get that hard.
You probably know him from trax like Drax - Amphetamine or Phosphene.
These were big trance hits of the 90s.
but this one is gabba gabba all the way. not the cheesy post-1994 hardcore, of course.
minimal, brutalist, 909 kicks, percussion, and acid!

Alien Factory - Tell Death You Don't Wanna Die! (Generator Records - GEN 9112-12)

Do you know a style called "rave techno" ? which is an umbrella for the harder edge of rave, house, dance culture from the late 80s to early 90s... before the real gabber-craze took over, basically.
and this is the hardest edge of that spectrum, in my opinion. the basses are super deep and hard, we got screams, shouts, there are metal and guitar-like noises.
but still, one could imagine a dance club in nyc or antwerp to this. it is still "groovy" and has the funk, so to say.

Alien Factory later had some huge trance hits like "destiny" or "get the future started". but this is a great early release.


Do you have any own favorites in german hardcore 1990-1994? let me know!

Tuesday, September 15, 2026

Toxic Sickness, Darklords 2, Bdacid, and the Dark Arts of September


What sounds like a horror movie title, actually means that Toxic Sickness aired a mix in September that is purely made up of tracks from the new Darklords 2 compilation.

Read more about the compilation here:

The mix is 100% Doomcore Techno for start to finish. So, if you are planning to jog through a dark forest, and maybe are interested to take a haunted train ride, and need something to feed your mind through the ear buds, get this mix, turn it on, and off we go!

Tracklist:

1. Shadowfiend DN - Die Seance
2. Mental Fear Productions - Black Hole
3. Der Cherep - The Hundred-Hander Stairs
4. BadCarma - Das Fitzen Glockenspiel
5. Industrial Demon - Soul Reaver 2
6. Doom HK - Viking Ritual
7. Silent Humanity - Make Believe
8. Tonal Verges - Elagabal
9. The Slaughter - Into Our Doom 2
10. Joshua & Cyrilen - Yoggs Revenge (voix celeste doom remix)
11. Primitik - Fear
12. Succubus Helna - Prometheus
13. Fifth Era - EYDL
14. The Darkcreator - Synthetic World
15. Bdacid - Devil Of Darkness
16. Desolation & Frakass - Broken Memory
17. Low Entropy - Doomed For All Eternity
18. AnTraxid - Damien
19. James F - Teared The Flesh
20. The Antagonist - Lost Minds
21. Librarium - Dying Star

https://soundcloud.com/toxic-sickness/bdacid-september-2026

Saturday, September 12, 2026

When UK's free party Spiral Tribe went really, really Hardcore (Reviews of 11 releases)


There was a very funny skit on British TV, when Trigger Happy's Dom Joly pranked innocent english citizens and neighbours by dressing up like a freak, then announcing to them "I am from spiral tribe". Spoken in a very cockney type way, I assume. More like: "Ay uuum froom spooral traib".
And then indicating that the neighbour hood will be left in shambles after the upcoming free party reveling that is about to go down regularly, now that the Spiral Tribe has moved in.
Anyway, I am completely off the road, because I now want to get to something completely different.

I don't need to tell you what the Spiral Tribe is, and I am certain you know some of their releases. I don't think any other collective was so influential in inventing the free tekno / teknival sound (and thing).
But if you dive deep into their back catalogue and network, you will see that they also did some real Hardcore Techno type things.

And that is really, really interesting to me, because it's not just free party sounds, with a harder or even gabber type beat on top. No, no, it's a real original brand of Hardcore, it's like uhm... take the harder 90s hardcore and hard noize from cologne, or new york, or the london underground... and yeah, it's even more strange and psy-chotic in some way. Like a bizarre derivative of acid and core and gabber... uhm. You check it, and you will know it (I hope).

So here is a look at least 11 releases!
They are either on a label, or by a person related to the Spiral Tribe.

Note: No AI has been used when writing this text.


Automanic and Person Unknown - Criminal (Rabbit City Records - Cut 019)

I suppose this is one of the Spiral Tribe related releases that is closest to Dutch Gabber.
Pitched up rap type samples, manic hoovers. But also more insane, and with influences of acid and free tekno, of course.


Spiral Tribe / Person Unknown - Black Plastik (Network23 - Spiral 001)

I guess this is the first record I heard where I realized the Spiral Tribe makes bona fide Hardcore Techno, too!
The track to go for (at least for me) is A2. Very simplistic, just a drum and the same acid note repeated for minutes on and on. A bit similar to unit moebius - zipper maybe, but faster. And so hypnotic, in a dark and twisted way!


SP 23 / Unit Moebius - (Out Of The Blue Blue Attack Records - 123)

One of the "hardest sh*ts" both Spiral Tribe and Unit Moebius ever did.
A2 reminds me a bit of the Gabber-compilation classic "Network 23", but it's different.
Zipper by U.M. is also a true classic of a track (I mentioned it above already). Acidcore, very minimal. There is just a drum and an acidline and not much else going on, also very slow. But the track "slaps like a wolf", so to say.

Spiral Tribe Sound System - Sirius 23 (Butterfly Records - BFLT4)

"Going all the way" is the go-to track for me here (pun intended).
First heard it on the Technohead 3 compilation, which was a widely released Techno-Hardcore CD comp.
Has a gabber type beat, that "misses" every 3rd and 4th beat. Instead there is a low bass rumble, and it might not sound much on home speakers (even less on head phones or ear buds), but I assure you, if you hear these sub bass frequencies on a field in the countryside, ran through a sound system with a zegallion of watts, pop! goes your head.


69db / Person Unknown / Warlock - Unknown Source (Network23 - NTW-23-18)

track a1 like... what... what the fudge? i was completely blown away when i first heard it, and still am.
nasty, mental, insane... these frequencies kill! one of my all time fav "hard" electronic tracks.


Somatic Responses / Caustic Visions - Malignant Earth (Network23 - NTW 23-29)

One of the most interesting releases on Spiral Tribe's own label.
The tracks by Somatic Responses sound as if they were not made by a human, but by Klatuu from the movie "The day the earth stood still" (original black and white version, please, not the one with keanu reeves) while under the influence of strange fungi.
the caustic side hammers on, too. literally, as it has the sound of hammers hitting on metal.


Various - Pure Pirate (Network23 - Stormcore 666)

Cat number "Stormcore 666" might indicate what to expect, right?
This release is a bit like the turnstyle between the free tekno scene and the wider experimental hardcore underground and noisecore of the later part of the 1990s decade...
My fav will always be "pure pirate".
This track was up at the legendary internet forum / website "Circuit 8 com" (really legendary!) and I used to listen to it there, for ages, on repeat.

Les Boucles Etranges - Untitled (Network23 - Isotop 1)

Uhm yeah... I guess this is a good example of the whole "free party" spin on Techno and Hardcore, or at least the early free party scene that was likely more dangerous and savage. Especially the low frequencies on here, that demand a loud sound system, or you will not really feel the effect, my friend!

There seems to be a warning on here, in french, that says the frequencies might be hazardous for the "radioactive" people... i dont have a dictionary nearby, but i guess you can catch the meaning... and my drift!


SP 23 - Untitled (Rabbit City Records - 011)

The "Network 23" track, who doesn't know it? Even the dutch gabbers knew (or know), because it was on the famous compilations (as mentioned above, btw).
This bass has been sampled in many later tracks, and, oddly enough, the "spiral tribe" vocoder type voice found it's way to the "void sector" release on ruffneck records... which became another classic!
The "this is network 23" spoken piece itself is famously nicked from the british "Max Headroom" TV show (... or was it in the movie...?)


Various - Hidden Resistance (Network23 - Stormcore 5)

I assume most people would go for the micropoint side, and i must agree, that stuff is really good.
but please also listen to christoph fringeli's share of the thing.
this was released when he and praxis were about to go "full breakcore", but it's still with repetitive hardcore beats and all, and i guess these are some of the last tracks he did in that style... or anyone else did, really, as it's quite unique!

Listening suggestion: Outland


Base Mobile & SP 23 - Expekt The Unxpekted (Network23 - Explore Toi 08)

another classic free techno release that is more on the hardcore side of things.
if memory serves me right, i listened to the "respect to the hardcore" tune in quite some mix sets.
a1 is spiffy as well, with the "slower" drums, that give off a bit of a deeper bass punch.

Person Unknown - Potential Hazard (Network23 - PH 1)

a real, true hardcore one. actually brings up e-de cologne or ec8or in my mind. with the cuts between jungle breaks, sounds, gabba drums... but with a more "analogue" sound!

Another noteworthy track to check out is the track "Berlin HC Nite" on the Capital Noise compilation.


What are your favorite Spiral Tribe releases? And which ones are the most "Hardcore"?
Let me know :-)