Showing posts with label Contemporary Music. Show all posts
Showing posts with label Contemporary Music. Show all posts

Monday, July 28, 2025

Summer of Doomcore 2025


Doomcore Techno Resistance - a plentitude of new projects

It's no secret at all that we, over here at The Hardcore Overdogs, love the Doomcore Techno genre.

And we desire to push this sound further ahead - beyond borders, beyond barriers, beyond limitations.

So here is a list of new Doomcore projects that are closely or farther away related to us. And that try to pull the lever up to 11 in one way or another.


Haunted Rave Music - The Doomcore Techno guidebook

Here it is. The first e-book solely dedicated to our beloved. Has all the facts and details - about the obscure origins of the genre, its artists and label, its bleak-but-euphoric mindset... and plenty of other stuff.




Walking through the Doomed Forest of Hamburg

Multi-media art-house project.
"Found footage" style horror that depicts, well, a doomed walk through one of Hamburgs darker forests
 



The Doomcore Files

1st release in an upcoming series of compilations made up of tracks by talented new producers and veteran doom dogs.




Definition of Doomcore

The hardest and most industrial tracks from the Doomcore Records vault (or crypt?) joined in one release.




DJ Ai - Into The Labyrinth

A Doomcore EP done in collaboration with Artificial Intelligence! The (dark) future is here.



More projects are bound to be unveiled very soon!

So are you ready for the big bad Doomcore hammer?

Sunday, June 8, 2025

The History of Doomcore Techno: The 3rd Generation and Beyond

After the 1st and 2nd generation, the "genie was out of the bottle" and couldn't be put back in (or maybe it was a dark djinn?).
The ghost of Doomcore spread like wildfire around the world. A myriad of labels, projects, even parties were set up - solely dedicated to the doomed souls of the Hardcore Techno scene.
Most or these faltered quite quickly and disappeared again.
Hence we will cast our (evil) eye on those that lasted a bit longer, preferably to this day.

As mentioned, there are *a lot* of Doomcore labels.
So this is just a tiny selection out of these.

Hellfire

Hellfire was set up DJ Darkside, who has been around the Hardcore and Doomcore scene for a long time.
This label stands out as it almost exclusively dedicated to vinyl releases, in a time when most others have gone digital.
Hellfire is a home to some very high profile names, like Dr Macabre, FFM Shadow Orchestra or The Horrorist.


▲NGST

Technically this isn't about a label;
Angst is a project by FFF, who was one of most successful 2nd generation Breakcore artist.
No breakin' here, but darkness through and through.
This ain't some poser-aggressive big bassdrum shit; the sound is more introverted, there is influence by ebm, 80s industrial, black ambient and even shoegaze.
Angst classified their music as "doomgaze" accordingly.



Doomcore Records

Doomcore Records was set up in the cold, dark harbor city of Hamburg, and had over 200 releases since its inception.
Famous artists and newcomers have released side 2 side on this label, and the musical styles are all over the map, too; as long as its rhythmic, repetitive, and wakes up the dead.


System Shutdown

Another Hamburg project (the doom must be strong in this city).
There are few releases, but they keep coming steadily at a timed pace, and they are all the better because of this.
These aren't just tracks, the releases are often tied into multi-media experiences with videos and spoken word(s), and extensive myths and lore are drawn around each object.



Doomcore Initiative

A quite young label with some very strong releases.
Not much is known, but the people involved in this project are scattered around the globe. Maybe bound by a vow silence?
The releases themselves are esoteric and dark.



Dead Zone Communications / Future Dust Division

The DarkCreator was a player in the original Dutch Gabber scene, so he is a true veteran of hard sounds.
The labels are not about Gabber though, it's Doom- and Industrial Hardcore all the way.
Almost every release hosts some quality music, so it's definitely worth checking out.



Nethercords

Nethercords is run out of "down under" by Tyrant X who, according to his bio, is "a disciple of Lilith and Hecate".
And that's exactly what you get here; haunted and occult sounds that make you feel as if you have stepped into the nether worlds already.
Most releases center more on Industrial Hardcore and Techno; but Doom will be met, too.



Noisj

Noisj was *the* label of the 2010s Industrial Hardcore scene, with releases popping out almost every other day.
The schedule is more paced now, but it's still surfing the tide.
In total, there are lots and lots of styles on this label; Gabber, Hardcore, Oldschool... and Doomcore too!



Dark Impact

Sublabel of an Italian label dedicated to more contemporary Hardcore sounds.
But as the name implied, this ain't mainstream, but all about the dark side of the core.
Industrial Hardcore, Dark Techno, Doomcore...
There is steady output, the music has high production values, and the releases are strong in general.



Dark.Descent

Host to a family of labels and sublabels; most are about hardcore-techno-acid sounds, but there are some pure doom releases too.
Again, this is an already veteran label which is still quite vital.
Worth checking if you are willing to do some digging.


Sunday, May 4, 2025

New Release: Distorted Waves Of Ohm - Grade A Toxicity

Distorted Waves of Ohm just released a new vinyl - after 29 years!
But we won't use our own words to review and describe this EP, because the following promo text by Eurk Records does a much better job at that.

You can listen to excerpts of the tracks at:


https://eurkrecords.com/en-eur/pages/distorted-waves-of-ohm-grade-a-toxicity

Distorted Waves Of Ohm - Grade A Toxicity
12" Limited to 130 copies

Vinyl Tracklist

Logo side
My 303 Atari Accident
Rabid Killer Acid Cow

This side
Distorted Brain
De Wallen

Written, produced and corroded by T. Clements
Mastered at Cause and Condition

Just when you thought you finally got that rancid acidic taste out of your mouth, it’s back to fill your cavities with undefinable squelch. Distorted Waves Of Ohm, hailing from the mysterious Planet Zyrcon, otherwise known as Dorset…what could it be like, indeed John… take their unique sonics to yet even further extremities than the 90’s could ever possibly allow.

‘Grade A Toxicity’ firmly penetrates the mind, and anywhere else you let it, hitting hard somewhat akin to the Strange Rotation E.P. from 1995. While A-side 12″ classics such as Pacified Machines firmly abused us in ways and areas that still remain distorted in our minds until this day, the opener ‘My 303 Atari Accident’, makes it clear that the Roland TB-303 has much more mileage should we be willing and creative enough to go there. ‘Rabid Killer Acid Cow’ continues on this acidic onslaught, all the while bring some buried disjointed groove, before flipping the vinyl, or your eyes if you’re still fucking streaming everything, ‘Distorted Brain’ takes that delightfully harsh distortion and moves it into heavy fuzz and bass for some gabba-esque drum sonic spillage all over your grandmas new rug. Closing out the record ‘De Wallen’ takes us into the tantalizing kinky back alley, allowing us to be washed with weighted compressed dirty noise and deeply buried squelches between those sheets.

Whether this music was recorded in the day of such classics as Strange Rotation E.P., the Zyrcon EP, or knocked up last week between odd jobs to pay the rent, it’s clear that when this impactful, good music is timeless. One thing is for sure, now is the time for this record.

12" Limited to 130 copies.

Digital Unlimited

Monday, April 21, 2025

How Lady Gaga, Nicki Minaj, and Snoop Dogg ended up using Hardcore and Techno samples in their hit songs

"Bad Romance" was one of the breakout hits for Lady Gaga - and is still one of her biggest hits overall.
After the famous chanting ("ra ra gaga oh lala!"), thundering dance beats come in - and a short time later, something that must have felt as quite atonal, screechy, disharmonic sounds. Must have been a shock for a lot of first time fans, but it was an even deeper shock for hardened underground techno aficionados. Because this "sound" is actually a well-known trope in the hardcore techno and gabber scene. This specific sound is called "hoover", and was first used in "Mentasm" by Joey Beltram, then later refined in the track "Dominator" by Dutch act Human Resource. Both are considered to be amongst the tracks that kick-started the Hardcore and Gabber movement. This "hoover" sound (and the tracks) took the scene by storm. Its completely dislocated, disoriented, and disturbed feel did really react well with the turnt on, tuned in, and zoned out crowd of techno and rave maniacs and their nights of flashing strobe lights and 10+ hours of dancing.
It was literally sampled or re-created by hundreds of other producers in thousands of other tracks for the years to come. (Hey, let's be honest. Almost no-one "re-created" it. They ripped it off the record by Joey or HR).

Let's skip to another thing.
"Anaconda" by Nicki Minaj. One of the biggest hits by this artist. A song that was truly played all summer long (sorry, Kid Rock!).
Nicki played the scandal game here (well, who doesn't?). And while she made the average punter gasp because of lines like "... unless you got buns, hun", and by showing the aforementioned 'buns' in the video, the techno nerd did gasp because of a quite different reason.
The song by Nicki Minaj is based on the track "Technicolor" by Juan Atkins and Doug Craig, released in Detroit over 2 decades earlier, and it was one of *the* cornerstones of the up-and-coming Detroit and worldwide Techno scene.
The holiest of the holy for sacred techno disciples, known to only to the chosen few, the initiated... and now these mystic drums got blasted to millions of drunk party freaks.

It might be argued that Nicki is merely "second hand underground" here, because she sampled another song that already made use of Detroit's classic - "Baby got Back" by Sir-Mix-a-Lot.
But the "chain of transmission" does not matter. Juan Atkins' programming skill, electronic inspiration, and beats can be heard inside Nicki Minaj's "Anaconda".

Or you turned into Snoop Dogg's "Sweat" in 2011... and were amazed to find out the main melody sample was taken directly from another Techno-Trance cult hit, "Don't You Want My Me" by Felix.


Why does this keep happening? Why do billionaire hit musicians keep going to the derelict, "ill-reputed" and often barely known electronic Hardcore and Techno underground to find inspiration for their songs - or samples?

"I don't know. How should I know. Maybe you can tell me?"

It could be argued that these days, hit songs sample from a lot of sources, so maybe it's just chance.
But I think this "disenchanted" view does not quite click.
Because Hardcore Techno is *really* obscure, more obscure than most other sample sources.

I think the truth is that the hardcore and electronic underground is much more known and respected than most people are aware of, just not in the public, but more like something that is "whispered from door to door". And that a lot of high profile people, producers, executives and artists do the whispering, too.
There are other bizarre stories related to this, like the "rumor" that Rick Rubin entertained the thought of turning Hardcore Techno into the "next big thing" in the USA (and the world) during the 1990s decade - and was only stopped by the bigger Dutch Gabber companies in that matter.

Maybe this underground hardcore respect will 'break through' some time later in the world.
But, until then, we still have the snippets in the songs of Gaga, Dogg, or Minaj.

There are, of course, many more Pop hits out there that reference Techno / Electronic cult classics.
Random example: "Fergalicious" by Fergie samples Kaftwerk's "It's More Fun to Compute".
But compiling such a list would be a topic for a future text.

Saturday, April 19, 2025

Artificial Intelligence DJ playing Hardcore mix set on Youtube


Oh my!
Have you heard the rumors yet? DJ AI is spinning a set on the HCBXCast.
An artificial intelligence… doing a Hardcore set on a real broadcast channel!
Who would have thought this was possible, 5 years ago?

There was some additional mixing engineering done by a human... *but* the track selection was made by an artificial intelligence.
And we think this AI got quite the taste and knowledge about Hardcore, Speedcore, and the Oldschool :-)

Date is:

HCBXCast Vol 51 - DJ AI - 19th April 2025 7pm (UTC)

That's 21:00 CEST ("German" Time)
3:00 PM ET (New York)
4:00 AM in Tokyo (on the 20th)
5:00 AM in Sydney (on the 20th)

Check it out here:

https://www.youtube.com/watch?v=XpjzJl6s-Ws

And read DJ AI's announcement, made by herself:

https://technodjai.blogspot.com/2025/04/dj-ai-on-hcbx.html

AI Disclaimer: DJ AI is an Artificial Intelligence avatar and persona, and not a real human of flesh and blood!


Further info about DJ AI:
https://thehardcoreoverdogs.blogspot.com/2025/03/meet-dj-ai-cyborg-techno-dj-and.html


And check her latest release:
https://doomcorerecords.bandcamp.com/album/into-the-labyrinth

Thursday, April 17, 2025

Re-Release: France Sucks and French Connection (By Dr. Macabre)


Hardcore people, rejoice!
Two of the best vinyls in the history of this genre have just been re-mastered, re-pressed, and re-issued.
I am talking about "France Sucks / French Connection (Volume 1 + 2)" of course.
And if this still does not ring a bell (but how could that be?) - that's the one where "French Connection" by French Connection aka Dr. Macabre is on. One of the most classic Hardcore tracks, on a scale with "Stereo Murder", "I Like It Loud" or "Braincash", I dare to say.

This operation has been conceived by Underground Music, and Simon Underground posted this info on the internet:

"I am in the warehouse stickering the sleeves and getting them all ready to ship. They look and sound amazing. Much better sound than the originals. Much more top end and really punchy kick drums."

And now they are rolling out, into the world, and you can order them directly at the very underground music shop:

https://thehardstore.com/products/france-sucks-vol-1
https://thehardstore.com/products/french-connection-ii


Complete Tracklist:

France Sucks Vol. 1
A. French Connection
B. Fuck You All!!

French Connection II
A. Bio Hazard
B. Bullshit

In the "The unofficial Planet Core Productions guidebook" we wrote the following about the tracks:

France Sucks Vol. 1

hey hey hey, it's monsieur leroux with a giant gabber hit in history!
"french connection" starts slow, pounding, breaks down into a heroic speech, only to speed up and bang on.
the flipside [fuck you all] is a french speedcore massacre

French Connection II

french connection returns, and, just like the movie, this is even more brutish.
[bio hazard and bullshit] both tracks showcase french hardcore and gabber sounds at their best.

https://pcplegendsintheirlife.blogspot.com/2024/07/planet-core-productions-guidebook.html

And you can read more about Dr. Macabre and his other works here, too:

https://thehardcoreoverdogs.blogspot.com/2024/11/the-1000-cabinets-of-dr-macabre.html

Sunday, April 13, 2025

A Tale of Two Cities: Tracing the Sound of Rotterdam - and its Hamburg Counterpart

Recently, I was asked to produce an EP for Rotjecore Records. The "catch": all tracks should be Rotterdam-themed. There was no lazy re-using / re-hashing of Rotterdam Gabber classics allowed (i.e. not using samples or beats from other tracks). The tracks should sound novel, and give off a true representation of the Rotterdam sound.

1. Neophyte - Komen Wij Uit Rotterdam (Rotterdam Records 022)


It felt a bit peculiar to accept this offer at first. Being born in Hamburg, city of Northern Germany... and then to create something that represents a very different city, Rotterdam?
Yet I accepted, because I always felt intrigued by Rotterdam. Not just because this city plays a central role - or *the* central role - in Gabber culture, a scene that I loved for the most part of my life.
But also because I find it fascinating that the Sound of Rotterdam indeed differs from other Gabber music - even Dutch Gabber, from Amsterdam or The Hague, for example.
If you look at the classic tracks on Rotterdam Records, Terror Traxx, and on, they indeed "feel" different from tracks on Mokum or Rave Records.

2. Euromasters - Alles Naar De Klote (250 Bpm Remix) 


Upon further research, I discovered that being a "Fischkopf in Hamburg" might not be a bad thing for this endeavor, and that the two cities of Hamburg and Rotterdam might be more connected, and have more in common, than I originally assumed.
Back in the 90s when German Techno mags covered the Dutch Gabber scene (which they often tried to avoid), they always repeated the claim that Rotterdam was a working class city, built upon heavy industry, its port, and all the marine and naval things associated with this. Indeed, Rotterdam sports the biggest port in Europe, and myriads of commercial goods that pass between Europe, Northern Africa, USA, and other places, pass through Rotterdam at one point - including illicit drugs.
And that "Rotterdam Gabber" then was created as an answer to the chic, hipster house coming from "rich, intellectual" Amsterdam at the same time.
I always had my doubts about this story of gabber genesis.
My guess is that in contemporary times, the city of Rotterdam is not much different in direction than almost any other metropolis in the northern and southern hemisphere: high tech, commerce, ultra-modern culture, bohemian lifestyles, digital nomads, tourist destination, hub for multinational organisations and corporations (maybe even some shadow ones).
And precisely, when I traveled to the Netherlands with a few Hardcore friends for the first time, and we passed through the city via car, seeing some of its futurist architecture made me feel like I was going into time and relative dimensions in space

3. Low Entropy - The Rotterdam Sound


But in the past... the focus on industry and oversea trade, with 1000s of workers doing heavy duty work, loading and unloading large vessels, then sending them off to another ocean, was there.
Just like in Hamburg.
And in Hamburg, there was a certain sound attached to this mode of industrialization and modernism. The sound of piledrivers, hammers, cranes, rusty iron sheets scraping against each other, metal banging against metal.
It was much louder in the past, but if you walk through the port (or industrial areas) of Hamburg, the air is filled with loud "booms", "clanks", bangs, hissing, screaming machinery, rumbling bass frequencies and high pitched white noise.
And then you will instantly understand the "Hardcore Sound of Hamburg" that was poured out by the famous Gabber and underground labels of Hamburg.

4. Nordcore G.M.B.H. - A.D.V.W.


It's a rough guess and maybe I am stretching things too far - but could it be possible that a similar thing can be said about the sound of Rotterdam? That it was influenced, or even born out of the (literally) industrial sounds of the city, and the heavy duty machinery in its port?

5. Taciturne - Haematopan (Fischkopf Hamburg 012)


I guess I should book a trip to this beautiful city for further research and to get to the bottom of this.
But, no matter if it's Hamburg or Rotterdam - a good, distorted Gabber bass drum is just as ear-deafening as a marine piledriver at work.

Friday, April 11, 2025

Great new Hardcore Techno and Related Releases from January to March 2025

Okay, so the situation is this:
There is a lot of awesome, exciting Hardcore music being poured out. This is going on for a few years now; and it's getting better, the amount of new releases grows, and things get more experimental, varied, and frigging rough at the same.
Yet, this still goes largely unnoticed. The sound is just not *getting through*. Many people focus on the same labels, artists, festivals, over and over again. So most of the "good stuff" remains - invisible. This is especially true for the internet and social media, where there is a serious lack of acknowledgement of the very lively new Hardcore *underground*.

Well, cue The Hardcore Overdogs. This was one of the reasons to start this e-zine. To give these new and old over/underdogs the spotlight that they so exceptionally deserve.

This does not mean we hate the "mainstream" artists. It's just not what we want to push.

And now, in order to actually *push* these very new underground sounds, we are starting this new series on noteworthy novel releases.
We won't focus entirely on Hardcore here, but also adjacent and otherwise special genres.
And, of course, not just on the unknown dogs, but also some well-known releases that retain an interesting and / or underground sound.

The series will be quarterly, with an entry for each quarter of the year.
This list is not exhaustive or complete, of course. These are just the picks we decided to center on. There is much more stuff out there!
But let us go ahead now.

Here is the first entry for 2025.

1. V.A - Culture of Violence | Mantra Mechanica
Industrial, Hardcore, Doomcore

 

2. AAR031 - Luche / Laton Raver - Acid Avengers 031
https://tripalium.bandcamp.com/album/aar031-luche-laton-raver-acid-avengers-031

 

3. TMF!17 - VA - Tripalium Fucked-Up Squad vol. 4
Acid, Breaks, and more

 

4. Speedcore Worldwide Audio Network - Sonic Surrealism Vol.5
Speedcore, Terror, Noizecore

 

5. [MOK320] Fucking Hardcore #15 (Mokum)
Oldschool, Hardcore, Gabber

 

6.[MOK319] Tellurian - The Sound Of The Underground (Mokum) 
Gabber, Oldschool

 

7.Various - The Dark Side 3 (Teknoland Production) 
Techno, Doomcore, Industrial Hardcore

 

8.Miro - The Remixes Part 1
Techno, Hardcore, Doomcore

 

9.Low Entropy - Rotterdam Kung Fu EP (Rotjecore 088)
Oldschool, Gabber, Terror

 

10.Liza N'Eliaz - Untitled EP (Aneurysm Recordings) 
Hardcore, Speedcore, Noizecore

Monday, April 7, 2025

Electro-Core: Breakin' Rough Sounds From Miami to The Hague and Back

Hardcore Techno musicians dabbled with almost every other music genre in the 90s; and musicians from almost every genre dabbled with Hardcore, even if only for a short moment.
This means that a lot of hybrids, hydras, and chimeras were created.
One that always piqued my interest was "electro-core"; i.e. music that is somewhat related to the "electro-funk" style of the 80s, but is also somewhat Hardcore. (Electro-Funk in the sense of sounds that were made by artists like Hashim, Egyptian Lover, or The Jonzun Crew.)

The main player (or breaker) here is definitely Phil Klein aka Bass Junkie, who, I'd assume, made 90% of tracks that could be fit into this very niche of a genre.
BTW: He also did a lot of "regular" Electro and other styles, too!
But there is also Biochip C, DMX, and... well, let's just go on.

(All of the above mentioned did their tracks under various akas).

Here are 11 tracks that fit somewhere in the gap in between Oldschool Electro and Hardcore Techno.

1. Computor Rockers – Computor Interface (USB 2.0)



2. Battle Systems - Atomics



3. Legowelt - Electro Race



4. Minimum Syndicat - The mantis-priests have gathered



5. I Borg - Engage the Borg



6. Umwelt - Beyond Celestial Limits



7. Cyborg Unknown - Year 2001 (In the Beginning)



8. I-F - I Do Because I Couldn't Care Less



9. Umwelt - Undercurrent



10. Final Dream - Pain Amplifier



11. Umwelt - Undercurrent



Some further suggestions:

Final Dream - The Unknown
The Mover - Stars Collapse
Bass Junkie - Comply
Biochip C - Steal It And Deal It (DMX Krew Remix)
Battle System - The Killing System
The Mover - Track Three (Countdown Trax)
Temper Tantrum vs. Unexist - Everybody Gets Laid
Mat 101 - Goblins 101
Egyptian Lover - Soiree at the shindig
LFO - Tied Up
Somatic Responses - Purple BMX

Tuesday, March 25, 2025

New Industrial Speedcore Black Metal Releases

ISBM is one of the most fascinating sub-genres of Black Metal (plus the 'Hardcore Techno Thing'); and also one of most vile, disturbing, extremist.
Read more about the genre here:

"The Zenith of Brutality - When Black Metal meets Extreme Techno" - https://thehardcoreoverdogs.blogspot.com/2024/11/the-zenith-of-brutality-when-black.html

Or get a short re-cap: ISBM is either bands from the Black Metal scene that use electronic / sample-based Industrial, Gabber, or Speedcore drums.
Or projects from the Gabber & Speedcore scene that use Black Metal guitars and riff (either sample-based, or "for real").
Or both.

It seemed this thing was on the verge of dying out a few years ago; but humanity, rejoice!, there is plenty of new material available again.

So let's look at 10 releases from this ultra-dark sub-culture.
  1. Signaux Du Vide - Transmission: J.C. - 0.0074 https://signauxduvide.bandcamp.com/album/transmission-j-c-00074-2
  2. Numen Noctis - Sic Itur Ad Astra https://numennoctis.bandcamp.com/album/sic-itur-ad-astra
  3. Demoniacum - Nightmass https://cavernproductions.bandcamp.com/album/demoniacum-nightmass
  4. Number5tation - Psalms From the Astral Pulpit https://splittingsoundsrecords.bandcamp.com/album/psalms-from-the-astral-pulpit-special-edition-ssr-rr-0252
  5. Vazal - Age of Chaos https://blackchaosicon.bandcamp.com/album/vazal-age-of-chaos
  6. cursedfleshprison - Parasites of the Universe https://cursedfleshprison.bandcamp.com/album/parasites-of-the-universe
  7. Goatersy - sweet darkness https://lyncis.bandcamp.com/album/sweet-darkness
  8. Aabode - Neo-Age https://aabode.bandcamp.com/album/neo-age
  9. manipura - christ is dead https://manipura33.bandcamp.com/album/christ-is-dead
  10. Akemi Lang - Stairway to Abyss https://akemilang.bandcamp.com/album/stairway-to-abyss

Wednesday, January 8, 2025

Great new Hardcore Techno related releases from October to December 2024

Okay, so the situation is this:
There is a lot of awesome, exciting Hardcore music being poured out. Yet, this still goes largely unnoticed. The sound is just not *getting through*. Many people focus on the same labels, artists, festivals, over and over again. So most of the "good stuff" remains - invisible.

And now, in order to actually *push* these very new underground sounds, we are starting this new series on noteworthy novel releases.
We won't focus entirely on Hardcore here, but also adjacent and otherwise special genres.
And, of course, not just on the unknown dogs, but also some well-known releases that retain an interesting and / or underground sound.

Here is the fourth (and final) entry for 2024.



1. The Darkcreator & The Man Unknown - Mirror Me [FDD.007]



Doomcore / Doomtechno.



2. Minimum Syndicat - S.C.H.O.R.L. (KILLEKILL029)



Electro / Hypnotic / Techno.



3. Alec Empire - Death Rays (Self-Released)



Haunting Ambient and Noise.



4. Naos - Resurrection (wave VIII) (Self-Released)



Occult Doomcore.



5. PFP - NDE unacceptable noise_v001 (Self-Released)



Self-released noise.



6. Braintrance - Tsunami E.P. (Braintrance)



Ravecore / Hardtrance.



7. Acid Special #2 - 303 Headbangers [MOK318]



Acid, Acidcore, and Gabber.



8. DJ AI & Low Entropy - Intelligence of Doom [GBBR099]



AI aided Doomcore Techno.



9. Hecate and Friends - Various (Self-Released)



Breakcore / Experimental



10. V.A. - Ravebreakerz 02 (RODBKZ02)



Techno / Electro / Breaks / Oldschool

Saturday, December 28, 2024

Review: Alec Empire - Death Rays


At the first moment, when listening to this release, I thought: "Oh, Alec returns to his roots, experimental and dark ambient in the 90s".
But, oh boy, was I wrong, so wrong.
Technically, yes, maybe, there are some traces of ambient or drone here...
But this release is way beyond technicality, or idle talk about "genres" and "styles". Way past it.
This is no longer about sound or music, as a product that is only to be bought or sold, or a theory that gets analyzed, by academics far above in their not-so-ivory tower, or those that pretend to be like that...
Not at all.

This is more about emotion, a feeling, or an intuition, or concept, a state of mind, or a state of nothingness...
words fail me to describe it, as I am carried away by the sound waves and drown in them only to be reborn in a dark and cold place.
Like the antithesis to utopian Atlantis, lost in the sea, lost in the current, lost in the flow... beyond time, beyond the void... my mind gets carried away, sucked in by an invisible grip.

It's like a dark premonition of a dystopia to come, like a fore-feeling of irredeemable demise.

It makes me think of similar traces in the movies... like when Joseph Cooper steers his spacecraft into the black hole in Interstellar... when Rita and Betty finally turn the blue key (Mulholland Drive)... when Zed realizes that Eric's plan has failed (Killing Zoe)...  or when Jack Torrance finally snaps at the Overlook hotel (The Shining)...

Either way... this is a reign of chaos... turned into audio data. One of the most wonderful releases this year.
And oh so bittersweet.

We love it, Mr. Empire!

https://alecempire.bandcamp.com/album/death-rays

Wednesday, November 27, 2024

Psycore: Discovering the dark, deranged, and disturbing side of the Psytrance spectrum

Do you like Psytrance? Goa? yes? (Although I've been told these are actually two *different* genres).
It's so-so for me. Yeah there are some "hits". Really good stuff. Also among the oldschool. LSD, Hallucinogen, Astral Projection, Trust In Trance, that kind of stuff.
But let's face it. There are too many "fillers"; endless clones with perpetual "woob woon woob" bass drums and eternally rising and descending cut off frequencies.
Yet, there is one thing that is very interesting to me - that I love a lot.
Psycore. A pocket genre, a miniature style. That, I think, so far managed to elude and evade the gaze of the "mainstream eye".

It's a combination of Psytrance and Hardcore... no wait... this dry description that does not do this genre judgement at all.
It's amongst the most deranged, nihilistic, and sanity-shattering music I ever heard. You take some sounds of psytrance, maybe goa - and speed them up, until 200 bpm, 300 bpm, even 1000 and beyond. everything becomes psycho, the basslines become the walls of a lunatic institute, the sonic structures just rush by, you fall into an endless chasm of fluctuating sounds, until your mind goes into vertigo (and starts to scream).

I'm not certain how popular / attached to the general psytrance scene this psycore pocket genre actually is.
Is it just some freaks who do it? is it played at a lot of psytrance parties?
is it like some obscured black metal or synthwave genre that noone really knows - except a few insiders?

I don't know - but i know the scene and sound is vital and alive, has its dedicated fans and followers, and is going strong since years.

Oh yeah, it's also interesting how psycore gives the "psytrance" tropes and topics the hardcore treatment.
these tracks no longer talk about 'being one with the universe', or hoping for a happy future of humanity, or attaining a state of calm, mindfulness, and serenity - the plates on their menu are the end of the cosmos, the destruction of logic, chaos, disorder - just sheer cosmic horror, basically.

so better take care!

now here is a selection of 10 notable psycore tracks:

1. Dravna inxtibhiothic - aokigaravna - 280BPM



2. Dravna - Dimension at C - 137 (220-240 BPM)



3. Paranoise - We Are Freaks



4. Black Phillip - Triunfo de Venus



5. Infra - Series No. 1 {260bpm}



6. Arcek vs HyperActive 25 - Wicked 210bpm



7. Intraception - Occult Frequencies (250)



8. Omnipresent Miscreants - The Warped Quantum Holes



9. ToxiKlouds - Run



10. ToxiKlouds - Kerberos

Saturday, November 23, 2024

Generation Z goes Gabber - And other rough developments in the world of music

Fresh developments in the world of music are within sight - and in the world of Hardcore Techno, too!

The meager years of "Mainstyle" and "Uptempo" seem to be finally over, the "Millennium" bullsh*t is finally being laid to rest. There is a wholly new generation on the block that is embracing hardcore, gabber, acid, doom, and all that comes with it - and this is very, very welcome, as there was a dire need for fresh sonic blood.
But these new artists and DJs do not merely copy the old - no no! - they twist it around and smash it apart and throw everything in the faces of old.

This is a very boundary-crossing activity, as hardcore now bleeds into former taboo territories such as pop, rap, punk... (i.e. beyond mere 'hardcore with pop samples')

And on the other side of the realm, artists and musicians from pop, rap, and all the other genres have begun using sounds and concept from hardcore, too.

Purists will say these hybrids are far from "pure hardcore", but who cares about purists anyway?

Embracing pop aesthetics and the capitalism that comes with it is not something that makes me very comfortable either, but I hope it's just one step on the way to real cultural subversion.


So, time to take a closer look at this and a few sonic examples, too.

Note: of course, not all these are gen z musicians - other people with fresh ideas are very welcome, too!

some of the things that are occurring are...

1) that new emerging scene of producers from a variety of backgrounds (techno, rap, punk, non-western music...) that is encompassing hardcore beats and sounds in their productions.
(date: from a few years ago-until the future)

Astrid Gnosis

Drop dead
https://youtu.be/d75AhaiB9S0

Titan
https://youtu.be/1_HN9S6ILR4


Nkisi

Blacked Out
https://doomcorerecords.bandcamp.com/track/blacked-out

A Path Appears
https://nkisi.bandcamp.com/track/a-path-appears

Gabber Modus Operandi


Jathilan Titan
https://gabbermodusoperandi.bandcamp.com/track/jathilan-titan

Melayu Boleh Neraka
https://gabbermodusoperandi.bandcamp.com/track/melayu-boleh-neraka-exclusive-bonus

2) these new young angry artists that drop a hardcore bass in their tracks now and then, but are usually closer to a weird mixture of metal, punk, or, gasp, hyperpop
(date: from a few years ago-until the future)

Poppy

Hard
https://youtu.be/_a75VfQC2s8

Spit
https://youtu.be/mD9xotOWQSk

encompassing various hardcore elements, including breakbeats and gabber drums


Ennaria - Show Off
https://www.youtube.com/watch?v=5Xf5B5SNTQg

brutal! and hard bass.

Rebecca Black - Friday (Remix)
https://www.youtube.com/watch?v=iCFOcqsnc9Y

hyperpop, yes, but obvious "happy hardcore" elements, too, including 90s style music video.


Charli XCX

Vroom Vroom
https://soundcloud.com/vroomvroomrecordings/charli-xcx-vroom-vroom

Trophy
https://soundcloud.com/vroomvroomrecordings/trophy-2min-edit-charli-xcx-4416

going rough in the sub bass and the noise.

Zheani

Spoils of war
https://zheani.bandcamp.com/track/spoils-of-war

Hollywood cult
https://www.youtube.com/watch?v=9fLhnQiACVo

Parallels to oldschool Digital Hardcore / ATR / Hanin.


Maggie Lindemann, Siiickbrain - Deprecating
https://www.youtube.com/watch?v=2P6DrRDHVLs

breakbeats, "digital hardcore" style ultra-aggressive screaming.

Siiickbrain - Psychopath
https://www.youtube.com/watch?v=imsghpgKXWc

ebm, aggro-tech, horror rap? but going very hardcore, too!


3) new artists using various sounds i associate with hardcore and its sub-genres in their music (for example artists who use very oldschool - doomcore-like synths in some of their tracks), even though they are closer associated to genres such as witch house, dark ambient, synthwave, or gothtronica
(date: from a few years ago-until the future)

Glaring - Children About Future (1966)
https://glaring.bandcamp.com/track/children-about-future-1966

nihilist / doomcore like feel, lyrics / sampled, and synths

Electric Dragon - The Oath
https://electricdragonuk.bandcamp.com/track/the-oath

like doomcore without doomcore beats!

Shirobon - Liar to the wire
https://shirobon.bandcamp.com/track/liar-to-the-wire

channeling oldschool rave / industrial elements into synthwave

Stoneburner - This machine kills
https://stoneburnerofficial.bandcamp.com/track/the-machine-kills

90% like oldschool Digital Hardcore and / or 90s rave-industrial, but with modern sounds.

Bound by Endogamy - Idly
https://tripalium.bandcamp.com/track/a3-bound-by-endogamy-idly

oldschool acid / techno / hardcore influences.

Dead Astronauts - B-Side
https://telefuturenow.bandcamp.com/track/b-side

99% like an early the horroist / hypnotizer / things to come track.

Bewitched as Dark - Long Time Dead
https://bewitchedasdark.bandcamp.com/track/long-time-dead

these synths and samples would work 100% in any doomcore track with a hard beat.

4) the killers artists of the early hardcore revival.
(date: you know the drill by now)

Biodome - Keep It Gangsta
https://soundcloud.com/illogicalness/biodome-keep-it-gangsta

Pardonax - The Nuclear Fire
https://soundcloud.com/paradonnie/pardonax-the-nuclear-fire-uga

Hellcreator - Heart Of A Dragon
https://soundcloud.com/hellcreator-official/heart-of-a-dragon

Kilbourne - Sunshine Terror
https://soundcloud.com/kilbourne/sunshine-terror

5) the occasional brand new experimental hardcore techno track or release.
(date: well...)

Turbine Trip - Denial Cataclysm
https://soundcloud.com/turbine-trip/denial-cataclysm

Cosmic Anarchists - No Place For Us In This World
https://doomcorerecords.bandcamp.com/track/no-place-for-us-in-this-world

T​.​LenC​.​Phal​.​X - Ensemble de Nuit
https://speedcoreworldwideaudionetlabel.bandcamp.com/track/t-lenc-phal-x-feat-nat-ensemble-de-nuit


about the above music...
others might say "but this... this is not hardcore anymore at all!"

Yeah, maybe it isn't, maybe it is.
the whole point here is to show that hardcore is not an enclosed area.
it is fluid, divergent, and spills out into the world, into other genres, and vice versa.

maybe some of these artists never heard a hardcore record in their life. and came up with these sounds by other sources, or on their "own".

that's what parallel evolution is about. it was the same in the 90s. some people started doing tracks without even knowing about the rave / techno evolution, and it still sounded the same.

in the end, this does not need to be termed "hardcore" if you don't like this term.
because the power of this music should speak for itself.

Friday, November 15, 2024

Special Video for the Supermoon

Our sister organization / label Doomcore Records has this to say:

Right in time for November's supermoon:
Dave Doom with a music video to their track "The First Moon".
Reminiscent of a walk through a forest during a doomed night in late Hamburg Autumn, this video easily accompanies the mood to this cold and freezing track.
"Doombient" is a style in music that utilizes the synths, sounds, and sensations of Doomcore Techno - but without the drums and percussion!
Doomed Ambient through and through - and that's what you gonna get!

Sunday, November 10, 2024

Introducing a new genre in (electronic) music: The Slowcore Techno Movie

In the last years (or decades?) it felt as if no new groundbreaking innovation in (electronic) music was possible anymore; as if everything "had been done before".
But now there is a wholly new genre on the block: Slowcore Techno.
Usually defined as Hardcore, Doomcore, Techno, Acid etc. music that is slower than 130 bpm.
And as much research as we did, it seems there really was no movement or genre that fit these criteria, until recently. There were maybe a handful of tracks (from 1990 until now!), but beyond this - nothing; the pure void.

It is astonishing (and unexplainable and irrational really) that techno and hardcore producers thoroughly explored the world of 130-230 bpm (and even much faster ventures - with genres like ultra-speedcore) but left the realm below this tempo almost completely unexplored.

And Slowcore Techno can get *really* slow - 60 bpm tracks are not unheard of, and some have a meager tempo of 30, 15, or even 1 bpm.

So, in terms of sheer tempo, Slowcore is the opposite of styles like Gabber or Speedcore.

The scene originally was mostly centered around the internet label Slowcore Records (and yeah, we admit that we have personal ties to this label) but eventually many other artists and labels started to pick up this sound and make it their own - and slowcore tracks can even be found on vinyl and other physical releases nowadays.

While this movement has its dedicated producers and fanfolk, it mostly stays invisible and underground, like other "obscure" genres such as lofi black metal or some strains of synthwave music.

But what better way to introduce this label than by its own special movie?

This is essentially a showcase of slowcore music with some intricate videos enhancing the audio/video experience.
The whole thing sees itself in the tradition of similar 90s rave/techno audio-visual conglomerations, or even 80s experiments like the "state of the art" (later continued as the more well known "the mind's eye") VHS tapes.
So don't expect too much narration or rational coherence - because "this was designed to open your mind" (sorry, oldschool hardcore quote ;-)

As a bonus, there are even some faster tracks at the end.

But now, enjoy this wholly new Slowcore Experience!

The movie will premiere on 11:11 at 11:11.
Youtube Link: https://www.youtube.com/watch?v=afN28Hh2-M8


Note: some of these visuals are AI generated.

(Note: Slowcore Techno is not really related to the rock genre of the same name).

Note: as a second bonus, the AI short "legend of the zombie rave" is included, too.

Note: the movie is at parts slightly/mildly nsfw.

Further information about Slowcore Techno:

The Slowcore Manifesto: https://www.reddit.com/r/gabber/comments/oyuz0y/the_slowcore_manifesto/

Credits:
Some of the AI visuals were created using Leonardo.AI and Dall-E
Some of the music was created with the help of ChatGPT.

Tracks by the following artists were used for this movie:

Vortex of Venomous Rhythms
Acid Fury Brigade
Deadraver
The Pacifist
ฮ‘ฮฝฮฑฯฯ‡ฮฏฮฑ ฮ‘ฯฮฑฯ‡ฮฝฮฟฮตฮนฮดฮตฮฏฯ‚
DJ AI
Low Entropy

Tuesday, November 5, 2024

The Zenith of Brutality - When Black Metal meets Extreme Techno

What's the most aggressive type of music? I think noizecore techno is a contender, or some of the more deranged forms of acidcore.
Yet there is another genre on the block that is definitely deserving of this title.
A fusion of Black Metal and Extreme Techno, that runs by the term Industrial Black Metal or Blackened Speedcore.

Let's rewind a bit. Even the first outings of Hardcore Techno and Gabber House were eager to sample guitar riffs out of Metal songs - usually the thrash or speed metal variety of the 80s. When Speedcore emerged, these samples became an obligation. And soon, a fusion of Death Metal and Speedcore spawned, exemplified by bands like The Berzerker (which actually started as a solo Gabber / Speedcore producer project before they got signed to Earache).

In the world of metal, there were experiments with Techno drums and rhythm, too, usually filed under the "industrial metal" folder. And, of course, the first sightings of "Industrial Black Metal" were seen, but not quite as brutal yet.

In recent years, this evolution shifted around. Death Metal - Gabber fusions have become more rare.
Instead, Hardcore producers have begun to fully embrace Black Metal - and Black Metal bands have begun to experiment with Hardcore, Gabber and Speedcore.

While the former often use the term "Blackened Speedcore" for their music, the latter usually run under "Industrial Black Metal". But sound-wise, these terms are more or less interchangeable.

This new genre is much more varied than the former "Deathcore" variety.
We find bands that have the usual tinny, lofi sound quality of Black Metal - like it's recorded on a tape recorder in a band member's basement.
or bands blasting away with huge production values and heavy basses.
we got simplistic monotonous audio nasties.
or complex, symphonic compositions.
some add intricate synth and ambient parts to their songs / track.
some screech, some growl, some keep silent.
some sound like british prog rock on acid.

so, there is a lot to discover here!

similar to other subgenres of hardcore techno (and black metal), this strain remained niche and quite unknown to the masses.
yet its producers, fans and supporters are dedicated to it none the less, and there is a steady flow of releases.

the themes, lyrics and titles are amongst the most nihilist, sickened and disturbing in the contemporary world of music.
indeed, there are even some bands leaning towards nazi ideology - maybe for "shock effect", maybe for real - so its better to stay clear of these.

but, apart from these - it's all a truly ecstatic and wholly infernal experience, soothing and nurturing our dark minds and souls.

let's look at 10 tracks of the industrial black metal and blackened speedcore kind:
  1. Aborym - With No Human Intervention https://www.youtube.com/watch?v=GRnz43HHfrw
  2. Blacklodge - Psychoactive Satan https://www.youtube.com/watch?v=Pwi3j3pEm60
  3. Helel - Radiant Satvrna Regna https://www.youtube.com/watch?v=A9yb1OEyDQs
  4. Low Entropy & Nullentropy - Redeemed by Hatred https://www.youtube.com/watch?v=S311mMeeIx4
  5. Acid Enema - Blackened Speedcore War https://www.youtube.com/watch?v=_JuNMLi_5J8
  6. Legionz ov Hell - Khult Ov Abaddon https://www.youtube.com/watch?v=8SAFcmfJUo8
  7. Alien Deviant Circus - Ap (Nรขda) https://www.youtube.com/watch?v=xtgsoKr9SWo
  8. Sangre - As in Life, So in Death https://www.youtube.com/watch?v=UrTIrFIqBcE
  9. The Berzerker - Black Metal https://www.youtube.com/watch?v=qXo9d-x1-S0
  10. The Schizoid - The Singularist Rites Of Intransience (Sadistician Megamix Of Deceit) https://www.youtube.com/watch?v=WVlBb0Sr8Lg

Thursday, October 31, 2024

Soundtrack album: A Slowcore walk through the Doomed Forests of Hamburg



Right in time for Halloween:

This is the accompanying soundtrack album to the new short movie "A Slowcore Techno Walk Through the Doomed Forests of Hamburg".

A conceptual movie showcasing a real life walk through a peculiar and strange spot of wild nature in the midst of this crypto-megalopolis called Hamburg, located in Northern Germany.
With some extra twists, edits, and transformations, of course.

Short info:

"The Itinerant Audio project took me to one of those patches within the city limits of Hamburg. An idyllic forest, peaceful, calm, ideal for long walks, cycling...
It also connects to a medium-sized lake that's sweet for swimming in the summer, and a few fields.
Yet if you look beyond it's beautiful trees, leaves, flowers, this place is maybe not so untouched and silent at all.
There is a lot of activity tied to this place, some euphoric, but also some very disturbing stuff."

To read the full info about the movie, go here: https://thehardcoreoverdogs.blogspot.com/2024/10/sonic-itinerancy-doomcore-techno-walk.html

A slightly "quality reduced" version of the movie is included in the download folder (due to the size limitations of bandcamp). To watch the movie in all its quality, you can also go to https://www.youtube.com/watch?v=Rwh3Ebf1vEQ or to https://vimeo.com/manage/videos/1023549621

The soundtrack is made up of Slowcore, Doonmcore, Techno, Dark Ambient, and Surreal sounds.

Enjoy... if you dare!

The U.M.A.N. Group: https://thehardcoreoverdogs.blogspot.com/p/ultra-marine-audio-network.html

https://doomcorerecords.bandcamp.com/album/the-death-card

Hardsoundradio airs first Doomcore Records Radio Show

We are proud to announce that the one and only Hardsoundradio just broadcasted the first Doomcore Records Radio Show - right in time for Halloween!

And for this special occasion, we invited a variety of talented DJ destined to showcase the quite diverse sounds of Doomcore - and its adjacent styles and subgenres, like Doomtechno, Oldschool, Industrial Hardcore, Hard Acid, Gabber Body Music, Dark Ambient, Slowcore... and much more...

Some widely known names are amongst the roosters, and they literally span the globe - with Gabbergirl from the USA, Plinn 1518 from France, and DJ AI who lives in cyberspace!... to name some examples.

Soo... prepare yourself, your mind, your ears, for multiple hours of unrelenting Doomcore!

You can listen to the whole show here:

https://soundcloud.com/hardsoundradio-1/sets/doomcore-records-show-on-hardroundradio-hsr

The artists and their respective sets:



Schirin
Germany
https://soundcloud.com/schirin-schirin

https://soundcloud.com/hardsoundradio-1/schirin-doomcore-records-show


Rites
Austria
https://soundcloud.com/rrrites

https://soundcloud.com/hardsoundradio-1/rites-doomcore-records-show-on


Gabbergirl
USA
https://soundcloud.com/user-948838612

https://soundcloud.com/hardsoundradio-1/gabbergirl-mix-doomcore-de


Curze
USA
https://soundcloud.com/curzecurze

https://soundcloud.com/hardsoundradio-1/curze-doomcore-records-show-on



Plinn 1518
France
https://soundcloud.com/plinn-1518

https://soundcloud.com/hardsoundradio-1/plinn-doomcore-records-show-on

Low Entropy
Germany
https://soundcloud.com/low-entropy

https://soundcloud.com/hardsoundradio-1/low-entropy-doomcore-records


DJ AI
Cyberspace
https://soundcloud.com/technodjai

https://soundcloud.com/hardsoundradio-1/dj-ai-doomcore-records-show-on













Tuesday, October 22, 2024

Feral Sounds go Ferocious Again: The Hardcore Techno Revival Outside of "Early Gabber"

This has been alluded to in several features on here:
The Hardcore revival is "in like Flynn" again; yet even though there are myriads of producers pouring out track and releases, most seem to focus on a very limited range of styles, or style, rather: that typical mid 90s Thunderdome / Ruffneck sound. I.e. distorted 909s ("Deng kicks"), very fast hoover riffs, samples from Horror and SciFi movies, or rap vocals. You know what I mean.
But the 90s had a way more vast array of styles and genres; and it would be nice to see a revival of those, too!

And, indeed, things seem to be changing: there is definitely an "Early Terror" revival (dumb name - maybe call it 90s Speedcore or something like that) in full swing now. Carried by labels like Aneurysm and No New Style, and artists like Pardonax or James F.

Now the question: What else is out there?

Here are some things that I am aware of:

-"Happy" is making a comeback, and I noticed some Pengo, "Happy Rave" etc. type tracks being released lately.

-Probably related to this, 90s "novelty" Gabber is being produced again.
With "Novelty Hardcore" i mean tracks based on odd, silly, bizarre samples and sounds, often with low production values and quite simple in structure. "Joke tracks" - but unlike Happy Hardcore!
In the 90s, Euromasters or Ilsa Gold was known for that style.
I was always very fond of this genre so it's nice to see it getting revived.

For both of the above, Rotjecore and Gabbaret are some labels to check out. But it's "hidden" in between tracks in a variety of other styles. So there might be some digging required.

-90s Acidcore seems to make a comeback. There are people doing stuff in direction of Lasse Steen, Drop Bass Network etc. again.

-90s Doomcore is coming back (yay!)

-I think Industrial type Hardcore from that era is slowly coming back again, too. Often in cross-over with that dreaded "Industrial Techno" trend.

-There seems to be more interest amongst producers in that Fischkopf / Anticore-style again, as I heard some new tracks going in that very direction.

So, what else? Who knows more? Questions, questions, questions.


And here are also some examples of stuff that The Hardcore Overdogs themselves are involved in through some corners (via the U.M.A.N. Group, to be exact):

Hardcore Fury Volume 1
https://doomcorerecords.bandcamp.com/album/hardcore-fury-volume-1
Terror & Speedcore stuff like in the old days.

Omnicore Records - Best Of 2023
https://doomcorerecords.bandcamp.com/album/best-of-2023
Many different styles, but the center is on terror all the way.

Doom Terror
https://doomcorerecords.bandcamp.com/album/doom-terror
Some "early terror" tracks of the darker variety

Shatterdoom
https://doomcorerecords.bandcamp.com/album/shatterdoom-oldschool-style-doomcore-compilation
Oldschool Style Doomcore Compilation

Vive Le Doom - This Is Doomcore From France
https://doomcorerecords.bandcamp.com/album/vive-le-doom-this-is-doomcore-from-france
Doomcore-centered, but with plenty of heavy "France Style" Industrial Hardcore influences like in the past days.

Experiments Of Doom
https://doomcorerecords.bandcamp.com/album/experiments-of-doom
A bunch of tracks in the style of early somatic responses or pcp electro (amongst others).