Showing posts with label PCP. Show all posts
Showing posts with label PCP. Show all posts

Sunday, October 6, 2024

All Kotzaak Unltd. releases listed, rated, and short-reviewed

Originally published as a chapter in the The unofficial Planet Core Productions guidebook:

https://pcplegendsintheirlife.blogspot.com/2024/07/planet-core-productions-guidebook.html

Note: the rating means "compared to other PCP releases".

Thus, if a record has "only" 49 or 31 percent here, this does not mean it's bad; compared with other Hardcore or Techno EPs they would be 88 or 94 or higher; the percentage just "seems lower" for the sake of rating these PCP records in a way that seems sensible, and to have a bit of comparison with the other releases.

Kotz 0 - Leathernecks - Test Attack

"Zero" is an odd catalogue number, so i guess it somehow predates the creation of the label (maybe a "test" release, as the name says)?
The classic "at war" is on here, a diss track against a huge german 90s label.
Rough gabber-terror-stuff.

71 / 100

Kotz 1 - Stickhead - Slaughterhouse E.P.

The later kotzaak by miro releases usually get much more love, but I think these early one's have their merits, too.
Proto-Speedcore-Terror, still very much tied to the gabber sound.

41 / 100

Kotz 2 - Stickhead - World's Hardest Kotzaak

Things are building up now. With tracks like "check dis mutha down" or the eponymous "kotzaak", miro is arriving at his trademark death metal inspired ultra-violent, ultra-somber sound.

72 / 100

Kotz 3 - Dogge Team - We Came To Hool

Apart from the test attack, this is the only release by marc on kotzaak.
A very unusual "terror" release; it's a bit as if his earlier pcp music got the ultra-speed, ultra-distortion treatment.

38 / 100

Kotz 4 - Jack Lucifer - I Am Living Death

This is essentially the starting point at which miro began introducing icy, tenebrous, "gothic" synth sounds to his tracks.
A track to look out for is "95 knights", one of his best works, that led to quite a few remixes later.

70 / 100

Kotz 5 - Stickhead - Gimme Death E.P.

Stickhead is at work again. More dutch-Gabber-influenced "terror" this time, yet fierce as hell.

52 / 100

Kotz 666 - Jack Lucifer - 96 Knights

The big one's coming! 96 knights is probably the epitome of the "hardcore terror" sound and scene.
One of the most beloved pcp outputs ever.
While the majority would go for the "into the death" mix, i actually think the flip side is even one tiny notch better.

666 / 100

Kotz 7 - Stickhead & Don Demon - Once Upon A Time In Frankfurt

Another legendary release.
Some of the most intricate, serpentine, monumental compositions in hardcore - with very high "production values".
Should be the right thing for any terror-head's frightened heart.

100 / 100 (a perfect release!)

Kotz 8 - The Kotzaak Klan - Powerstation Kotzaak

After the complex kotz 7, this is slightly more reduced, direct, a "straight rush to the brain". It could even be that these tracks were "live produced".
Adrenaline- inducing hardcore overdose.

88 / 100

Kotz 9 - Bold Bob - Dive Into Steel

Bolb bob is at it now. More monotonous, more hypnotic, but still quite grand.

69 / 100

Kotz 10 - Jack Lucifer - Console From Hell

I think this was released *after* the end of pcp?
A very out-of-the-ordinary combination of death metal and hardcore - with "synthesized" guitars, growling vocals, and devoid of "gabber" drums.

41 / 100

Tuesday, July 30, 2024

All Dance Ecstasy 2001 releases listed, rated, and short-reviewed

Originally published as a chapter in the The unofficial Planet Core Productions guidebook:

https://pcplegendsintheirlife.blogspot.com/2024/07/planet-core-productions-guidebook.html

Note: the rating means "compared to other PCP releases".

Thus, if a record has "only" 49 or 31 percent here, this does not mean it's bad; compared with other Hardcore or Techno EPs they would be 88 or 94 or higher; the percentage just "seems lower" for the sake of rating these PCP records in a way that seems sensible, and to have a bit of comparison with the other releases.


DE 2001 / PCP 003 - Cyborg Unknown - Year 2001

Again, this is a very unexpected release, "even for PCP"!
I've never heard anything like it by any other artist or label.
A crossing over of Detroit, EBM, Techno, 80s Electro-Funk, with enchanting vocoderized rapping.
And it gives off a super-futuristic atmosphere, that makes you want to watch movies like "Brainstorm" or "lawnmower man" again.

Rating: 2001 / 100

DE 2003 / PCP 010 - T-Bone Castro - Radical Padrone (The Remixes)

I think this could be best described as PCP's take on 1991 club sound techno.
Very nice, and quite "hardcore" already!

57 / 100

DE 2004 / PCP 012 - T-Bone Castro / Ace The Space - 4-Track E.P. / Ace In The Hole

I love the "weird" mixture on this EP. Something between Belgium Techno, UK Artcore and Gangsta Funk.
The laid-back, almost rap-like quality of these tracks would make them fit well to a harvey keitel movie.

63 / 100

DE 2005 / PCP 014 - Ramin - Vol. I - Essence Of Ecstasy EP

Ramin was a frequent visitor on PCP, and I like to describe this EP as "Pcp style early 90s club techno".

39 / 100

DE 2006 - T-Bone Castro - It's Me, T-Bone Fuckin' Castro

"Urban Partyzan" was one of the hardest tracks from that era. Super-distorted, mid-tempo noizecore
The flipside tracks show their electro / techno influences.
Cool, chill, laid-back dance (but tough none-the-less)

79 / 100

DE 2007 - 303 Nation - 6 Tracker

This is it! The holy grail of techno music. Right here.
Technically, it's an acid record - but the sounds are much more than that.
With minimal instrumentation, the 303 nation manages to generate an ultra-immersive environment reminiscent of outer space colonies.
I never heard something like that before, and I never heard it again.

100 / 100 (a perfect release)

DE 2008 - Nasty Django - Ey Fukkas! EP

My favorite release by Nasty Django. Ranging from Techno to mid-tempo Gabber. Cool sounds and gritty attitude.

74 / 100

DE 2009 - Ace The Space - 9 Is A Classic

9 is a classic has become a classic itself. It deserved it - ultra-manic mentasm-driving techno-core.
Pay attention to the flipside:
"Your special attraction" is an underrated breakbeat gem.

85 / 100

DE 2010 - Insider - Destiny E.P.

"Destiny" is a headstrong techno track driven by an arpeggiated sawtooth-synth.
"True" is a similarly forceful exposition.

32 / 100

DE 2011 - Test / Strong Heads - The Antwerp Anthems

Could we call this "frequency-techno"?
A side is a bit of a precursor to later pcp releases like "master of the universe"
B side is an ear-ache inducing stomper.

43 / 100

DE 2012 - Ramin - Vol.2 - Brainticket

The track "brainticket" is a true classic.
I sense a strong influence by EBM, and other proto-techno sounds, on the b side tracks.

52 / 100

DE 2013 - Ace The Space - 9 mm Remixes

several akas of marc, and Lenny dee, remix the track.
especially noteworthy are the "ultimate rave remix", which more or less became the "official version" of this track (the version most used by marc himself during performances) and mr. didesiderio's remix - which adds an early euro-american hardcore edge with a lot of spunk to it.

73 / 100

DE 2014 - Various - A Dance Ecstasy 2001 Compilation

a compilation of tracks taken from early dance ecstasy 2001 releases, plus one track from the PCP EP on R&S records.

92 / 100

DE 2015 - Headshop - 4 Sale!

Can we invent a new genre? Cause I would like to classify this release as "PCP trance". "Universe" is a marvelous, marvelous track that makes you feel as you are flying through it.
Flipside is sweet as well.

89 / 100

DE 2016 - T-Bone Castro – Sex Drive EP

"Return to planet e" is a heavenly "pcp trance" track and my pick here.
B side is more nasty and gritty (in a good way).

91 / 100

DE 2017 - Nasty Django - King Of FFM Lesson #1

So many great classics on one ep. Right at the true beginning of gabber.
Bold!

76 / 100

DE 2018 - Nasty Django - 3 P Rules!

"Strange" and under-rated release. Apart from the hardcore sounds, there is also some "pcp trance" on this EP.

78 / 100

DE 2019 - Magnetic 2 - Extraterrestial EP

Absolute cult release. The top track is "phuture piano" here; a techno track with what could best be described as 'the sounds of a piano played by an alien recorded through a wormhole'.
The b side has irradiated rave techno.

79 / 100

DE 2020 - 6 - Pack - Drunken Piece Of Shit

With a title like that, you would probably expect a mean and aggression fueled gabber EP. And well, that's what it is, too; yet it somehow manages to intertwine moments of sweet cosmic serenity into some of these tracks.

47 / 100

DE 2021 - Headshop - Universe (Remixes)

"More of the same"? Yes - but the remixes add enough deviation to it.
Especially check the lunatic mix

88 / 100

DE 2022 - VA - FFM EP

Another early collection of later-to-become classics!
"Go voodoo" is mid-tempo party-gabber.
"Futuristic Kickdown" is alien techno doom.
"Barcelona" is sweetest acid-trance.
And "Base dj" blows everything and everyone away.

89 / 100

DE 2023 - Nasty Django & DJ Cirillo – Mentasm Mafia

Marc forms a mafia with italian dj cirillo for this oldschool gabber ep.
Most would probably go for "deal wit' beats", but i also like "cocorico": a skillfully executed tempo acceleration track.

72 / 100

DE 2024 - Steve Shit – Shitkickers E.P.

right at the beginning of miro's gabber journey.
snotty, ruffian, hardcore.

61 / 100

DE 2025 - The Mover & Lunatic Asylum – Frequency Surfers

two maestros of hardcore techno join forces.
it's actually two versions of the same track; and as the names imply, the latter is a slower edit of the former.
the track itself is a surrealist acid / trance / doom crossbreed.

94 / 100

DE 2026 - Trip Commando – Temple Tunes Volume 1

the first release in the "temple tunes" mini-series of EPs.
i find it hard to give it justice using words: the tracks definitely have a sacred / religious / new age feel to them, and i mean this in the most positive way.
the foundation, of course, are hard hitting techno beats.

90 / 100

DE 2027 - Masters Of Rave – Are You With Me (She Likes To Pump It)

this would have deserved to be a chart-hit!
enormous production values, rapping, vocoders, sexy lyrics... it got everything!
also included are multiple remixes / edits in different techno styles.

58 / 100

DE 2028 - DJ Jamo - Spice

another very a-typical release for pcp, as this is essentially mid 90s hard trance at its best!

68 / 100

DE 2029 - Rave Creator – A New Mind

"a new mind" evolved to be a standard amongst the tracks that are part of marc's repertoire during his live performances.
these are still two "basic" versions of the track, but great nevertheless.

on an interesting side note: judging from the release and all other available info, it's not clear which one was the true, original version of the track. or maybe there was no such version at all!

82 / 100

DE 2030 - Ace The Space - 9 Is A Classic '95 - The Zombie Remixes

another release with remixes of this "classic" (pun intended) track.
this time, a gabber / trancecore vibe get's added to the track.

64 / 100

DE 2031 Sexdrive Ent. - No.2

after the "sex drive" EP, we get served with further entertainment.
but, despite (or because of) the libidinal title, this is another great release of what I call "PCP style trance music".

78 / 100

DE 2032 Nasty Django – The King Is Back

the king is back indeed, as he presents us two killer tracks.
one is "hardcore motherfucker", one of the most widely known tracks from the PCP catalogue (and yes, it deserves it).
and the flipside is quite spiffy, too!

84 / 100

DE 2033 DJ Jamo & Jack Knives – The Strings Of Heaven EP

another quite exquisite hard trance ep on the dance ecstasy label!
listening suggestion: the track "seastar ii".

86 / 100

DE 2034 Steve Shit – Kickin' Da Shit Outta Ya!!

Steve shit is back, and he is accompanied by his streetcore gabber style once more.
dirty samples, hoovers, 909 - go!

89 / 100

DE 2035 Headshop – Volume 2 : The Endzone

return to the headshop. outer space trance meets ebm and acid influences.

79 / 100

DE 2036 Rave Creator – A New Mind (Remixes 1)

let the remixes begin.

this is one of the most remarkable releases on de 2001.

The "original rave mix" is a true "german style" rave / hardtrance anthem by marc, including uplifting / emotive melodies, and all. With the proper music video and marketing, i'm sure this could have made the german top 10 charts in the mid 90s.

The thai acid mix has a long, brooding build-up, then erupts into forceful acid mayhem.

93 / 100

DE 2037 Rave Creator – A New Mind (Remixes Part 2)

Another round of remixes.
Including the famous "cold rush phuture remix", a tour de force incorporating over 8 minutes of doomed rave sounds.
Plus another rave remix, this time more on the dreamy side, and a remix by the mover.

94 / 100

DE 2038 Inferno Bros. – Slaves To The Rave (The PCP & DE 2001 Mixes)

Ah, yes, now we can play!
This is one of marc's most massive tracks ever.
Intro, "female" vocals, hoovers, sub-bass, breakdowns, football stadium suitable chanting... one of the most technically complex and perfect "hardcore" productions of the 90s.
The de 2001 mix induces an energetic rush with it's more "monotonous", hypnotic approach.

99 / 100

DE 2039 Lunatic Asylum – Digital Chameleon

Guillaume Leroux aka Lunatic Asylum was a frequent collaborator (or crew member?) of pcp.
This is a magnificent release, mending (dark) trance, techno, and hardcore structures.
Listening suggestion: Chaos Effect

82 / 100

DE 2040-1 Various – Frankfurt Trax Volume 6 - Return To Zero Part 1

Frankfurt 6 was a CD compilation, released by PCP.
This 4-part series of vinyls highlights some of tracks taken from this very CD.

each part has a certain characteristic, and this is the release for "softer" electro / club sounds (with a PCP spin, mind you!).
some true PCP jewels can be found on these releases.

88 / 100

DE 2040-2 Various – Frankfurt Trax Volume 6 - Return To Zero Part 2

see above. this is the part for more "mellow" techno and ambient sounds.

89 / 100

DE 2041-1 Various – Frankfurt Trax Volume 6 - Return To Zero Part 3

this part has hardcore / gabber sounds.

90 / 100

DE 2041-2 Various – Frankfurt Trax Volume 6 - Return To Zero Part 4

and the final part has darker / harder / "terror" hardcore sounds (with the exception of the "korrekte mf's" track maybe.)

87 / 100

DE 2042 Beethoven – Greatest Works Part 1

This is another release that is "strange" amongst the at times already very strange pcp catalogue. (This is meant positively!).

It's a drum'n'bass / jungle remix of, well, beethoven's work.

72 / 100

DE 2043 Reign – Chapter II: The Zombie-Leader Is Approachin'

I can't praise this release enough! Early doomcore by miro.
Atmospheric, magnetic, eldritch.
Listening suggestion: light & dark (the 2nd dimension).

96 / 100

DE 2044 Trip Commando – Temple Tunes Vol.2

"Cross The White Line" is a massive, colossal, epic techno track that slowly builds up towards it's cinematic climax.
The flipside is remarkable as well.

84 / 100

DE 2045 Renegade Legion - Dark Forces

Guillaume Leroux under a new alias.
"Torsion", a mid-tempo industrial hardcore stomper gained some notoriety amongst the scene.
"Dark forces" is very much worth checking out, too. A techno affair of most extraordinary gloom.

72 / 100

DE 2046 Miro – Blue Sun

In my opinion, this was the point when miro began to produce in his very own style.
"Blue Sun" is an oversize 'study of melodies and bassdrums'. The epic melody gets introduced, faded away, gets twisted - for over 10 minutes - while the drums hammer on.
"Bassdrum elevation" is miro's take on the "pitch hiker" concept: a track made up purely of a distorted 909.

81 / 100

DE 2047 Planet Phuture – Temple Tunes Vol.3

The 3rd and final release in this series. A techno track with an "overlord" type arpeggio, and rougher acid / doom / techno crossbreed.

69 / 100

DE 2048 Negative Burn – Crime City 2001 A.D.

Ooh, this is remarkable!
"Gates of heaven" is what could maybe considered to be "dark ambient hardcore". Acerbic-saccharine, futuristic, tranquille. 'I haven't been human for two hundred years'.
And "Gates of hell" is a doomed gabber smasher.

89 / 100

DE 2049 Steve Shit – Shit's Gabbertales

Steve shit gets crass again. All tracks seem to be libido themed. Their style is juno fueled gabber euphoria.
Listening suggestion: having sex

66 / 100

DE 2050 VA - Most Wanted Bootleg E.P.

A collection of "rare" mixes of some pcp releases, and other tracks.
The "first rave age rough mix" later became the "official" version of slaves to the rave, I think.
Rave creator adds a magnificent spin to "stereo murder".
Steve shit gives "dominator" a bold gabber workover.
And "bim bam - beeper" is an mc-fueled dancefloor attack.

85 / 100

DE 2051 Nasty Django – H.M.F. (Rmxz)

despite the name, it's more than "just" remixes of h.m.f., but "c'mon" and "another asskicka" are included, too.
Lunacy somewhere between oldschool, techno, and gabber.

52 / 100

DE 2052 Miro – Purple Moon

one of the best releases, on all of pcp, ever. period.
lifting off from the "blue sun", purple moon is driven by an almost hard-trancy, but much darker, arpeggiated melody and oldschool drumming.
"understand" twists this pattern around a bit.
a true miro classic.

99 / 100

DE 2053 Evidence – Resist / Inspirit

this is actually miro again, using a new aka.
and, in my opinion, "inspirit" has one of his best-composed melodies.
apart from that, this release is a bit more on the "hardcore" side than the previous release (i.e. purple moon).

99 / 100 ("inspirit" is a perfect track!)

DE 2054 Reign – Time Machine

you might wish you had a time machine to get back to this era, but if you don't, you can at least listen to this record.
quite experimental for reign (aka miro again) - unusual melodies, effects, and enormous amounts of reverb.
at times more reminiscent of a dark, chanting-accompanied ceremony in a huge space cavern than a techno record (in my opinion).
well done!

86 / 100

DE 2055 Reign – Hall

did we mention "the sound of dark chanting in a large hall"? this record is an even more approximate embodiment of this idea!
but to give a more technical description, it's precious, miro style techno, with one track running for almost 11 minutes and a half. and this very "Hall (Maximum Mix)" being a secret favorite for many PCP supporters.

98 / 100

DE 2056 Rave Creator – Into Sound

the "Marshall Masters Remix" indicates the marching route, as both tracks are more evocative of their output, than earlier rave creator tracks.
anthemic!

68 / 100

DE 2057 E Man - XTC Express

should be in everyone's top ten of miro's (or pcp's) releases.
going strong with the arpeggio-type tunes again, this composition almost reminds me a video game soundtrack gone dark.
but the thundering drums make it clear you that you are at a rave.
both mixes are great. i can't applaud this release enough.

100 / 100 (a perfect release!)

DE 2058 Evidence – II

another two tracker, bordering on the emerging "newstyle hardcore" sound here.
mean, gritty and brutal bassdrums.

67 / 100

DE 2059 Vitali – Robber Dance

the last release of de 2001.
there has been some speculations about who might behind this release.
either way, it's hoover-fueled attack-the-dancefloor type gabber.

38 / 100

DE 3001-1 303 Nation – Strobe Jams I

"De 3001" seems to be a kind of sub-label exclusively for 303 nation releases.
this ep almost feels like an album, with it's variations, intros and outros.
acid, techno, breakbeats, ambient structures... and if you liked the 6 tracker ep, you will love this one.
listening suggestion: "voodoo machine", a 303 defined track that starts slow, then turns into total mayhem.

98 / 100

DE 3001-2 303 Nation – Strobe Jams II

the follow up to strobe jams i. the style is comparable to the earlier outing. includes some true classics like "a world noir" or "sky crack".
this series is truly amongst the best of releases in the world of PCP.

98 / 100

DE 3002-1 303 Nation – Strobe Jams III

and on we go. i feel this sound has a stronger Detroit / underground resistance trace.
definitely recommended

80 / 100

DE 3002-2 303 Nation – Strobe Jams IV

the earlier releases were a bit closer to my heart - except for one track on here:
"Barcelona (Model # 1)".
sweetest acid-trance (see above) that makes you feel as you are slowly floating on the mediterranean sea in dark euphoria, while the moon watches on.

61 / 100

Monday, July 15, 2024

All Cold Rush Records releases listed, rated, and short-reviewed

Originally published as a chapter in the The unofficial Planet Core Productions guidebook:

https://pcplegendsintheirlife.blogspot.com/2024/07/planet-core-productions-guidebook.html

Note: the rating means "compared to other PCP releases".

Thus, if a record has "only" 49 or 31 percent here, this does not mean it's bad; compared with other Hardcore or Techno EPs they would be 88 or 94 or higher; the percentage just "seems lower" for the sake of rating these PCP records in a way that seems sensible, and to have a bit of comparison with the other releases.


Cold Rush Records

Lost 1 - Various - The Last Judgement Part One EP

the first ep on the legendary cold rush label.
as varied as it can be.
"impossible xtc" is haunted sub-frequency techno.
"the fog track" is a true doom anthem, and surely a nice fit for any dancefloor at 8 am.
"Slo Motion" is a sub-bass powerhouse.
and "Maniac" is certain to twist your mind.

Rating: 81 / 100

Lost 2 - Various - Doom Supporters EP

take care, doom supporters!
one of the first "doomcore" genre releases; heavy techno and austere atmospheres come in plenty now.
my pick is "Fallen Angel", a track reminiscent of cosmic heartbreak, or an angel's tear turned into a soundwave.

91 / 100

Lost 3 - Cypher Doomed Bunkerloops

the first release by a "solo" artist on the label.
the well known one is "Marchin' Into Madness" here. ferocious snare- and bass-drums guide you on your march into hell - is anybody out there?
"Frozen Boom Erection", on the other hand, will get your heart pumping.

77 / 100

Lost 4 - Rave Creator – Lights - Sound - Action!

a lot of action here, as this EP includes 3 classics:
"Immortal" is build upon a rock hard bassdrum, intermingled with classic acid house vocals;
"Bleep Blaster" is a true bleepcore anthem that sounds like a lunatic got hold of a whistle to blow into.
And "Thru Eternal Fog" is another great track celebrating smoke filled strobe powered nightly dancefloors in derelict buildings.

85 / 100

Lost 5 Freez-E-Style – Enter The Gates Of Darkness

another big, big classic.
"Enter The Gates Of Darkness" is one of the earliest "doomcore" tracks with a highly distorted, powerful kick.
"doom dancer" is tripping the dark fantastic.

75 / 100

Lost 6 - Cold Crush City Cru – The 6th City Mob EP

yes yes, this is the one (sorry, Laura!).
as it includes "stereo murder", maybe the most monumental track by PCP (and in techno history!)
"t99" type samples, a thunderous, reverberated drum... guaranteed to send anyone in the huge space arena into madness.
the flipside gives us another two mean and dirty tracks.

99 / 100 (for stereo murder!)

Lost 6 R - Marshall Masters – Stereo Murder (The Cold Rush Remixes)

"more of the same"? No, 3 very diverse remixes!
reign adds a cavernous doomcore type sound; rave creator adds extra boldness;
and "Stereo Murder (2 Tonys' Progressive Club Mix)" is what the name implies.

in my opinion, the original release is slightly better, with its untouchable reduced purity; but this is a great release as well.

90 / 100

Lost 7 - The Mover & Rave Creator – Rave The Planet

most people will know this EP for atmos-fear - and deservingly so.
but the other tracks are interesting as well:
"O.K. Bassquake" is a dancefloor killer with a very twisted mentasm and vocal sound;
and "Astral Demons 94 (Cold Planet Remix)" is an outer space trancecore remix of the classic original track.

91 / 100

Lost 8 - Reign – Chapter One: Skulls And Crossbones

miro pays a visit to cold rush records, using his "reign" alias.
mentasm-fueled doomcore-gabber with miro's trademark somber, rude attitude and samples

62 / 100

Lost 9 -  Protectors Of Bass – Awake In Neo Tokyo

pitch-hiker is on here; a track widely known beyond the hardcore sub-scene of techno.
in case *you* don't know it, it's an genius-bordering-on-the-insane 909 bassdrum workout without any other elements; just on-going filtering and distortion. if you hear it, you will love it.
and the flipside is pure phuture sound.

92 / 100

Lost 10 - Pilldriver / Tilt! – Apocalypse Never

"doom supporter" marc acardipane seems to have had a sudden change of mind, because now it's "apocalypse never"?
either way, it's a superb track somewhere between hardcore, doomcore, and gabber; i won't describe it further, as you probably know it already!
"Hell-E-Copter" is one of these speed-up / slow-down tracks, and i think PCP always does this very well.

87 / 100

Tuesday, July 9, 2024

New e-book: The unofficial Planet Core Productions guidebook

A new e-book related to the history of Hardcore Techno has been published:

"The unofficial Planet Core Productions guidebook - all releases on all PCP sub-labels listed, rated, and short-reviewed"

And we quote:

"Here it is.
The unofficial Planet Core Productions guidebook.
After it was "almost forgotten" towards the end of the 90s, the interest in this very special label of Techno history is growing at a fast pace again.
This guidebook is mostly aimed at "newcomers" to the PCP-sound; to give them a little overview, information and direction; in order to possibly help them in their decision on which record to pursue & purchase.
And, the guidebook exists, so that this piece of techno history does not get forgotten (hopefully).
Because: 'You and me... we are simply passing through history. But this... this *is* history.'

Note: This is a beta version and some releases are not listed yet."


It includes information about the following labels:

Planet Core Productions
Dance Ecstasy 2001
Cold Rush Records
Kotzaak Unltd.
Super Special Corp.
Interzone
100% Acidiferous
Future World
Narcotic Network Recordings
Power Plant
Techno Tribe
Countdown FFM
Tranceform
F.O.G.
Elastic
Test
No Mercy Records
White Breaks Frankfurt
Pretty Asshole
Thai Records
Dope On Plastic
O.G.
Leathernecks
Bubicore
Miro
Metallic
Gold Digger Records
We will write more about this, soon!

Friday, June 28, 2024

Five smaller sub-labels of Planet Core Productions - all releases listed, rated, and short-reviewed


This time we look at "smaller" PCP sub-labels - 5 releases or less.
Also check:

All Planet Core Productions main-label releases listed, rated, and short-reviewed
https://thehardcoreoverdogs.blogspot.com/2024/06/all-planet-core-productions-main-label.html

Note:
The rating means "compared to other PCP releases".
So if a record has "only" 49 or 31 percent here, this does not mean it's bad; compared with other Hardcore or Techno they would be 88 or 94 or higher; the percentage just "seems lower" for the sake of rating these PCP records, and to have a bit of comparison with the other releases.
So please do not misunderstand the ratings - all records are even better then they seem.


Tranceform

TF 101 - Dark Hero – Volume One

"tranceform" was marketed as being the sub for "trance" music, but imho, the releases are far away from typical trance.
this release is more like trance-infused dark pcp-style techno. and we like it that way.

42 / 100

TF 102 - KS Project (2) – Volume Two

as the name says, a follow up to the first release, by the same producers.
both releases are stylistically very similar, and that ain't a bad thing this time!

42 / 100

TF 103 - 3 from io - ffm ep

Apparently members of the FFM shadow orchestra were involved in this EP.
This is one of the most remarkable releases on all of PCP, imho.
Not "Hardcore", but going more into the direction of "Trance" - but 'FFM Shadow' style Trance.
Surreal, twisted, extraterrestrial... fulfilling a deep cosmic longing.

99 / 100

TF 104 - Craig Tayaffo – Reduction

another aka of marc. and the track name, "Reduction (Back For Acid-The Expanded 0,25 Hrs Mix)", says it all:
this is an actual acid techno track running for a quarter hour!
hypnotic, club-ready, pearly!

66 / 100

TF 105 - 69 Juice - System of love

Another alias of the FFM Shadow Orchestra on Tranceform.
Even though both tracks are listed as being edits / mixes of each other, they sound quite distinct.
one is filled with beautiful, sweet piano sounds, the other with celestial swirling of synth sounds.
and both have a very exotic, almost oriental feel.
Once more: "FFM Shadow Trance" at it's best!

99 / 100

Narcotic Network Recordings

NNR 01 - Frozen - Soul Saver

distinctive, special, highly sought after.
This releases fuses electro and lory d-esque sounds with miro's trademark darkness. It encompasses some of the best and most idiosyncratic melodies he ever created. Go get it!

97 / 100

NNR 02 - Destination - Nowhere

Preliminary names of the tracks of this 2 tracker release were 'the trip" and "the theme".
So both are connected - yet both tracks are worlds apart the trip is a very experimental, non sequitur electro-affair. And "the theme", now turned into "destination - nowhere", is one of the most fascinating compositions in the history of music.
No beats, vocals, anything, just a movie-score like world of utter heartbreak and melancholy.

99 / 100 ("Nowhere" is perfect!)

NNR 03 - The Mover - Countdown Trax

Don't expect any "standard" mover fare here - this is a true blue electro release. It has a more vast, dense soundscape to it than earlier mover outings. exquisite and recommended.

94 / 100

Future World

World 1 - The Overlord - Digital Orgasm

The first release of the Future World label, which features exclusively output by Miro.
Master of the universe is one of the most extraordinary tracks I ever heard; it is outside of any genre, elements of techno, hardcore, doomcore, but more like a hymn for the intronization of a new intergalactic emperor.
The flipside is an orgasmic workout for outer space dancefloors.

92 / 100

World 2 - The Overlord – Move My Bod-E

"move my bod-e" is a secret favorite for many fans, but I actually prefer "future of the world".
an over 9 minute long tour de force, that makes me feel as i'm forced to march through a desert on an alien world; while "miro-esque" cascades of sounds invade the track now and then, and cause you to speed up.

81 / 100

World 3 - The Overlord – Kill

the tracks from world 1 and 2 got a lot of praise, yet I feel this third, final release of the label remains a little bit under-rated.
it has two absolutely fantastic tracks: "countdown 2017" is one of the most infernal techno tracks in history; while avoiding most of the usual "hardcore" elements, it drowns everything in a cascade of drums and distorted synths.
"kill" is a doomcore track, but a very reserved, serene one; yet it creates a wonderful atmosphere filled with powerful emotions.

95 / 100

100% Acidiferous

100% Acidiferous – Tank / 303 State

the very first release on 100% Acidiferous - apparently a label solely dedicated to the output of Fernando Sanchez and Patrick Vuillaume, also known as 303 nation.
"tank" is a cult classic by now - a hypnotic acidcore track enforced by what seems to be a splintered, broken arpeggio.
303 state invokes 808 state, but not exactly in the sound of 808 state: another acid smasher

87 / 100

101% Acidiferous – Droid Sector / Annihilate

"Annihilate" proves that acid does not need a 303, or even a bassline.
Droid Sector is a powerful, hard-hitting acidcore track - or maybe even "acidterror".

77 / 100

102% Acidiferous – Worldisorder / Nu Horizons

"worldisorder" is the track to go to, here.
acid-techno-hardcore-mayhem that keeps on growing and building and becoming more unsettling and disordered as it goes on.
"Nu Horizons" is an almost trancey subdued little acid track with a great ambience.

81 / 100

103% Acidiferous – Alarm / Warning

Be alarmed! the A side track has frequencies and acid bleeps that surely will warp your mind a bit.
while "warning" is a double speed acidcore track underscored with squealing, haunted 303s.

73 / 100

Elastic

Elastic 1 - Two Tonys – Best Bitch EP

one of the most cult releases of PCP. and one of the most baffling ones at that, too!
which style is this? parts of dancefloor-house, but also hardcore sounds, at lower speed, and then the vocals...
must be heard at least once by any PCP fan!

52 / 100

Elastic 2 - SexDrive Entertainment - Check The Flow

another "house-gabber" anthem... interesting... and cool.
don't ask too many question about this type of music... just go... well.. you know... "with the flow"!

33 / 100

Elastic 3 - MC 2 Long & DJ Full Nuts – Dog Face Bitch

obviously the best artist name combination ever...or not?
judging by the sound, attitude, and lyrics, this could be some kind of answer to 20 fingers classic "short short man".
it has PCP's later trademark MCing (think tracks like "kings are coming" or "are you with me"...), but this time not in gabber setting, more like a hard "club hit" again.

57 / 100

E 4 - Barracuda - Braineaters

I assume that even a lot of PCP die-hards more or less ignored Elastic records; it's a very obscure sub-label for PCP.
yet this release alone would make it worth it; a mover style track in 4 mixes that are only in subtle ways different from each other.
a drum, a chorus, some fx... what more do you need?
this is the stuff of futuristic dreams.
and you better take care... because "their brains go *pop*!"

99 / 100

Sunday, June 16, 2024

All Planet Core Productions main-label releases listed, rated, and short-reviewed



It is what the description says. (minus the "Frankfurt Trax" compilations, of course).

But let us add some further words:
For the purpose of rating, I decided on a percentage format. (aka "x out of a hundred points").
But these ratings are "PCP-stretched": I love all these records and, normally, would all give them a 111 out of 100.

So the rating means "compared to other PCP releases".
So if a record has "only" 49 or 31 percent here, this does not mean it's bad; compared with other Hardcore or Techno they would be 88 or 94 or higher; the percentage just "seems lower" for the sake of rating these PCP records, and to have a bit of comparison with the other releases.
So please do not misunderstood the ratings - all records are even better then they seem.

And in the end it's very subjective anyway.

A discogs user wrote this about PCP:


"The label that set the standard for the harder techno sound.Started in 1989 and stopped it's activities in late '96.
Some of the darkest record were released here, including the Frontal Sickness ep's and of course the later Mescalinum United records.
Mindtripping, dark, doomy, it's all here, with the Mover being on front, responsible for most of the tunes."

But now, let's rock!

PCP 001 - Mescalinum United – Into Mekong Center

The very first PCP release. The one that started it all.
Some have described it as "still being in an EBM sound", but I don't think it sounds like that at all.
A bit of Electro, maybe - but in the end this release has its own style.

Rating: 067 / 100

PCP 002 - Freebase Factory – Born To Go

A rap release on PCP, and not even a Hardcore / Techno crossover, but genuine hip hop.
Maybe not what you expected, but I like it!

62 / 100

PCP 003 - Cyborg Unknown – Year 2001

Again, this is a very unexpected release, "even for PCP"!
I've never heard anything like it by any other artist or label.
A crossing of Detroit, EBM, Techno, 80s Electro-Funk, with enchanting vocoderized rapping.
And it gives off a super-futuristic atmosphere, that makes you want to watch movies like "brainstorm" project or "lawnmover man" (sic!) again.

2001 / 100

PCP 005 Trip Commando – Trip Commando

Very trippy "1990 era" club Techno. Not bad!

59 / 100

PCP 005 - The Mover – Frontal Sickness Part 1

Do I need to review this? One of the important releases of Techno ever, and if you have not dived into it yet, go for it!
This is the very beginning of Doomcore. Hard hitting Techno beats and an almost minimalist use of some of the darkest synth lines you ever heard.

99 / 100

PCP 006 - Mescalinum United – Reflections Of 2017

Yes yes, this is the release with the "first ever Hardcore track" on it! The flip side is great as well.

2017 / 100

PCP 007 - Pandemonium - Boris Boris (Radio Edit)

There's the story that PCP threw copies of this EP in the garbage can after the release!
No matter if it's true or not, it would not have deserved it.
A radical detour from the other PCP styles, this sounds almost like a take on the popular German project "Enigma":
Monks chanting, slow breakbeats, mystic / esoteric sounds...
I'm digging it!

Rating 58 / 100

PCP 008 - Whalekommittee – Save The Whales

Of all the unusual PCP releases, this is even a bit more unusual.
A mixture of ambient, breakbeats, early club beats... almost like an "underwater enigma".
And it gives off a great oceanic atmosphere.

69 / 100

PCP 009 - Alien Christ – Of Suns And Moons

All three tracks on here are inspired by Suburban Knight - The Art of Stalking.
PCP goes for Detroit Techno sounds, and they nailed it.

90 / 100

PCP 010 - T-Bone Castro – Radical Padrone (The Remixes)

I think this could be best described as PCP's take on 1991 club sound techno.
Very nice, and quite "hardcore" already!

57 / 100

PCP 011 Al Rakhun Feat. Bunker Youth – To The Audience

002 was already a rap EP, and this is a bona fide rap album, on PCP!
I'm not that much into hip hop, but this is a nice release with a true PCP touch on this kind of music.

49 / 100

PCP 012 - T-Bone Castro / Ace The Space – 4-Track E.P. / Ace In The Hole

I love the "weird" mixture on this EP. Something between Belgium Techno, UK Artcore and Gangsta Funk.
The laid-back, almost rap-like quality of these tracks would make them fit well to a harvey keitel movie.

63 / 100

PCP 013 Raw Power Organisation – 1991 (And I Just Begun)

Nomen est omen, because in 1991, PCP really had just begun. Heavy Techno mixed with rapping and UK Artcore style breaks and synth hits. Why did they not make the #1 spot in the European Charts with this? The EP would have deserved it.
A true cult-hit and a massive sign of the things to come.

78 / 100

PCP 014 - Ramin – Vol. I - Essence Of Ecstasy EP

Ramin was a frequent visitor on PCP, and I like to describe this EP as "Pcp style early 90s club techno".

39 / 100

PCP 015 - Free Base International – The FBI Futureworld E.P.

This EP sounds a bit like the follow-up to Raw Power Organisation: MCing, powerful mentasm and t99 sounds - a very rough techno anthem that comes in 5 mixes.
But the true gem is the A1 track "The Factory Of Free Base".
It's what could be described as fusion of rap with the style of PCP.
Apocalyptic, phuturistic lyricism, synths, beats... legendary, and one of a kind!

91 / 100

PCP 007 - Alien Christ – The Art Of Shredding

The second outing by Alien Christ. Funky, phuturistic, detroit techno! Underground Resistance would love this.

81 / 100

PCP 008 The Mover – Frontal Sickness Part 2

An absolute cult release. Every track is a killer on here. My two picks would be: "Astral Demons", one of the most haunting techno tracks ever, and "Illuminated", a cinematic ambient piece that was once described as "Terminator Techno".

89 / 100

PCP 009 - The Possessed – Black Blood

Very peculiar release. Breakbeat tracks in a PCP style. Ultra-dark and ultra-menacing synths.
And an epic, almost "prog-rock" like ambient / muslim-chant / breakcore creation on the flip side.

"Und es sind welche unter uns, ohne Seele..."

79/100

PCP 010 - Program 1 - Louder Than A Bomb EP

Was one of the hardest at the times of its release. Killer bassdrums. "Betrayer" is a special pick.

71/100

PCP 931 - Alien Christ – III.

I think PCD ("Planet Core Distribution") once described it as "Outer Space Trance" in the catalogue; depending on your definition of "Trance", this descriptions fits!

Rating 78 / 100

PCP 932 - The Mover – The Final Sickness

One of the most sought-after releases - at least until it's digital re-release.
An album that could be seen as a follow-up to the "frontal sickness" releases (and a precursor to "frontal frustration").
It features Marc's The Mover aka at its hardest and dirtiest;
Distorted drums, howling synth, shrieking percussion and noises;An onslaught of sounds, dismal and tenebrous.

Rating: 99 / 100

PCP 933 - Mescalinum United – Vs. Evil (A New Level)

Very out of the ordinary release for mescalinum united. Just one groove on this vinyl has any sound in it, and it's a techno-electro affair, which has a few hints of early Egpytian Lover or Hashim (when american electro funk still was doomy as hell).
Recommended!

Rating 78 / 100

PCP 934 - The Mover / Alien Christ – Waves Of Life / The Eagle Has Landed

"Waves Of Life" was / is a sleeper club hit and widely known far beyond the "hardcore" circles - and deservingly so.
"The Eagle has landed" is another re-visit to the "Art of Stalking" theme, and quite good at that.
Some time in the future!

Rating: 68 / 100

PCP 935 / PCP 194 - Planet Core Productions – Phuture

The very first PCP compilation. And it is quite unconventional, as, even though it is a "compilation", almost all tracks are exclusive for this release. Plus the majority of the tracks are quite experimental, even for PCP's standards.
It features so many classics and cult tracks - like "MF Skulls", a live-taped drum-only Energiehal performance.
Or "acid bitch", an almost trancey acid-hardcore track with a haunting choir (and a double-speed bassdrum).
"Nervous Flight" lists one of my favorite production credits ever - and I quote: "Produced by someone sometimes somewhere -sowhat-"

Rating 94 / 100

PCP 936 - Mescalinum United – Symphonies Of Steel Part 1

One of the most infernal Techno records ever!
Wave after wave of distortion and shrill, disturbing noises... every gain is turned to 12 here.
Includes the classic track "Light Bringer"... this universe is mine... i am god here!

Rating 82 / 100

PCP 069 - The Phuture Project – Light Bringer (Escape From 2017)

Almost like a mini-compilation; as even though all tracks are marc in disguise (as expected!), they have a very distinct sound (also as expected!)
Escape From 2017 (The Theme) is a hardcore track that was once described as sounding like "a cyborg whale dying on a futuristic battlefield", Freez-E-Style - Radar is cold rush-esque Doomcore track; and, finally, "Time Traveller" is in Mover style, with a melody that almost feels like a flashback to 80s industrial / no wave experiments.

Rating 666 / 100

PCP 961 - The Mover – Signs Of '96

The signs Of 96! Isn't this the most legendary Mover release ever?
While most people go for "Over Land & Sea", I think the flip side, "Underwater Operations", is even a bit better.
But, let's face it, both track blow all the competition out of the water (pun intended).

100 / 100 (a perfect release)

PCP 962 - Mescalinum United – Symphonies Of Steel - The Second Level

A quite remarkable release. PCP are known for their "drum only" tracks, and Jupiter Union almost fits in that category; as the bassdrum is very prominent here, and also very distorted and threatening. Only at the 3 minute mark, a gloomy melody is introduced.
And the flip side is very special, too: a beatless ambient track that is at the most dreary and chilling you can get; a 12:26 minute trip which makes you feel as you are flying to jupiter by yourself.

Rating: 97 / 100

PCP 971 - Mescalinum United – Symphonies Of Steel Part 3

Rumored to be the last track ever to be released by PCP. I think there *were* some releases after that, though.
Either way, it's a worthy ending. Wailing synths create a hellish inferno, before Industrial Slowcore beats come in, only to steadily increase up beyond Speedcore territory. And then it is happening again,
When you go out, you gotta go out with a bang, right?

Rating: 94 / 100

Thursday, June 6, 2024

Comprehension of Sweet Sounds: A New Section Dedicated to the Occult, the Symbolic, and the Philosophical in Hardcore.

“Shadows of shadows passing. The comprehension of sweet sounds is our most indefinite conception. Music when combined with a pleasurable idea is poetry. Music without an idea is simply music. Without music or an intriguing idea, colour becomes pallor, man becomes carcass, home becomes catacombs and the dead… motionless.”
  • Spoken by Orson Welles, written by Edgar Allan Poe
Techno and Hardcore have a rich tradition of conveying ideas through the inherent limitations of a genre that often lacks lyrics. This is achieved through the use of vocal samples and the cut-up technique, inherited from industrial music, to establish a central idea or emotion for the track. Synthesizers and beats act as futuristic onomatopoeias, evoking spaces. Creative use of samplers and sound design is employed to evoke emotions. The track's architecture itself represents a synaptic landscape or an escape to otherworldly realms. These are all techniques intrinsic to Hardcore Techno, appearing in each track to varying degrees, as it is the medium’s way of communicating.

However, despite the commonality of these qualities, there are times when certain tracks or sounds push beyond the usual boundaries. Sometimes this occurs by expressing an idea or emotion rarely found in Hardcore, which we have explored earlier in this e-zine. Instead, in this section, we will focus on those sounds and tracks that break through the veil of the obvious. These are tracks that, through symbols inherent to Hardcore, express hidden or philosophical ideas, making us reconsider music and reality, deepening our understanding of the genre and expanding its expressive possibilities.

In this first article of this new section, we begin with an analysis of the EP "Comprehension of Sweet Sounds" by FFM Shadow Orchestra, which gives its name to this section. This serves as a starting point to explore tracks that challenge our understanding of Hardcore and music in general. This particular track, through its ingenious use of sounds, art, quotes, and symbols, compels us to question the very nature of Hardcore as a musical genre. Thus, we have an EP that stands out not only for the quality and intensity of its tracks but also for its ability to lead us into a dark reflection on Hardcore Techno, using some of the most iconic sounds of the genre.


Key to understanding this EP is the Edgar Allan Poe quote about music and ideas found on its back cover. “Sampled and processed” by Orson Welles and resampled by FFM Shadow Orchestra, it is not just a poetic analogy for the genealogies of resamples so intrinsic to Hardcore. It also provides us with a crucial metaphor for understanding these samples of samples as shadows of shadows. We will explain this in depth.

As the text on the back cover of the record points out, the “comprehension of sweet sounds” is our most indefinite conception as listeners of music in any of its forms. In other words, music opposes the clarity of ideas and concepts, a challenge that becomes more acute in genres like Hardcore Techno, which often lacks lyrics. Facing this difficulty, the title track of the EP (specifically the Stickhead Remix) tells us: “Music, when combined with a pleasurable idea, is poetry. Music, without the idea… is simply music.” After a brief prelude of breaks that guides us to the core of the track, a new sample tells us "Shadows of shadows... the dead".

And then we are assaulted by an intense and bombastic choral riff, as if a multitude of specters were howling in our faces, unwilling to confine themselves to the afterlife. The rest of the track becomes a drastic and syncopated onslaught of kicks and snares where the howls repeat and insist with various patterns, confronting us with their presence, their insistent and inconsistent repetition, creating a track with a primitive, spectral, and unpredictable vibe.

And in the eye of the hurricane of this furious swarm of howling specters, the question arises: isn’t the iconic choral stab of T99, resampled ad infinitum in Hardcore since the early '90s, precisely that? The shadow of a shadow of a shadow. The voices of a choral ensemble, captured in an audio recording, sampled and processed by T99, to be resampled or emulated by FFM Shadow Orchestra and countless hardcore producers over the past three decades. What started as a singular human chant became multiple shadows of shadows, immortalizing this choir beyond the limits of time and space. The ghost in the machine no longer corresponds to the consciousness that emerges from the circuits, but to human energy captured in them.



This already suggestive proposition is further reinforced by the EP's cover art. It features several elements: a wolf howling at the moon, a kind of vortex or tear in reality, and the duplication of this set through an inverted mirror effect. Wolf, moon, vortex, mirror. Considering these in relation to the track itself, the cover seems to allude to the same idea of a spectral howl that tears or twists reality, connecting it to the beyond or another dimension, to the madness symbolized by the moon, and to repetition. It is as if it describes in an occult and symbolic manner the essence of what hardcore techno and rave were at that time: howls repeating, within the track, between tracks, like a horde of necromancers conjuring spirits and unknown energies to drag the audience into a ritual dedicated to madness and the unreal. Similarly, the back cover of the record contains an ode to the goddess Juno, deifying the Roland Alpha Juno 2 synthesizer, responsible for the other most iconic Hardcore Rave sound of that era: the Hoover or Mentasm. Thus, completing this work that pays homage to the sonic deities of Hardcore.

To avoid prolonging this extended reflection, we close this feature by celebrating the evident effort of FFM Shadow Orchestra to contemplate the essence of this style and communicate these complex ideas. They do this by using the elemental building blocks of Hardcore Techno, well-arranged symbols, and an excellent quote. This symbolic staging challenges us to go beyond the empty repetition of these shadows/samples, which, on the contrary, can be full of meaning, intriguing ideas, and become true poetry.

Thursday, May 9, 2024

From "Frontal Sickness" to "(Maria) I Like It Loud" - Marc Acardipane, the 'Forgotten Man' of Techno

There is an essay by "raver anthropologist" Simon Reynolds that has become a kind of cult thing amongst Hardcore Techno aficionados. It got published in The Wire in 1998; it turned into a cult object not only because it was one of the rare cases where Hardcore music was mentioned in a bigger zine during the late 90s (as opposed to the many badly xeroxed Hardcore-fanzines, with a run of ~50 copies, of which most were destined to end up on soaked squat party toilet room floors), but because it also focused on a very specific person: Marc Acardipane, his releases, and his label family. [1]

In it, he called Marc "the forgotten man of Techno", and followed up with the reasons for that: even though he was right there at the proper beginning of "Techno", was hugely influential, and good friends with many people that are now considered to be true pioneers and legends by vox populi, he fell out of favor when Hardcore itself fell out of favor amongst the Techno folk; because he stayed true to his "core roots" and didn't disown them, like so many other producers did on their way up to the place amongst the stars (and on their way down to the sewers again).

But let's move on from Simon, The Wire, and the year 1998. What happened after that date?
First, Marc itself was pulled out from the "shadow zones"; because at least the Hardcore and Gabber scene finally remembered its Techno roots, and kept worshiping those roots again; although under different monikers, such as "oldschool", "oldstyle", "early rave", and so on - I guess "the names have been changed to protect the innocent".
This meant that "Technoid Hardcore" could be enjoyed at Hardcore parties and festivals once more (often on separate floors), which led to a lot of gigs and exposure for Marc and his Planet Core Productions sound. [Note: PCP aka Planet Core Productions was a label family run by Marc Acardipane and Thorsten Lambart in the 90s.]
It also influenced the Hardcore scene as a whole. A succession of genres such as "newstyle", "millennium" and "mainstyle" came into existence; genres that to 98% were built upon PCP and PCP-adjacent tracks: "Stereo Murder" (produced by Acardipane), "Atmos-Fear" (produced by Acardipane), "Poltergeist" (released on his label), "Flesh is the Fever" (released on Things To Come Records, a label with personal ties to PCP and that was inspired by PCP), plus various others.

This was already a good thing. But then, slowly but steadily, the Techno folk re-gained their interest in Hardcore and harder sounds, too; and now that the "millennial dominance" of the Techno scene, together with their favoring of minimalist and dandy-esque sounds, is slowly fading away, a younger generation is taking over the scene, and that new generation is very, very hardcore.

This led to a renewed interest in the works of Marc Acardipane, his crew, and his output again, coming straight from the heart of the Techno world. Marc himself acknowledged this development in some of his interviews, and added that the Techno people are sometimes even more zealous and knowledgeable about this music than the die-hard old-school gabbers!

A very fine evolution indeed; and we hope Marc gets into the spotlight again because of this, and that he finally reaps the respect that he deserves!

But why is the Techno folk favoring him and his sound specifically - in fact, more than a lot of other "Hardcore" players?
I think this is because - and now we cycle back to 1998's "The Wire" essay - his sound is *indeed* heavily connected to Techno. It's not just some ultra-aggressive, ultra-noisy Gabber outing. It's real, true, bona fide Techno music.
More than that, it represents a "road not taken" in the history of Techno music. Because, when you go back to the advent of Techno, to Detroit, Chicago, Berlin, London, Frankfurt, there was always a Hardcore contingent. Hardcore was always part of the Techno spirit, it helped to shape and mold the Techno sound. Alas, as mentioned above, it got disowned, and it became almost "forbidden" to speak of this type of music within Techno circles.

A liminal space that always lingered next to the scene as time moved on; a place that people did not dare to enter.

All this is changing now again. And while "every boy and his dog" (i.e. zines, webcasts, music academies) had their own Marc Acardipane feature by now, focusing on his more Hardcore and Gabber output, we decided to do the very opposite here, and showcase the Techno tracks from the past days of the PCP oeuvre, released using a cornucopia of aliases.


Bon appetit!

Oh, and by the way: we very dearly love "I like it loud", too! https://www.youtube.com/watch?v=KVjeheaFfsM

(This list is in no particular order)

1. The Mover - Over Land and Sea


how can one not love this track? great techno beats, rhythms, groove... and then this cosmic, celestial arrangement in the middle... the beats come back in, and the dancefloor erupts into madness.
the flip side ("underwater operations") is also very well worth a listen.

https://www.youtube.com/watch?v=VuYMsR1Cae8

2. Cyborg Unknown - The Year 2001 (Deep in Detroit mix)


this is going deep into the history of detroit techno indeed. it's not enough to be friends of the jaguar here, this track channels cybotron just as much as it does metroplex. funky!

https://www.youtube.com/watch?v=c2q4v8_YxbE

3. Trip Commando - Cross The White Line


a techno behemoth of the most epic proportions. has probably one of the most elongated build ups in dance history, until the epic cinematic breakdown unfolds. highly recommended!

https://www.youtube.com/watch?v=tGWv1e2hBZk

4. Turbulence - Whurlstorm


this was on the second release by Industrial Strength Records - a label that shaped Hardcore history, too.
it starts as a nice little nasty techno track, until everything breaks apart in the mid-riff, and turns into a hurricane of bass frequncies.

https://www.youtube.com/watch?v=sngue8baqPs

5. The Mover - Nightflight (Nonstop 2 Kaos)


and this was on Industrial Strengh Records number one! As Lenny Dee licensed "We Have Arrived" (a fantastic hardcore track, to say the least) for his label, and put that number on the back side.
a cold groove, percussion that almost feels like a breakbeat... lots of bass, cyber-synth.... this is just dancefloor heaven.

https://www.youtube.com/watch?v=snnHspK1QYI

6. Countdown Part V - Untitled (A1)


Countdown FFM is another sub-label to go for if one is looking for some technoid gems.
stellar electronic intro, then we get into dance grooves, and things become more deviant as acid sounds sneak in.

https://www.youtube.com/watch?v=bfIL6OCtN3o

7. Alien Christ - Of Suns and Moons (Phase II)


inspired by "Suburban Knights - The Art of Stalking" (a true classic, originally released on Transmat).
Marc made this influence his own, and delivered a very detroit-ish underground rave anthem.

https://www.youtube.com/watch?v=xGmmDrQTyyY

8. The Mover & Lunatic Asylum – Frequency Surfers


Lunatic Asylum aka "Dr. Macabre" is another person that was entwined with electronic music history while turning into a global player in the hardcore sector at a later date.
this is a joint-venture of these two titans of techno, and the result is a very trippy, very twisted and surreal track.

(Cannot be found on youtube, but here are audio previews: https://www.toolboxrecords.com/en/product/17643/techno-hardtechno/dance-ecstasy-2025/ )

9. The Mover - Astral Demons (Original Mix)


you should have realized by now: the mover is a synonym for high quality productions.
this is one of my favorite pics from the legendary "frontal sickness" releases; and indeed adds a very demonic vibe to the whole dance thing.

https://www.youtube.com/watch?v=lSMT2KdQt5Q

10. Rave Creator - A New Mind (Thai Acid Mix)


"Thai" was a pcp sub that focused specifically on techno, acid, even a bit of trance-ish tracks. despite the alias, this was put out on DE 2001 instead.
It's a remix of the famous "A New Mind" track.

starting with pure bass drones. it builds up very slowly, until thunderous, reverberated bass drums come in, and then it goes into full-on acid feeding.
similar to "cross the white line", this track could be given the title "cinematic techno soundtrack".

https://www.youtube.com/watch?v=yGpuMbLicZU

Honorable Mentions:

T-Bone Castro - Return 2 Planet E
Reincarnated Regulator - Italian Stallion
Craig Tayaffo - Reduction (Back For Acid-The Expanded 0,25 Hrs Mix)
Barracuda - Braineaters
Two Tonys - Organ Bitch
Nasty Django - Ey Loco
Cold Rush Records
Frontal Sickness 1+2
Reincarnated Regulator - Mindeater
Climax - Relax
Nasty Django - 3 P Rules!
SexDrive Entertainment - No.2
T-Bone Castro / Ace The Space - Ace In The Hole
Project Æ - Whales Alive
Ultra Spaceman - Ultra-Style

Footnotes:
1: The original Wire essay - 
http://reynoldsretro.blogspot.com/2015/03/marc-acardipane-mover-pcp-dance-ecstasy.html

Friday, May 3, 2024

Our 10 favorite melodies across the productions of Miro


A new EP by Miro has been released. ( https://mi-ro.bandcamp.com/album/e-tensity )
We are very happy about this and, in honor of that release, we're doing this little special.

There are many things that are outstanding about Miro's productions in the Hardcore field - the vicious drums, the speed & terror of some of his tracks, even his twisted vocals - and one thing we find especially remarkable are his melody workings.

Because, let's face it, he blows almost all of the competition out of the water when it comes to melodies.
Most Hardcore is devoid of melody and harmony anyway; and yes, there are some artists that are good at creating moody atmospheres and synths. While that stuff can be grand in its own way, to me, it often feels like sci-fi / horror ambience. That's something to adore, too.
But Miro creates actual melodies, tunes, epic things that could sit right next to the most legendary songs in music history. Take the melody out of the track, add a band and vocalist and different instrumentation (and marketing), and these tunes could be radio hits or dark disco (the location, not the style!) cult classics around the world.

Evoking a spectrum of emotions and sentiments; bittersweet, melancholic, haunting, surreal, serene, ecstatic, adrenalized, ferocious.
It's one of the things that makes his music unique. That makes it so special.


So, for this feature, we are looking at our ten favorite melodies in Miro's music production (and the tracks that accompany them).

1. Hypnotizer - The Light Is Leaving https://www.youtube.com/watch?v=GWijFQofs7w



3. E-Man - XTC Express (Higher Level Mix) https://www.youtube.com/watch?v=RMJwzK0RvyQ



5. Superpower - In The Midnight Hour https://www.youtube.com/watch?v=axYZk5MAZTk


6. Reign - Light & Dark (The Second Dimension) https://www.youtube.com/watch?v=4JxZ_qc5O7Q





Thursday, January 25, 2024

Marc Acardipane at the Oblivion Show


The Oblivion Show invited Marc Acardipane as one of their guest hosts.

A very interesting show overall. Especially check the long "talk" segment starting at around 1:16:49 ( https://www.youtube.com/live/UJXNCWX-7UY?t=4609 ).

During this segment, Marc shares a lot of information about the early days of PCP (and the Techno scene in general), the background to some of his tracks, inspirations, ideas, references, and many other things that should be quite intriguing to every PCP fan, and every Techno Fan!

Saturday, June 24, 2023

Hardcore History: Was 'Mescalinum United - We Have Arrived' really the first Hardcore track? Let us take a look!


First, let us make something clear. This is a very subjective look; other people may have different opinions, and we don't claim to own the one and only truth here. Now that this has been said, let us go on.

Lately, there have been challenges to the claim that 'We Have Arrived' by Mescalinum United is 'really' the first Hardcore track ever. People point to other earlier tracks that already have quite distorted bass drums or otherwise heavy sounds.

Are these challenges legit? Perhaps 'We Have Arrived' is not the first Hardcore track at all?


Let us take a look at this. First, the dry facts. 'We Have Arrived' has a distorted, 'Gabber' type bass drum, howling synths/sirens, overly distorted percussion, frantic sounds, and noises. It's undoubtedly a Hardcore track. But was it the first one?

I would say: yes. For the following reason:

People point to other tracks that were earlier and already had 'heavy' sounds in one way or another. But I think this is missing the point by far because people focus too much on what are more or less just 'production' details.

Yes, there were tracks with heavy bass drums before 'We Have Arrived.' Also, shortly afterwards, there were tracks with truly distorted 909s and such. But I think 'We Have Arrived' stood out, literally for years after its release.


Let us look at two aspects of this: First, what was later called 'Techno' was referred to as 'House' in the Netherlands. It was to the point that 'Gabberhouse' became established as a term similar to Hardcore Techno. I believe this goes beyond semantics. Techno, as a whole, evolved from House, and the Gabberhouse sound was still tied to the House sound.
What was House? It was a genre that evolved from Disco in the 80s (or late 70s). It represented people coming together in a venue or club, getting drunk or high, dancing, enjoying life, having fun, and celebrating with positive moods and vibes. It was a lot like Disco, but more intense. The early Gabberhouse tracks followed in that direction. They were fun party music for a real intense celebration, just more extreme than the usual House fare.

A lot of early 'hard' tracks were actually kind of novelty tracks, even somewhat silly and cheesy at times. This doesn't diminish their value because they were intended as party music and worked in that way.

No disrespect meant at all (because I love the following track), but I would say that even 'Alles naar de klote' was still such an 'extreme party' track. It certainly isn't a dark, somber, or introspective track, right?


On the other hand, 'We Have Arrived' was different. It had a distinct attitude. In my opinion, this new attitude, mood, feel, philosophy, and ideology marked the true advent of Hardcore Techno. Describing precisely what was expressed by this attitude, concept, or theme is hard, maybe even impossible. But it was undoubtedly a very dark thing. A dark mood. Brutal. Nihilistic. Without mercy. Without remorse. Rebellious.

And that was something truly new, something no other Techno, House, or EBM track had at that time. Early Gabberhouse had that sense of 'Hey, we are here to celebrate and have a good time, and now we take it to the extreme.' There was nothing like that in Mescalinum United's track. 'We Have Arrived' doesn't evoke a sense of 'good vibration' and a happy celebration. It's a sonic attack that kicks you directly in the teeth—and in your mind.


When other early Gabber producers were interviewed, they said: 'we're doing music because we want to have a party, we want to have fun'.
When Marc Acardipane was interviewed he said (paraphrased): 'we're doing music to prepare people for the coming times, because times will get tough'. [Source]

Certainly, dark dance or rhythmic music existed before in genres such as EBM, Industrial, and No Wave. However, it was not Hardcore.


Now, some may argue that this is an interesting interpretation and analysis (or perhaps an uninteresting one), but also a bit of nit-picking and overthinking. "It's akin to the topic of discussing which member of the Beatles had which role in a particular song. While it may captivate music historians and trainspotters, the average person listening to a Beatles song on the radio couldn't care less."

However, I don't view it that way. It's not purely a matter of theoretical value. I believe 'We Have Arrived' had tangible, practical consequences and results for the ongoing development of Hardcore.

This 'dark, nihilist, remorseless' attitude, or rather, this 'Hardcore' attitude, fundamentally transformed the emerging scene and continues to shape it to this day.


Because after the initial wave of Gabberhouse tracks, we started to see the emergence of darker and more somber Hardcore tracks (beyond PCP and its associated labels). Hardcore and Gabber, as a whole, took a darker turn.
While some parts of the scene in the mid-90s veered toward what some might call 'commercial radio bullshit,' with its overly happy and cheesy sounds, twisted and disturbing genres like Speedcore, Acidcore, Industrial Hardcore, Doomcore, or even Breakcore emerged. In my opinion, these genres were spawned from the seed planted by Mescalinum United's track, albeit with many steps in between. Yet, they are still connected to this very root.


Without 'We Have Arrived,' we might have a world with Gabberhouse but without Hardcore Techno. This pivotal development, along with the subsequent branching out into various styles and subgenres (such as Doomcore, Slowcore, etc.), continues to evolve and will persist into the future.

'We Have Arrived' was the first bona fide Hardcore Techno track, period. Its significance goes beyond just its drums, noise, or distortion. Most importantly, it defined the attitude and state of mind that we now associate with 'Hardcore Techno.'


What is your opinion on this topic? Do you know more "Early Hardcore" tracks? Let us know!

Wednesday, May 24, 2023

Review: Miro - Forever And Ever (Planet Phuture)


During his PCP/ACA era, Miro produced in a wide array of styles. He is probably best known for his work as Stickhead/Jack Lucifer/The Kotzaak Klan (and more) for Kotzaak Unltd., delivering vicious and merciless Hardcore and Speedcore that's darker than the devil himself.

There were also projects like Steve Shit and Billy the Kid, with their cheeky, hit-the-dancefloor type Gabber anthems full of hoovers and rave stabs. Or the more restrained but very powerful Techno of projects such as The Overlord or Reign. Yet there was also another thing that stood out very much among his creative output. Tracks like Purple Moon, Blue Sun, Inspirit, Rizing High...

And if you were longing to hear some tracks in that vein again, I have some very good news for you! Because I think it's safe to say that this new release by Miro on Planet Phuture is a straight continuation of that style. Titled "Forever And Ever," it consists of two tracks, "Golden Dawn" and "Forever And Ever" (just like in the old days when releases like this "just" had 2 tracks - an A side and a B side).

"Golden Dawn" starts with a 909 drum going on as new elements are introduced and the drum gets put through further distortion. Then, in the breakdown, a synth melody slowly builds up. And it's an epic melody... dreamy, melancholic, poignant. In my opinion, definitely on the level of the melody work that can be found in classic tracks like Purple Moon. We are informed that "this one's designed to open your mind," the bass drum kicks back in, and surely this is the moment when all ravers will hit the floor and dance into ecstasy... The track goes on and introduces variations to the harmony and rhythmic elements and never loses its tight emotional grip on the listener.

"Forever and Ever" follows a very comparable structure: a mixture of Hardcore and Techno elements, beats, percussion FX... with powerful energy. While I prefer Golden Dawn by a notch, this is a fantastic and stunning track too. And again, the melody is of stimulating, hypnagogic, euphoric quality.

With this release, Miro and Planet Phuture unleash two monsters of the sonic kind again, which are tantamount to the legendary releases on PCP and AKA (and, in my opinion, take things even further ahead) and are bound to become future classics.

Thursday, March 2, 2023

Our Top 5 Favorite Tracks from Kotzaak Unltd.

Kotzaak is a legendary label, was part of PCP, and we don't think much words are needed to describe the label, as you probably know it very well already.

So, instead, here are our top 5 favorite picks from this label.
For these charts, we focused on releases from the "classic era" of the label only (i.e. from the 1990s). It would be interesting to do a top 5 with tracks from the later era as well, though. Perhaps an idea for the future.

5. Leathernecks - At War (Rmx)



Our pick from the very first Kotzaak vinyl - actually called "kotz 0" so it's maybe a premonition of the later releases on the label.
The story behind the track is well-known, there was hostility between PCP and Low Spirit (which was the German label with Westbam, Marusha, etc. that played a large role in bringing Techno to the mass-markets and mainstream attention), and PCP felt Low Spirit massively tried to get in their way by unfair means, so PCP retaliated with this diss track that has the words (or shouts) "Low Spirit... suck my cock!". The rest is history: ultra-brutal drums, distortion and gain to the maximum, a carnage of sounds and of sheer volume.
On the time of its release, this track was one of the hardest and fastest and blew the competition out of the water, more or less (and, let's face it, it's still one of the hardest!)
A good track to begin these charts with.

4. The Kotzaak Klan - Powerstation Kotzaak



Kotzaak Klan was a bit of a band / collective that made live appearances with the Kotzaak sound on parties and events. "Appearances" is a bit of an understatement here, as the Kotzaak Klan live act was a much more massive experience than the usual "Hardcore live acts" of that era.
This track is from the only 12" release by the Kotzaak Klan in 90s. The tracks on there definitely have a very "live" feel to it, a very straight forward approach, raw and unfiltered in a positive sense.
The eponymous Powerstation Kotzaak is our favorite pick amongst these. Fierce tough-as-steel drums, a general right-into-your-face feel, some nice speed changes, and very alien, inexplicable sounds and FX throughout the track.

3. Program 1 - World's Hardest MF (Leathernecks Remix)



We heard the story that this was the track that started it all, predating the label, and setting the things (or ideas?) in motion that led to the creation the label. Could be true, at least, the release of this track seems to have been earlier than the release of "kotz 0", but we are not sure, so we can neither deny nor confirm this rumor.
But even if this track is the "patient zero" of Kotzaak, it is far from being a meager or still-rudimentary effort. To the contrary, it one of the grittiest Hardcore tracks of the 90s era. In this way it already signaled the sonic violence of the Kotzaak catalogue to come - for which the label is loved and respected to this day.
A total onslaught of distortion and sounds that turn the "vocals" (more like screams), melody and drums into a grim wall of sound where each element bleeds into the others - and will probably make your ears bleed, too, on a loud PA.
Not for the faint of heart!

2. Jack Lucifer - 96 Knights



Well, yes, 96 Knights has to be on this list, doesn't it?
Likely the track most people would consider to be the best Kotzaak track, and probably also the best known track by the label.
And deservedly so! The track comes in 2 mixes that are not just different mix-downs, but essentially wholly different takes on the track.
To The Death - Mix: What is not to love about this track? A super-brutal bass drum, a synth-hook that would make zombies stand up in their graveyards, the iconic "Fist of the North Star" vocals, the speed of the track - that even gets doubled in some parts of the track. It's a pure Hardcore eruption that will fry your brain on the dance floor. And don't forget the almost perfect production qualities of the track.

Burn My Brain - Mix:



Talking about fried brains. While the A-side is most people's pick, the B-side is very interesting as well (some even would say: "flip side is better").
An unusual structure for a Hardcore track that is closer to a Death Metal production, with a sudden change of speed that turns the synths and beats around.
We dearly love the melody used here, which, apart from all the darkness, has almost a bittersweet, melancholic feel it to. Like reminiscing about a long ago affair you had with an undead girl once. Very intense indeed.
We also like the inclusion of different, broken rhythms in this track which add a bit of a change from the usual 4/4 909 productions other labels did all the time.

The "To The Death" mix also had some interesting "unofficial" remixes over time that each put this 90s track into seemingly different time periods.

1. Stickhead & Don Demon - Conquer The World



You might wonder: If 96 Knights is on #2, would could be on #1? Is there a track you could like even better than 96 Knights?
Well, yes, 96 Knights is everything one could wish for, but we think this one even packs a bit of extra power, excellence, awesomeness.
We're of course talking about Conquer The World! This collaboration between Stickhead and Don Demon (who only rarely appeared in the PCP catalogue as a producer) is more than merely a Hardcore track; it's similar to a symphony. This is so much more complex and well-crafted than the majority of Hardcore productions of its era. Prolonged intro, speed changes throughout the track, various sub-parts, surprises, twists, new ideas. Definitely not your standard "Speedcore / Terror" track.
Add to this one of the best melodies ever used in Hardcore, and the twisted, nasty, ultra-bleak atmosphere of the track. And also add its sheer brutality. This is further enhanced by the multiple breakdowns and beat-less parts that give you a false sense of calm before the 909s hammer on.
Well done, Miro and Thorsten!
A track to conquer the world, indeed.

This was, of course, a very subjective list of our Kotzaak favorites (but we hope you enjoyed it nevertheless). In fact, there were many tracks that we dearly love but that we had to omit in order to make this top 5.

What are your favorite Kotzaak tracks? Let us know.

Additional links:

Kotzaak on Bandcamp: https://kotzaakunltd.bandcamp.com/

Kotzaak on Discogs: https://www.discogs.com/label/4048-Kotzaak-Unltd