Wednesday, October 15, 2025

Fritz Lang gets "Honorary Doom" award by Doomcore Records!

Imagine this scene: a posh, upper-class club. The setting is Berlin in the 1920s. Luxury and wealth is all around in this place. Aristocrats dine here, wealthy business, maybe important politicians... and this was in the days when being part of the upper echelon was equal with traditional, perfect behavior, spotless clothes and culture...
Now, a man walks into this club, and stops in the middle of it. A waiter, equally spotless and cultivated, walks up to him, in order to seat this gentleman. But our man utters just one word: "Pineapple". The waiter, without waiting even a few seconds, and while keeping a straight face, responds: "Cocaine or gambling?".


This scene, as any cinematic aficionado probably knows, is from the movie "Doctor Mabuse" by Fritz Lang (based on the eponymous book, or rather series of books). It's a vivid clash between the clean, upper-class world of the depicted restaurant, and the trip to the seedy underworld, that lurks below, and that we are going to see in the next few scenes.
But, no, no, we were mistaken! There is no clash at all. The seeds of decay and disease, gambling, drugs, sensuality and crime do not lie "below" this world of luxury and sophisticated behavior. It's one and the same, it's the same coin, as it always has been, throughout all history. Morality and vice are always friends in bed, political power nurture the forces of rebellion that will eventually overturn it, and "property [and wealth, editor's note] is theft" indeed, just like dear old Proudhon stated.

But let's get back to our man, or to the man behind this whole scene, setting, and movie. Fritz Lang was a master of showing us fictional and not-so fictional worlds, where this clash, this rhizome, this labyrinth is unraveled before our very eyes. The rift between morality and evil, wealth and poverty, law and crime, high and low; and how maybe, just maybe, there is no such rift at all, and these things are very very close to each other...


So in Metropolis we not only have the rich and powerful that live in their own heaven "on top" of the city, there also is an elevator (and later, a "middle man") that connects this to the hadal and Moloch-like underworld of impoverished and underpowered workers...

While in "M", we see lengthy, haunting, but also respectful and beautiful scenes, of how it's the Berlin underground - criminals, mobsters, do-no-goods, beggars, cripples, the homeless - that team up, organize themselves, in order to hunt down a real devil of a man, apprehend him, and then have their very own trial about this case - when the forces of order, the lawmen, the cops, the good citizens, completely failed at this task so far.


Let's stop at Fritz' list of movies now.

He was a director, an artist, a person, that had an eye for the "underworld" which lies below everyday life and society. He depicted it more frequently than most of his peers, and he did so in all its gloom and glory. He never painted one side or the other as entirely evil - but as connected. The world was neither black or white for him, nor a shade of grey, but more as a chaotic pattern on a chess board.

We adore all of this, and hence we are giving him our honorary doom award.


Note: No AI has been used in writing this text
Doomcore Records: https://doomcorerecords.bandcamp.com/

In memory of François Prijt aka Chosen Few

I heard the sad news today that Chosen Few has passed away. One of the earliest Gabber and Techno producers in the 90s... and I want to say a few words about his legacy as a musician.
There was hardly any other producer that was so versatile and experimental regarding the original Gabber sound.

Chosen Few was straight-to-the-point Gabber and *still* bold and smart...

It's one of those missed chances and turning points in Techno music. When I listened to his music in the 90s, I felt this was the direction the scene should go, and maybe open up a few more doors on the way... but you know, it did not happen.

So here is a list of tracks that I think show some of this "experimentation", and skill in production.

To do a little bit, in the task of keeping his memory alive, and keeping his music alive!
  1. Gabberdam https://www.youtube.com/watch?v=jvAIrpW--18
  2. Freedom https://www.youtube.com/watch?v=sygdk7HUz1o
  3. Dynamic Fall Out https://www.youtube.com/watch?v=RltuV-QdnUE
  4. F**king Hardcore #4 https://www.youtube.com/watch?v=nAIxsB2NJ2o
  5. Daniça https://www.youtube.com/watch?v=aOsnu8ITzBY
  6. Hellfire https://www.youtube.com/watch?v=4CFpXjOk6dw
  7. Ad-Da https://www.youtube.com/watch?v=c83xrC1cdF0
  8. Party! https://www.youtube.com/watch?v=o0KdSi5a0SY
  9. The Break https://www.youtube.com/watch?v=7xc0fMf3drA
  10. R.N.O. Theme https://www.youtube.com/watch?v=Rh4waOPVlc8
https://www.discogs.com/artist/6172-Chosen-Few

Tuesday, October 14, 2025

The Hardcore Techno Overdogs Halloween Shenanigans for 2025


Can you feel... in the air... in the scent... and in the bass bin vibration caused by zany Gabber kicks...?It's spooky season again!
It's haunted October, and Halloween's just round the corner...
For this period of the year, some people dig pumpkin beverages and un-dust the cobwebs back into their attics...
And we dig Hardcore and Techno... we do!
So, this year, like last year, like next year, like every year... we do our own tiny Halloween special.
And here is a list of activities.

Review: Current 909 – Ghosts...Of The Civil Dead
Off-Charts: Cuckoo for Ufos - Techno music for Aliens
GabberGirl & Low Entropy - Monster Mash
Death's (mostly) safe passage playlist
Deadraver - In The Shade (Dub Plate)
Explorer of the Doomed Forest of Hamburg (Video)
Review: Christoph De Babalon – If You're Into It, I'm Out Of It
Low Entropy - Enter Dimension (Released on Demonic Records)

Also take a look at the 2024 Halloween specials
And 2023 (Scroll Down)
And the Summer of Doomcore

This list is bound to be amended as actual Halloween draws close.

Monday, October 13, 2025

Review: Christoph De Babalon – If You're Into It, I'm Out Of It (DHR CD 8 / DHR LP 8)


Picked this one up when seeing ATR live in Hamburg, then listened to it during the night, and I rarely slept so well.
A friend told me "very unusual release for DHR, very introvertive", and it's true, there is none of the riotous screaming, gabber guitars, and hardcore drums that DHR was known for on this record.
It's not exactly soft or calm either, though.
It's more like a reserved, introverted aggression, a dark and hidden brooding.
Snapping at ya from the subconsciousness.
Signified by the famous cover art, too:


Showing Christoph de Babalon in his plain living room, in a quite calm and intellectual pose, while in the background a poster informs us that he intends to "go out like a m***er f***er".

Stand-out tracks include:

"What you call a life" with its drones and peculiar melodies. The haunting vocals state "...all my life I have been used", underlining the theme of subdued anger.

"My Confession" an epic early breakcore track, running over 9 minutes, and including the sound of church bells(!).

And there's three beatless ambient tracks, and these are most remarkable, as they constitute a kind of "digital ambient" micro-genre of its own - sample based ambient music done on an amiga 500, sounding *very* different from all other ambient producers that I know.


Note: No Ai was used in writing this text.

Review taken from "About Digital Hardcore Recordings - A fan-written guidebook" - https://dhrfanbook.blogspot.com/

Sunday, October 12, 2025

Timeline of Hardcore Techno style evolution during the 90s (Video)


This timeline is an attempt to show the evolution of Hardcore Techno, and some of its subgenres, in the 1990s decade.

I don't even want to make the pretense that this timeline would be complete or "perfect". HC Techno was such a wide field, a "vast ocean" in the 90s, so there is lots of stuff that is bound to be missing, and is not included here.

But I think the timeline gives a good "first picture" and initial overview.

I hope it inspires the "new blood" in the HC scene to dig further, and look up some of the labels / artists mentioned here, or even do some extra research.

Feel free to "fill in the gaps" by commenting, or messaging us.

List with examples:

1984 Hard Electronic Experiments

Dead Tech - Catalavox

1990 Early Hard Tracks

Mescalinum United - We Have Arrived
Dilemma - Erase Your Mind
The Justified Ancients Of Mu Mu – It's Grim Up North (Original Club Mix)

1991 First "Gabber" kicks

Trashman - Cosmotrash (Brooklyn Trash)
KAA - Emphasis (NRG Dub)

1991 First Doomcore Techno tracks

The Mover - In Deep Rage
The Mover - Gatecrusher

1992 Early Gabber Tracks

Euromasters - Alles Naar De Kl--te
Defcon - Blob

1992 First Breakcore

Alec Empire - Tötenposse Rides Out

1992 Early Acidcore / Hard Acid Tracks

Edge of Motion - Set Up 707
Disintegrator - In The Sun

1993 Golden Year of Oldschool Gabber

Hardsequencer - Feel so Good
C-Tank - Nightmares Are Reality

1993 400+ BPM Tracks

Lory D - Lochnar
Signs Of Chaos - AA Unitled (Killout 03)

1993 "Industrial" Hardcore Precursors

Caustic Window - The Garden Of Linmiri
Gringo - Slayer

1994 Early "Extratone" Track

Influid - The Destroyer (1.2 Million BPM Mix)

1994 Gabber Gets Harder

Scarface - Death is the Future
Mental Hardcore Associates - Let's Get Wappie (Rob Gee & Delirium Remix)

1994 Extreme Hardcore Tracks (on the road to "Speedcore")

DOA - Ya Mutha
DJ Skinhead - Extreme Terror

1994 More Doomcore Tricks

Freez-E-Style - Enter The Gates Of Darkness

1994 More Breakcore Tricks

Steve Shit - Power of Breakcore
Christoph de Babalon - Pleased with being alive

1994 Ravecore / Trancecore Productions

NIP-Collective - Warp 10
Razor - Rave Nation

1995 Amiga Hardcore

Nasenbluten - Intellectual Killer
Nasenbluten - Blows t the nose

1995 "Artcore" (or Ruffneck-Style) gets bigger

Phoenix - Dominate
Predator - Roots and Culture

1995 US Hardcore gets really wild

Delta 9 - The Hate Tank (Buckwild Mix)
Temper Tantrum - Destroy the World

1996 Gabber gets "bouncy"

DJ Weirdo & Dr. Phil Omanski - Young Birds
Critical Mass - Believe in the future (Dj Weirdo & Dj Sim Mix)

1996 Even More Doomcore Tricks

Arrivers - Things to Come
Miro - Purple Moon

1996 Happy Hardcore is (still) popular

Happymen - Love Is You (Stunned Guys Hardcore Mix)
Creasemaster & Slamdog - Bumb the Bass

1996 experimental hardcore

Taciturne - Mourning
Somatic Responses - Incubation

1997 French Hardcore at its (first) peak

Auto-Psy - Oxyde
Erase-Head - Dome

1997 Acidcore is hard as nails

Somatic Responses - Source of Disturbance
F.I.C. - Assessements

1997 Japanese Hardcore is crazy too

Burning Lazy Persons - If The Truth Be Known

1997-1999 dutch hardcore scene combusts, gets slower again

BSE - Hard Attack

1998 "Golden age of breakcore" ends

Society Suckers – Shizofrenic
DJ Scud & Christoph Fringeli - Bodysnatcher

1998 Rise of Extreme Speedcore

The Berzerker - Freedom
Low Entropy - Adrenaline Junkie

1999 ?

You might also be interested in These Features:

https://thehardcoreoverdogs.blogspot.com/2025/01/20-of-hardest-tracks-in-any-1990s.html
https://thehardcoreoverdogs.blogspot.com/p/the-90s-gabberpedia-underground.html
https://thehardcoreoverdogs.blogspot.com/2025/05/how-speedcore-evolved-out-of-techno.html

Tuesday, October 7, 2025

Review: Current 909 – Ghosts...Of The Civil Dead (Atmosfear 002)


One of the most interesting records of the late 90s.
It sits right at the crossroads, so to say.
It was released at a time when Techno got darker again (after the happy rave / trance days), so that crowd dug this record.
But it's also an early (electronic) Doomcore classic.
The "intelligent" and experimental electronica community, that was loosely tied to "the Techno thing", was not yet replaced by the hyper-ironic, hyper-poppy, retro-80s-inspired sounds of the post-millennium, so this was a release for that pack, too.
And it was produced by DJ Pure, who was / is ½ of Ilsa Gold... a bona fide Rave and Gabber legend!
That means the core-heads dug this one too.


The whole release is based on the Australian cult movie of the same name.
If you haven't seen it yet, watch it! It's one of the most horrifying "sci-fi" movies ever. Plays wholly inside a near-future prison.
Members of Einstürzende Neubauten were involved in its soundtrack, and Nick Cave plays a role in it. As a completely off the rails psycho.

In my opinion, the darkness and madness of this cult movie have been successfully channeled into this very good and excellent record.



Monday, October 6, 2025

Going in unprepared: 11 Techno and Hardcore Tracks that are Sonic Jumpscares

"Right now... it's time to kick out the jams!". That was the iconic catch phrase by Detroit band Motor City Five (aka MC5). A split second later, the onslaught of distorted guitars and frantic percussion hit the audience.
They paved the way to rock'n'roll fame and notoriety this way.
I mean, yeah, that's the rock thing, right? "three to get ready, now go cat go".
They don't screw around. They go right for the kill.

If we leave the more sophisticated sounds of prog rock or psychedelic aside for awhile...

On the other hand...
Techno is almost the complete opposite. Even in its earliest incarnations. "Acid Tracks" by Phuture was not only a wholly new sound, but it was also a track that ran for over 12 minutes.
And, I checked it just for this text, the drums "drone on" for over a minute, before even the slightest hint of 303 squelch appears (this gave rise to the "acid house" genre, btw).

Or if you want to talk Detroit, let's talk Detroit.
"Nightdrive Through Babylon" by Model 500 / Juan Atkins takes quite a while until the ride gets going. Same could be said about No Ufos... or even "Enter" and "Clear" (if you want to go way back).

It's what I always liked about Techno. It's complex, complicated, convoluted, takes time... it's quite the experience that way. And the punters on the dancefloor think the same.

Still... the rock thing was true as well. And that's no contradiction! Just two different approaches. Each one works well in its own subtle or not-so subtle ways...

And because of that, we want to look at a few Techno and Hardcore tracks that don the mask of a manic punk rocker or crazed head banger, give you no 2 minute warning, and jump right at ya, sharp knife clenched tight between teeth.

(Starting from "mild" to "triple cooked". Or in other words: ranging from Techno and Acid to Gabber.)

I'll also include tracks that technically have a long, maybe even dreamy or proggy intro, but then bash right through the wall. Because these go from zero to sixty in three point five, too.
And therefore are true sonic jump scares.
Woah!

1. Disintegrator - In The Sun (Oliver Chesler & John Selway) 



2. Space Trax - Deduction (String Mix)



3.Aphex Twin - Quoth



4. Titanium Steel - Titanium Steel Screws (Original)



5. J.Y. Factory - James Brown Is Dead Or Alive



6. Gangsta Trax - Goodfellas



7. 100% Acidiferous - Droid Sector



8. Zekt - Explorers



9. Terror Arnold - Gabba Mission



10. Euromasters - Alles Naar De Klote (250 Bpm Remix By Dimitri)



11. UVC & Narotic - Industrial Strength



Saturday, October 4, 2025

Bandcamp Friday coverage for October - New releases, and some reviews

Hello Friends,

It's Bandcamp Friday again, there is lots and lots and lots and lots of good stuff being poured out,
and we are taking a look at that and doing some short reviews.
Material from any genre, any style, techno, non-techno, pop, not-pop, electronic, non-electronic, overground, underground... well, more of the underground variety, you know!

So let's go!

Note: No AI was used in writing this text.

2nd Note: Some artists / labels release their albums a few days earlier to get a head-start to Bandcamp Friday, and a few of them have been reviewed here as well (tee-hee!)

Xerxes The Dark - Abandoned Station https://xerxesthedark.bandcamp.com/album/abandoned-station

Did you know? Iran has a great underground scene for strange, experimental, mostly ambient electronic music. In fact, it is one of the best scenes in the world for this type of music, often much better than its "western" counterparts.
I didn't know, but I know now. (Or rather, I know it for a few years now).
Xerxes The Dark is connected to this, and, oh my god, this release is so good, it makes me wanna drool and drift to a relaxing meditative sleep where I face my inner fears, and then conquer them (or, even better, become friends with them).
The press blurb itself states that "Once aboard, you’ll discover an otherworldly sanctuary—abandoned yet alive with echoes of past travelers." and yes, this is a very fitting description of this album.
All thumbs up for this one!

John Carpenter, Cody Carpenter, and Daniel Davies - Halloween: The Complete Expanded Collection
https://johncarpentermusic.bandcamp.com/album/halloween-the-complete-expanded-collection

From Xerxes The Dark we slide to John Carpenter, and this makes sense, because both mark two points on a trajectory in music. Xerxes The Dark might represent the new generation, the present day, and John Carpenter might be considered to be a pioneer, right at the beginning of dark ambient music.
Yes, he was / is not only a director of wonderful movies like "they live" and "mouth of madness" (and also acclaimed classics like Halloween and the thing (1982)), he is a great musician, too.
And yes, there was ambient and electronic music before him.
But let's face it. These were all hippies. All of them, no exception.
And this is not a bad thing, I nurture my inner hippie as well.

But because of this, early ambient electronic music was all about being fluffy, good vibrations, (free) love (okay, there were *some* exceptions to this).

But Carpenter was one of the first to fuse real, gritty, visceral horror and panic into "ambient" music - the stuff he did for his film scores.

People like me still live on this legacy.

The press blurb informs us that:

"John Carpenter’s soundtracks for the most recent Halloween trilogy, made alongside his frequent collaborators Cody Carpenter and Daniel Davies, marked the legendary director and composer’s return to film scoring after nearly two decades away."

Night in Athens - Withr https://nightinathens.bandcamp.com/track/withr-feat-skelesys

Night in Athens is one of my favorite new synth pop / wave bands, or rather, one that I newly discovered.
Despite their name, they are not from Greece, but hailing from East London.

there is a lot of synth wave and indie pop these days, but their music is special to me, because it makes me really feel as if I would be walking through the city of Metropolis from the eponymous movie, traversing the stairway in a painting by M.C. Escher, or being pulled into the continuum-come-alive by author and editor Hugo Gernsbeck.

According to the blurb, this single release tells the story of a withred love (sic!). and I believe them.

Nox Arcana - Darkfall https://noxarcana.bandcamp.com/album/darkfall-vol-4

Nox used to be super prolific, releasing one album after the next, within mere months.
They became more "silent", so it's good to get an audible life sign by the band.

Fans of the band know what to expect: dark ambient / dungeon wave, that feels more cinematic than most of their peers, and is built on complicated, semi-detuned melodies.

L0sss - Hour Tree https://deadwitchrecords.bandcamp.com/album/hour-tree

On Australian label "Dead Witch Recordings".
We get told that these are tracks "from the bones of scattered and ashen sound".
Black Metal that is so distorted, lofi, repetitive and sparse, that it already begins to sound like dark ambient and noise. Meditative and soothing - in an unsettling way (or in a soothing way, if you like to get unsettled).

(i mean all of the above in a positive sense, btw)

Snooper - Worldwide
https://snooper7.bandcamp.com/album/worldwide

Can you not love Snooper? Their music has been described as "egg punk", a genre term I never heard before actually.
In the end it is adorable, lo-fi produced rock/pop with drum machines and guitar sounds. Giving off a vibe as if a bunch of friends just happened to be in a room together, and jamming with their instruments, and then accidentally releasing an album out of this. Which might very much be close to the truth!
Also check Snooper's videos on their Youtube and other channel, which definitely give off 90s early internet vibes,

Josie - A Life On Sweets Alone https://josieband.bandcamp.com/album/a-life-on-sweets-alone

"My boy takes flight, sha la la la, meet me in the sky, sha la la la". I've been humming these lines for weeks now, in anticipation of this release. Because that chorus is so damn catchy! (It's in the song "My Boy and I").
Youtube had thrown the video by the band in my face, and I was insta-hooked. It's apparently on an important label out of the 90s.
I think what is going down is this: three or four people met, in one beautiful Scandinavian evening. They chilled and talked and said: "Hey, do you know what the world dearly needs? A resurrection of the lighter side of that whole 1990s alternative rock, grunge, indie punk thing". And they all agreed. And this is what you see here. And this is what you get.

(MurderCapital M-016) - Challenging Music For Challenged Minds https://viewlexx.bandcamp.com/album/murdercapital-m-016-challenging-music-for-challenged-minds

Attributed to a spurious "The Chloroform Bingo Band", which I guess is either Interr-Ferrence or any of the other The Hague dirty electroheads in disguise.
The Hague's dirty electro scene (a scene which I mentioned in the sentence that preceded this one) somehow managed to survive the self-irony / self-parody hipster hype of the early Millennium that elevated them to world wide (in)fame, and which they helped to fuel with their often very cheesy and and over the top retro 80s aesthetics and sounds, and which crashed shortly afterwards.
I have a feeling that this release should not be taken too serious either, but it's also quite mature. Dance / Club Techno type beats (or maybe there is a more specific micro-genre term involved that evades my knowledge) that still channel some of the psychiatric mania of the early Bunker Acidcore days in The Hague with Unit Moebius and all their friends.

(In small doses)

The Geezer / Dabih303 / DJ Mente / Bubbless & Nesbit - Now's The Time (Acid Techno) https://flatlifeultra.bandcamp.com/album/nows-the-time-amrw001-acid-techno

That the words "acid techno" are literally included in the title of the release should be a big indicator.
This is what you hear, this is what you get.
Well-produced, kickin, drivin, slidin, acid and techno sounds that make you either rave around the dancefloor, or your living room.

Umwelt - Echoes of a Broken Future EP - NF33 - New Flesh / Rave or Die Records
https://newfleshrecords.bandcamp.com/album/echoes-of-a-broken-future-ep-nf33-preorder

Do you hail the new flesh?

Umwelt has always been one of my favorite Electro-Funk producers, and on his journey, he cooked up other styles, ate them up, and digested them as well, for example Techno, Oldschool Rave, and most recently, Hardcore+Gabber.
So there is really a type of new flesh that had been formed, and I like this release very much!

Tantra Noir - Rupture https://zarathustraxxi.bandcamp.com/album/rupture

A side project by Zarathustra XXI, which is an experimental music collective in Munich, Germany, according to bandcamp info.
Germans always had a taste for the more sleazy side of life, but, surprisingly, these are very mature ambient and industrial / electronic sounds. Makes me think of both Tangerine Dream and Bohren & der Club of Gore - in small slices.

But as the sounds drone on, I indeed began to sense the build-up of a dark Tantra. Nomen est Omen, after all!

Hubrid - Cosmic Gens https://hubrid54.bandcamp.com/album/cosmic-gems

It is in my opinion that at least in terms of electro / synth wave, the production skill and values of "smaller" artists are on par with heavyweights like Vitalic or Messier 83.
And I don't think it's Hubris to state that (pun intended).

The blurb says that "COSMIC GEMS est une odyssée sonore interstellaire qui mêle mélodies éthérées, synthétiseurs spatiaux et atmosphères contemplatives" and yes, yes, I readily go d'accord with that one!

Friday, October 3, 2025

A fan-written "guidebook" about Digital Hardcore Recordings -

Books or E-books about Electronic Music, Hardcore, or Experimental stuff are still very hard to come by. So we are happy to announce a new one, this time dedicated to DHR out of Berlin!

All the infos about the book:

It was due time that Digital Hardcore Recordings aka DHR got its own, unofficial guidebook. It was an important part of music history, of 90s culture, and of history.

This book lists and reviews all Digital Hardcore releases; all albums, EPs, and single releases, CDs, Vinyls, including those that got put out on sublabels.

It's not just a dry, music-centered look at the tracks alone. But also mentions the cultural context, the philosophical context, the political context. And goes way off on various ways sometimes - by looking for connections to other media, movies, movements...

The book is for the dreamers, the restless minds, that were looking for a true alternative in the 90s, or are (still) looking for it in today's times.

Chapters:

About Digital Hardcore Recordings
All Digital Hardcore Recordings Albums listed, rated, and reviewed
All Digital Hardcore Recordings single and EP releases reviewed and rated
All DHR Limited releases listed, rated, and short-reviewed
A look at DHR Video releases
All Geist releases reviewed
Credits

Monday, September 22, 2025

All DHR Limited releases listed, rated, and short-reviewed

DHR Limited holds a special place in my heart.
The label once described this sub as the "trashcan" of DHR. Every release is limited to 1000 copies (which, I think, was still pretty much for an electronic label in the 90s). And - according to the label - the destiny for discarded projects, try-outs, experiments, one-off stuff, half-finished projects, drafts, abandoned cubase sessions. I.e. for all output that did not seem fit to be put on a "proper" release.
I'm not sure this is the case for every track here, because a lot of them sound full-fledged and finished. But even if it were... despite of this, or rather, because of this, here is the place where the real experimentation, research, and adventure takes place. I mean, the main label by DHR was already pushing limits and breaking grounds, but this one is breaking through all barriers and shattering all fences (and mirrors, maybe).

This is the peak moment of the Digital Hardcore movement to me.
The tracks are tethered to no rule or concept in the mainstream world of music anymore. Anything goes, weird noises, surreal trips, start-stop structures, a little bit of funk and vintage kitsch, musique concrete and musique électronique, blastbeat breakcore and gabba drums.

I can't praise this nasty little sub enough. If you really want to experience music that is completely "out there" and out of its mind as well - take a taste of this one.



Death Funk – Funk Riot Beat (DHR LTD 001)

The ep that kickstarted that label.
Imagine the destroyer album... and then imagine things got twice as hard and rough.
Because this is what you're gonna get here.

Fav picks:

Crystal
Moon Explosion
New World Order


No Safety Pin S*x – No Savety Pin S*x E.P. (DHR LTD 002)

People wondered who might be the producer behind this one, there were rumors it was Alec Empire, and then it turned out it was indeed Alec Empire!
I think this release could accompany the DJ 6666 album. The style is somewhat close: splatter breaks, and all distortion units set to eleven. Only interrupted by passages of machines hissing, growling, then clawing at you.
Sweet!


Patric Catani – Snuff Out (DHR LTD 003)

This release happened at an interesting period in the creative life of Patric Catani.
His first tracks were often more on the ironic / silly side (but cool!), with the pitched up pop and schlager sampled tracks of E-De Cologne's early works.
Then, with Ec8or, Eradicator, Test Tube Kid et al, things became dark, grim, experimental and political (but cool!).
He transitioned to Breakcore by the Millennium, which led to more fun, ironic tracks, and now he's mostly a video game music producer with tiny-cute jingle-like tunes (but cool!).

And I guess this release resides in the gap between these periods: Breakcore, but still super dark, weird, and surreal.
And I love it.


Give Up – Fuck Step '98 (DHR LTD 004)

This release almost feels like a "breakcore jam session"! Quick, raw, and dirty.


Carl Crack – Black Ark (DHR LTD 005)

Each member of DHR had their solo projects, and this is the one by Carl Crack.
Very exciting indeed, there is nothing with the same sound on DHR.
The minimalism of Shizuo comes to mind... but it almost feels like it isn't even an electronic-driven, logic, sequenced release, more like a live jam, improvised on real and raw sounds, that just by accident resembles a "breakcore" record.

Or a voodoo ritual, haunting you through the edges of time.


Patric Catani – 100 DPS (DHR LTD 006)

My favorite breakcore album by Patric C.
This is him at the highest height of his art. The breakbeats never were more slamming, the distortion never was as loud, the lo-fi amiga buzz never cut as hard (not sure if this was done entirely on amiga - but it resembles its sound).

There are fascinating breakcore experiments on here as well, like the cyber-valkyrie transfigured opera singing on track 6, or the short-cut political agit-prop screams of Still Wanna Win (I Can't Lose).

Makes you wonder how things would be if breakcore continued to walk this way - instead of descending into pop chatter drooling.


Sonic Subjunkies – Live At The Suicide Club 8-7-95 (DHR LTD 007)

SSJ are really fascinating. At first glance, there is the two official EPs they did for DHR... and subsequent post-DHR albums and releases.
But as you dive deeper, you will find the "Sounds From The City Of Quartz" tape on Midi War, and yeah, that one blows the competition out of the water, so to say. Even though it never got a proper release. This one here has a proper release, but I think even for DHR fans it's a slightly overlooked release.

Which ain't correct, because there are hidden marvels to be found here, too.
The live version of the known tracks are so much more aggressive and primal. And there are Hardcore gems like "Destroy" which, to my knowledge, have never been released elsewhere.


Nintendo Teenage Robots – We Punk Einheit! (DHR LTD 008)

Do you like chiptune? Retro?
Vintage game units and computers such as game boys, famicoms, amigas, c64, and other "commies"?
This is quite the hype now. But you know what? DHR did do this thing you like so much - already 30 years ago!

There's the flex busterman release, and then there is this one here.

Very creative and bold use of the game boy's very-limited-but-quite exciting sound capabilities.

Expect no super mario moon song here and poppy harmony.
It's noisy, it's atonal and, within its abstract way - it's super funky.


Alec Empire – Miss Black America (DHR LTD 009)

With Alec Empire's massive output, it's hard to say "this is *the* best". regarding any single release.
So let's just say: this is *one* of the best.
At least it's the most varied.

We got the aggro electro-punk of "df0". The very strange electronic sounds of tracks like "The Robot Put A Voodoospell On Me" or "They Landed Inside My Head While We Were Driving In The Taxi Up To 53rd Street And Took Over!"

And then there is "It should be you not me". What genre is this...?
It's almost as if dub had become possessed by an Egyptian God and gave birth to an enchanted track. There is even the recitation of a bible verse about Satan hidden (entombed?) within the track, after all the laments that "It should be you. Not me".
(And that's correct. All that shit should have happened to *you*. And not to me.)

But I digress... "Black Sabbath" is totally mental messed up breakcore, with an odd reference to "Milwaukee".
"The Winds of Saturn" almost feels like a chilled track compared to these... the cold chill of minus 140 degrees.


Ec8or – Gimme Nyquil All Night Long / I Won't Pay (DHR LTD10)

7" release with two tracks that were also on The One Only High And Low.


Heartworm – Bleeding In Circles (DHR LTD MCD011)

One of the very final releases on DHR, before the label came down.
And this would be a suitable soundtrack for a controlled demolition indeed!
Noise, Acid, Breakcore, deranged samples... nihilism served with a vicious smile.


Alec Empire Vs Merzbow – Live CBGB's NYC 1998 (DHRLTDCD12)

A live recording. By alec empire (the inventor of breakcore). And merzbow (the champion of noize). At cbgb's (the birthplace of punk).
Could it be more legendary?

I remember some contemporary folk said, after this triangulation, they expected more and felt underwhelmed, but no no, this is as good as it gets. It cuts like a laser cuts through diamond.

Fav track: Enter The Forbidden Space, a rare meeting of sweet and dark ambient with harshest noise.


Various – DHR LTD12 CD

A compilation of tracks from other DHR (Limited) releases, remixes, obscurities and rarities.


Alec Empire – The CD2 Sessions - Live In London 7 12 2002 (DHRLTDCD14)

I always assumed that "Intelligence & Sacrifice" was janus-faced, or even schizophrenic (in the most positive senses!)

Because, the question is: what part is the actual album, and what is "side 2" or the bonus disc?
Most hardcore-breakcore-gabba ruffians would probably claim that CD1 is the proper release, with an extra CD of bittersweet électronique attached to it; but to me, "CD2" feels like a full-fledged album too that could have been a complete release on its own.
So it was only the logical conclusion that Alec did not just tour with his band and the tracks of CD1, but also did live shows based on this one here.

You probably know what to expect with this - and it's exactly what you get!


Tuareg Geeks – Introduction To Global Stupidity (DHRLTDCD15)

The last release on DHR Limited.
And it at parts feels like a retrospective of the Digital Hardcore catalogue:
All your favorite sounds are here, gabba drums, disto-breaks, burnt-chiptunes, clenched fists screaming...
And then the lid gets closed and the coffin gets lowered into the ground.

DHR Limited on Discogs: https://www.discogs.com/label/265482-DHR-Limited

Also check the reviews of all Digital Hardcore albums: https://thehardcoreoverdogs.blogspot.com/2025/02/a-review-of-complete-digital-hardcore.html
And all Digital Hardcore singles & EPs: https://thehardcoreoverdogs.blogspot.com/2025/09/all-digital-hardcore-recordings-single.html

Note: No AI was used in writing this text.

Saturday, September 20, 2025

Sonic Itinerancy revisited - Explore your local area

I once wrote that the person who travels is, metaphorically speaking, "outside the world" for the duration of their traveling.
They set off from a location - that is no longer attainable for the traveler - and are heading for a destination - that is not yet accessible for the traveler.
Just like the principle of traveling itself, the traveler is in a state of flux.

Sure, the travel person might peek through the window of their train, and see trees, meadows, reindeer rushing by, and these are very real. But the traveler can not interact with any of these.

They can only interact with the rest of the world again when they have reached their destination, got off their train - and put their feet on solid ground.

And all this great for our "Sonic Itinerancy" concept. Because if you are no longer part of the real world, why not drift off into the artificial world of music and start to surf on sound waves?


Now I must add that the above is only partially true. It is true for the modern form of traveling. Which is indeed based on the sole mission to get to a certain destination (and then to conduct business, diplomacy, or social festivities there...).

Even hiking, cycling, "chillaxing" in nature can be put into this modern umbrella of traveling, if it is conducted on a pre-planned route.

There is a different, more archaic form of travel, of moving around in the world, though.

I was hit by this concept when reading the account by game designer Shigeru Miyamoto, who explained that the idea of "The Legend of Zelda" game series was based on his childhood experiences.

He would just go off into the nature and forests of Japan. Explore, discover, wander aimlessly, or all three things at once.
He would find hidden caves, and lots of other things.
Later I read an analysis of "Kids on Bikes" movies, a film genre I had never heard of before. It ties to similar experiences like those of Miyamoto (but on a bike this time, not just on one's feet). The genre includes well known movies like The Goonies or even E.T.

Times have changed, and please, do not let your own kids wander around in the forest without attention and protection. It's dangerous.

So this door is closed.
But we grown-ups and adults still have that option.

So why not look up a map (even an online one!) Find forests, lakes, places in your vicinity - that you never had visited so far. Or even locations that are even further away.

Go there, hike there, explore, discover, feel like an adventurer.
Who knows what you might find?

Maybe sweet spots in nature, perfect for rest and picnics, that rarely anyone else knows.

"Secret" lakes, unknown buildings, a weird set of trees.
Maybe you even find new friends or at least have a nice chat.

Of course, be cautious if the terrain is too remote, too dangerous, or too dark. This goes without saying!

And, to finish our excurse, and tie it in with the sonic itinerancy project once more:

Make sure to listen to fantastic music on your earphones and speakers during your travels!

Read more about the Sonic Itinerancy project here: https://thehardcoreoverdogs.blogspot.com/2025/08/do-you-listen-to-music-while-being-on.html

Wednesday, September 17, 2025

Question: What is Doomcore Records?


(A little bit of "self-promo" about a project related to us, hope you don't mind!)

-Doomcore Records is a DIY electronic music run out of Hamburg, Germany.

-It is dedicated to the darker, tougher, or more bittersweet sides of repetitive electronic music: Doomcore, Techno, Dark Gabber, Industrial, even a bit of EBM or Gothtronica now and then.

-With over 200 releases so far, it is the biggest record label dedicated to Dark Hardcore and Doomcore music.

-This also makes it the biggest Hardcore-adjacent label in Hamburg

-And one of the biggest labels in Hardcore globally

-...and one of the biggest labels in Techno history

source: Interview with Nkisi, The Wire, November 2018

-The label so far followed a policy of "strictly underground"; so no fancy press shootings, promo clips, trying to suck up to the majors, music press, media darlings etc. (If you never heard of the label before, this is the likely reason for that).

-Despite of this (or because of this), it attained its own slice of "worldwide fame". The label has been featured in one way or the other in most of the major music media outlets. For example The Wire, Pitchfork, Crack Magazine, Fact Magazine, Groove, etc etc etc.

-You can be sure that its tunes and tracks have been dropped in clubs and squat basements, too, on all continents, in most of the major cities (with the possible exception of Antarctica).

-Almost all of its releases are of the digital download variety, usually hosted on such sites as bandcamp. Doomcore Records vinyl does exist, though. But following the above-mentioned policy, this is hard to get and for sure won't be listed on sites like discogs. This also involves dub plates, lathe cuts, and so on.
One of the few "official" Doomcore Records vinyl sightings are the "Doomland" compilations which were done in cooperation with Teknoland Productions.

source: "The Shadowy World of Dark Techno", Bandcamp Daily

-Some of the artists that have released tracks on Doomcore Records include:

Nkisi
Drvg Cvltvre
Taciturne
Syrius 23 (of the FFM Shadow Orchestra)
The Uninvited (member of the Minimum Syndicat)
saraunh0ly
AnTraxid
Brandon Spivey
The Man Unknown
Silent Humanity
Low Entropy

-The artist roster is also quite global and includes producers from China, Russia, Ukraine, Democratic Republic of the Congo, Chile, Iceland, Dominican Republic...

source: "News from Everywhere", Screemz Blog

-Over time, Doomcore Records branched up into 2 other sublabels as well:

"Slowcore Records", dedicated to electronic music and techno below 130 bpm and
"Omnicore Records", dedicated to *all* styles of music: dark ambient, musique concrete, chiptune, indie pop... whatever you desire.

-We still have big plans for the future!


Listening suggestions:

Various Artists - An Introduction To Doomcore Records

The Definition of Doomcore

Experiments Of Doom

Links:

Monday, September 15, 2025

Topp Dogg: The Hardcore Techno Overdogs Anthem - Part II


"Topp Dogg" by Topp Dogg was the 2nd The Hardcore Overdogs anthem - but it never got a proper release so far!
So let's take care of this now. The anthem comes in 3 very different mixes, and there's also two bonus tracks.
Style: Oldschool, Gabber, Speedcore, and more.

"The Hardcore Overdogs" is an "E-Zine for great and / or underrated Hardcore Techno past and present!" - check it out here:

Off-Charts: Cuckoo for Ufos - Techno music for Aliens

I woke up, and was quickly and dutifully informed that the ufo craze is sweeping the internet. Apparently there was a senate hearing on UFOs, and new videos were shown. We don't know the details or from which direction this is coming. (And maybe we don't care).

But what we know is that we like a good U.F.O. beat!

So here are some wicked techno, acid, ambient, gabber, whatever tracks.

For all you aliens, bug eyed monsters, flying purple people-eaters, silver surfers, Pleiadeans out there!

And for the meek human beings, too.

  1. Arrivers - Sky is Falling
  2. Model 500 - No Ufos
  3. DJ Freak - Metropolis (from Alien Raves, Drug Crazed Rioters And Man Eating Machines EP)
  4. The Men in Black - Guitar Man
  5. DJ Freak - Off-Planet Interference
  6. Alec Empire - Dreaming is a form of astro travel
  7. Nyloc - The 10Th Sign (The Capricorn Ep)
  8. Ravelab - Seeing is Believing
  9. Somatic Responses - Cyborg S*x
  10. Lunatic Asylum – Planet Phuture's Irradiation: Boccachio Past (from The Meltdown Mixes - A Lunatic Space Odyssey Remixed By The Mover)
  11. The Horrorist - Year 4010
  12. Alien Factory - Destiny
  13. Space Demon - Inter-Galactic Highways
  14. X 102 - The Rings of Saturn
  15. Steel - Soundtrack for S*x with Aliens
  16. 100% Acidiferous - New Horizons
  17. The Mover - Comet Swarm Rising
  18. Mescalinum - Jupiter Steel
  19. Headshop - Universe
  20. T-Bone Castro - Return to Planet E
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Saturday, September 13, 2025

The 1000 Commodores of the Amiga Shock Force

Gladbeck, is a pretty unregarded town in Germany, and has only two claims to fame or infamy: a hostage and reality tv situation gone horribly wrong at the beginning of the 90s - but this is not what interests us here. And the rise of a singular group in the wider Hardcore spectrum.
We are of course talking about the Amiga Shock Force.
This trio seemed to appear suddenly out of thin air in the 90s, but made a bigger splash in the scene.
Like their name implies, they utilized the Amiga series of computers (not only) for their music. This miracle machine was invented and manufactured by the Commodore company (hence the title of this little feature!), which also created the C64, also known as the "breadbox". But while the C64 stormed the worldwide markets, the Amiga was a dud in the USA; yet it became very famous in Europe (especially Germany, France, and the UK) and other parts of the world.

Compared to the studios, gear and setup of other high-brow Techno and Electronic artists, the Amiga put you into the low-brow, low budget range of producing.
Despite, or rather because of this, ASF made some of the most teeth-bashing, crowbar-wielding hardcore in the 90s era.

They had their first EP on Speedcore Records out in 1996 already, with some of the tracks topping 300 BPM. (btw: one year *before* DOA's album "New York City Speedcore" happened).

So, at one point they were among the fastest acts around, and spearheaded this whole movement.

Later releases had a more spiffy and complex production, so there is reason to believe this music was not done entirely on Amiga anymore. This later period also saw them venture into Breakcore or Experimental territory.
We still dig it the same, though!

The Amiga Shock Force traveled around the Europe club circuit, and became a regular performer on the "Terror areas" of big Dutch-Hardcore festivals.
But somewhen after the Millennium, things became more quiet, and rumors about a split or break-up made the rounds.

They occasionally do releases though, and play parties, and the sound is still kicking everyone's a**es.

Let's listen to 11 tracks by the Amiga Shock Force now: 

1. House Full of Gangstas




2. First Strike




3. Violent Geisha




4. 24h Connection




5. Kik Me




6. Blood




7. Fastbreak




8. Hardcore Rmx




9. Arschloch




10. Keep Your Enemies Close




11. Guru Meditation


Friday, September 12, 2025

Hardcore & Techno against Misogyny & Queerphobia


The cultural tides are turning against us, and LGBTQIA+ people have become the target and scapegoat for hypocritical politicians, religions fanatics, and the common idiots once more.

I think it's time that the Hardcore, Techno, Gabber (and all other) scenes take a stand and help to defend the rights of queer people, and other groups that might become marginalized again.

My own little effort is this new logo which, I hope, represents solidarity and unity.

You can download it in 3 different variants, and also with a transparent background, so that people are able to add to their own artworks and design.

Let us not give up in the face of this struggle!

Download link for the logos:

https://drive.google.com/file/d/1vSOt8MCBuYMtnlaITlcyUDZZgKVcIHUm/view?usp=sharing

Other Queer features in The Hardcore Techno Overdogs e-zine:

The Secret LGBTQIA+ History of Hardcore Techno
https://thehardcoreoverdogs.blogspot.com/2025/01/the-secret-lgbtiqa-history-of-hardcore.html

Release: The Diversity of Hardcore Techno Part 2
https://thehardcoreoverdogs.blogspot.com/2025/02/release-diversity-of-hardcore-techno.html

Queer Themes in 20th Century Music Culture Rebellion
https://thehardcoreoverdogs.blogspot.com/2025/06/queer-themes-in-20th-century-music.html

Libidinal Beats and Androgynous Bass Lines: LGBTQIA+ Politics Within the Soundwaves of Techno
https://thehardcoreoverdogs.blogspot.com/2025/06/libidinal-beats-and-androgynous-bass.html